Cellist MIZU, (fka Issei Herr) classically trained at Juilliard, creates expansive waves of sound through the processing and layering of her instrument. Her debut record, Distant Intervals, includes ambient soundscapes that explore openness, vulnerability, and a sense of wonder, and is full of titles that hint at transformation, both musical and personal. There also seems to be a Zen element in her layers; they’re contemplative, yet quite ordered as they build delicate crystalline structures. MIZU, (fka Issei Herr) plays some of those pieces, as well as a brand new work where her acoustic cello interacts with forest sounds, in-studio. MIZU, (fka Issei Herr) shared a bill with percussionist Matt Evans at the Noguchi Museum on Sunday. Aug. 27. 
Set list: Prelude & Aubade, Flutter, Aveu (The Beginning Is a Farewell) feat. Maria BC
Watch "Prelude & Aubade": 
Watch "Flutter":
Watch "Aveu (The Beginning Is a Farewell)" feat. Maria BC:

The Transformative Sound-World of Cellist MIZU, (fka Issei Herr)

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Grace Cummings, the Australian singer and songwriter from Melbourne, has a strikingly rich and commanding voice, the kind that can cut through a big production. Which is good because Cummings has become known for her love of big, dramatic productions and gothic atmospheres. Her new album, Ramona, made in L.A., goes for a cinematic, emotional sound, and it brings Grace Cummings and her band to play some of her songs, in slightly smaller arrangements, in-studio.
Set list: 1. Common Man 2. Ramona 3. Work Today (And Tomorrow) 
Ramona by Grace Cummings

Grace Cummings Channels Emotion Into Powerful Vocal Poetry

Graham Haynes, the Bahia, Brazil-based composer, cornetist, and bandleader, “expands and confounds what we understand as jazz and electronic music.” His work grows out of a keen sense of New York’s many histories of music and musical movement, (Graham Haynes’ Instagram.) Haynes has played with jazz luminaries like Vijay Iyer, the late Pharoah Sanders, and of course his own dad, the famed drummer Roy Haynes. But he has always been interested in other styles – electronic music, hip hop, traditional music from other parts of the world, and contemporary classical music. Haynes, along with New York-based multi-instrumentalist Lucie Vitkova, do some improvisations involving cornet, electronics, accordion, synthesizer and more, in-studio.
Set list: 1. Improvisation 1 2. Improvisation with hichiriki / cornet

Composer and Cornetist Graham Haynes Confounds Expectation

New York’s The Jazz Passengers – despite the name – don’t just play jazz. Founded in 1987 by sax player Roy Nathanson and trombonist Curtis Fowlkes, the band has worked with spoken word artists, rock stars like Elvis Costello and Deborah Harry, and theatrical elements that have an almost modernist vaudeville flavor. Over the years the band would become a place where some of New York’s most creative musicians could spread their wings and have some fun. 
Their new album, Big Large, is a journey back through the band’s long musical history – it is also the last album made with Curtis Fowlkes, who died last year.  The Jazz Passengers is now a mix of the veterans and a new generation, and Roy Nathanson has led them all to our studio to play tunes by turns angular and searing, warm and masterful from the band’s repertoire.
Band members: Roy Nathanson, sax, voice; with Bill Ware, vibes; Brad Jones, bass; EJ Rodriguez, drums; Marc Ribot, guitar; Sam Bardfeld, violin; Lucy Hollier (Curtis' student, now playing his trombone); Isaiah Barr, sax;  Gabe Nathanson, voice and trumpet.
Set list: 1. Tikkun 2. Kidnapped 3. Jolly Street



Big Large: In Memory of Curtis Fowlkes by The Jazz Passengers

The Jazz Passengers Cover Themselves, In-Studio

Alice Merton burst out of the starting gate with her 2016 single "No Roots", a song that celebrated her nomadic upbringing in four different countries. Since then, the British-based German-Irish-Canadian singer-songwriter has released two albums of songs with somewhat introspective, perhaps brooding lyrics, set to uplifting and sunny melodies. When we last checked in with her in 2019, she’d just released her debut LP called Mint and was living in Germany. She has lately been touring on music from her new EP called Heron, and plays a stripped-down intimate set, in-studio, including her rearranged single, "No Roots". 
Set list: 1. Don’t Leave Me Alone With My Thoughts 2. Run Away Girl 3. No Roots 

Storyteller and Songwriter Alice Merton Plays In-Studio

Singer Kiran Ahluwalia was born in India, grew up in Canada, and is largely based here in New York. Her music reflects her transcontinental upbringing, as she mixes the sounds of traditional South Asian song forms with Western rock and jazz. A two-time JUNO (Canadian Grammy) winner, Ahluwalia’s work has featured collaborations with leading musicians from the Celtic and Fado worlds, as well as Malian super group, Tinariwen. Her six-piece band includes electric guitar, tabla, drum kit, accordion/organ and electric bass and is led by guitarist Rez Abbasi, a Pakistani-American who is also Ahluwalia’s husband. Her latest album, Comfort Food, features songs that protest Hindu fundamentalism in India and the nationalism that continues to stir conflicts between India and Pakistan and celebrates pancakes… Kiran Ahluwalia and her band perform some of these songs in-studio. - Caryn Havlik
Set list: 1. Dil 2. Tera Jugg 3. Pancake

The Transformative Sound-World of Cellist MIZU, (fka Issei Herr)

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