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In this episode: Mark’s brother’s DVD collection pulls through, Kevin Smith is not the devil, and is Dogma (1999) “doodling in church” or a “thrill sermon for the mind”?
Music by Thomas Furr.
In this episode: A fan favorite episode idea is back, Mark steals a Wendy’s menu item for Burger King, and Dave has a little something for the fry freaks.
Music by Thomas Furr.
In this episode: Keaton’s one-liners are crunchier than McDonald’s McCripsy lineup, Doug gets a little too “nuts” for Dave’s sense of narrative justice, and, at the end of the day, is Multiplicity (1996) a “Vista de Nada”?
Music by Thomas Furr.
In this episode: Mark Missions himself into a new episode format, matching box office data proves elusive, and—awards aside—what are the real best movies of 1996?
Music by Thomas Furr.
In this episode: Mark is stuck in Cruise control, Dave throws shade at Obi Wan, and the week’s lists “lose a lot of good people to Liam Neeson.”
Music by Thomas Furr.
In this episode: Does Tom Cruise play other characters? Which movie overcomes its middle slump? And how does Bolt (2008) fit in to the MCU?
Music by Thomas Furr.
In this episode: Dave is high on Superman (or something), debates spark over Wicked: For Good and A Minecraft Movie, and the guys apparently didn’t learn their lesson about the power of animated movies.
Music by Thomas Furr.
In this episode: Dave tries to explain the connection between Easter, rabbits, and eggs; Mark reunites with Joey Slotnick; and which kind of chocolate bunny is Hollow Man (2000)—hollow or solid?
Music by Thomas Furr.
In this episode: Mark crosses his fingers for more Statham, Dave tries a new adjective for overlong movies, and can the guys talk their way out of any of Mickey 17 ’s (2025) clunkier moments?
Music by Thomas Furr.
In this episode: Baby Face’s (1933) New York City is populated by dopes, Dave—unsurprisingly—fumes at Babygirl’s (2024) empty business-speak, and Mark will be your father figure.
Music by Thomas Furr.
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