The singer Elisapie is an Inuk musician, filmmaker, advocate, and writer who has become a nationally-celebrated figure in Canada – her portrait appears on a postage stamp in that country’s Indigenous leaders series. Her latest album, Inuktitut, is notable for a couple of reasons: first, it’s sung in the language called Inuktitut, and second, it is an album of reworked songs by Fleetwood Mac, Led Zeppelin, Pink Floyd and more. Elisapie, in looking back to the songs of her youth, celebrates the resilience and joy of the Inuit people and the spirit of connection. She and her band play in-studio. 

Set list: 1. Uummati Attanarsimat (Heart of Glass) 2. Isumagijunnaitaungituq (The Unforgiven) 3. Arnaq

Named after being mis-identified while returning a uHaul, the pop’n’roll band We Are Scientists has been making melancholic, nostalgic, and melodic songs, familiar and fun, for some 20 years. Since their debut album With Love And Squalor, they’ve wandered into the worlds of comedy and English soccer while continuing their own spin on indie rock with and without synths. Keith Murray and Chris Cain, on their latest, Qualifying Miles, return to a more direct, "band in a room" sound, reminiscent of the '90s guitar rock heroes of their youth with pedal boards aplenty and rock waltzes. We Are Scientists, with touring drummer, Keith Carne, plays in-studio. 

Set list: 1. Please Don't Say It 2. Dead Letters 3. What You Want Is Gone

Eleanor Friedberger, best known as one half of the indie rock duo The Fiery Furnaces, has recently shifted her musical landscape, swapping out live instruments in favor of drum programming and synths for a sound that she can create mostly on her own. (Part of her desire to be more self-reliant, in the wake of the 2016 election.) On her 2018 record, Rebound, she channels the sound and energy of an experience at a very smoky 80’s goth disco in Athens where they do a “chicken dance.” Lyrical inspiration came to Friedberger from a biography about the poet Edna St Vincent Millay. Eleanor Friedberger brings these dark and smoky, yet groovy and poetic tunes to perform in-studio. (From the Archives)

The duo of Rachael & Vilray turns the idea of "Everything old is new again" on its head – making new things that sound really old. Over the course of three albums they offer a contemporary take on tin pan alley, the great American songbook, and vintage small combo jazz.  The duo’s latest album is West of Broadway and it brings Rachael & Vilray back to our studio to play some of these new and knowing songs. 

Set list: 1. Forever Never Lasts 2. Is It Jim? 3. My Key to Gramercy Park

New York based composer Cassie Wieland first unveiled her ambient songwriting project she calls Vines in 2023. Now she’s released a full LP under the name Vines – that record, called I’ll be here, is full of atmospheric, textural washes of sound and processed vocals that suggest a story rather than actually telling you one. The live version of Vines includes an unusually-constructed ensemble: Wieland on keyboards, synths, vocoder, and vocals, Adam Holmes on a Sensory Percussion Kit, and Adrianne Munden-Dixon on violin. Vines plays some of these inviting, cinematic song-scapes, in-studio.

Set list: 1. Evicted 2. Tired 3. I am my home

Indianapolis-based group 81355 (pronounced ‘bless’) is a collaboration between the rapper/singers Oreo Jones and Sirius Blvck, and the lyricist/producer Sedcairn, and while they’re clearly rooted in hip hop, they’re not bound by it. On their impressive new album Bad Dogs, the band races through electropop, future soul, grunge, and avant-garde boom-bap, all the while designing a hazy and heavy Afrofuturist take on a live band augmented by electronics - supported by members of their "Naptown" underground music community. They play music from their latest, 'Bad Dogs', in-studio for the #SoundcheckPodcast.

Set list: 1. Heart of Stone 2. Guitar 3. Capstone

In 2000 the Bad Plus helped usher in the new century with what looked like a 20th century jazz piano trio, with music ranging from groove-based originals to covers of Black Sabbath and Igor Stravinsky. Over the past quarter century they’ve repeatedly surprised listeners. Lately founding members Reid Anderson (bass) & Dave King (drums) with no piano at all have formed a quartet with reedist Chris Speed and guitarist Ben Monder. The Bad Plus’s latest album is called Complex Emotions and they play some of these compositions in-studio.

Set List: 1. Casa Ben 2. French Horns 3. Carrier

Cautious Clay is the stage name of singer, multi-instrumentalist and songwriter Josh Karpeh. He burst out of the gate with his song “Cold War” in 2017, a song that was later sampled by Taylor Swift in her track “London Boy”.  Cautious Clay’s music blends R&B, neo-soul, jazz, and more, and his subsequent output includes cowriting with John Legend and of course his own records, the most recent of which is called The Hours: Morning.  Cautious Clay and his band play new music, in-studio. 

Set list: 1. Fade Blue 2. Tokyo Lift (5am) 3. Art Museum

The Hours: Morning by Cautious Clay

Bandleader, educator, and improviser Brandee Younger plays the harp. But while she has classical training and knows her way around Ravel and Debussy, she has long been fascinated by harpists like Dorothy Ashby and Alice Coltrane, Black women who created new spaces for the harp in the worlds of jazz and pop.  Brandee Younger’s new album is called Gadabout Season, and on it, she plays her own compositions, and plays them on Alice Coltrane’s own harp. She and her trio play in-studio.

Set list: 1. Gadabout Season 2. New Pinnacle 3. BBL

Larry & Joe is a duo that blends the traditional folk music of Venezuela and Appalachia. The duo consists of Larry Bellorin, who has mastered the folk harp of Venezuela, and Joe Troop, who led the Latin-tinged bluegrass band Che Apalache. Larry, a legend of Llanera music, came to America in 2016 as an asylum seeker and describes his current immigration status as “limbo.” Joe Troop is a banjo, fiddle and guitar player who has written songs about migration, and works with asylum seekers; he relocated to North Carolina to be in this duo with Larry. 

Together, they’ve blended their musical inheritances and traditions performing on harp, banjo, cuatro, fiddle, maracas, guitar, and upright bass. Their latest is called Manos Panamericanos, and they’re on a mission to show that music has no borders. Larry & Joe play in-studio.

Set list: 1. Golpe de Garza 2. Silver Lining  3. The Dreamer