Soundcheck

California-based harpist Lara Somogyi may be classically trained, but there’s nothing classical about her approach to making music. She surrounds herself with several effects pedals to expand the sound of her harp into an otherworldly orchestra.

Between her technical skillset and deep understanding of electronic music production, Somogyi has carved a path of her own, both as a session musician recording for film and TV scores such as Hans Zimmer’s The Lion King and the Netflix series Bridgerton, as well as a collaborator to electronic experimentalists like Bonobo and Ólafur Arnalds.

On her new record, titled a [time] patterned, Somogyi reinforces the relationship between her existential contemplations and sound design adventures. “This record was all really born from my curiosity on how we experience time,” she says, adding that she experiences time in a sensory way, associating various periods of her life with the sounds she hears, like crickets or rustling birch trees in the summer. Becoming obsessed with the idea that “music can decorate our time”, Somogyi began to layer and alter the timing of her plucked harp sequences, stretching them into ambient soundscapes or crystallizing them into fragmented pieces through electronic processing. Every tool she used on the record was a time-based tool, and she brings some of them to our studio for an unforgettable performance, featuring a string quartet with Laura Metcalf on cello, Angela Pickett on viola, and Maria Im and Caroline Cassio on violin, for this episode of Soundcheck. - Sırma Munyar

Setlist: 1.mirabel 2.elsewhere 3.acceptances

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Hardships tend to take time to overcome, and some songwriters turn to music to process their emotions as they move from one battle to the next. Two of those songwriters are Steve Earle and Anjimile, who come from very different walks of life. Steve Earle has earned multiple Grammy Awards and an induction into the Grand Ole Opry in Nashville after spending decades reflecting on his experiences as an activist, actor, and a man who happened to go through seven marriages and spend a couple of months in jail for drug possession. Anjimile, on the other hand, was born to immigrant parents from Malawi who were both devout Christians, which made his journey as a trans man a complex situation that kept unraveling as years went by. As Anjimile performs some new songs that explore sexuality, gender, spirituality, and more, Steve Earle plays some of his old hits that document the troubled but full life he has lived, for this edition of Soundcheck. 

Steve Earle's Setlist: 1.Copperhead Road 2.City of Immigrants

Anjimile's Setlist: 1.Rust & Wire 2.The Store 3.Waits for Me

Watch the live performance videos on our YouTube channel: https://www.youtube.com/newsoundsmusic

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During her two-decade career, the singer, actor, playwright and two-time NAACP Image Award winner Somi has blended the sounds of American and African music – jazz and R&B, but also Afrobeat, folksong, and highlife. Her last album was a tribute to the South African singer Miriam Makeba; that record also served as a companion to an Off-Broadway musical that Somi wrote – under her full name Somi Kakoma, called Dreaming Zenzile.

Now a Harvard PhD recipient (the Creative Practice and Critical Inquiry Program), Somi has a new album of original music called What Does It Take To Bloom. Written and recorded between Dakar, Lagos, Paris and New York City, Somi’s latest explores the many facets of self-discovery – questions of becoming and of identity (she is the Midwestern daughter of immigrants from Uganda and Rwanda) – and navigates uncertainty, loss, and change (Somimusic.com). Somi joins us to perform some of these songs, in-studio.

Photo of Somi by Knoor The Luo

Set list: 1. We're All Falling 2. Ngayaya 3. Aiwah
Watch the live performance videos on our YouTube channel: https://www.youtube.com/newsoundsmusic

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Australian singer Grace Cummings is the kind of songwriter who believes in the spontaneity of the creative process. “I’m a loner. I talk to myself a lot,” she says, and amid those internal conversations, she stumbles upon some mistakes that eventually lead to good writing. She’s no longer a stranger to how songs make their way out of her brain, having already recorded four albums. Her latest record, titled Bloodhorse!, is filled with snapshots of her tumultuous emotions, referencing both religious and mythological themes in a grand musical context of orchestral folk-rock arrangements. But when she picks up the guitar or sits in front of a piano for a solo performance, it’s hard to predict how far she’ll stretch her deep, soulful voice into visceral cries that, evidently, can’t be contained.

For this edition of Soundcheck, Cummings performs a few songs from her latest record in a way that can only be described as personal, inimitable, and untamed. - Sırma Munyar

Setlist: 1.John Lennon 2.I'm Not Crazy 3.FAKE

Watch the live performance videos on our YouTube channel: https://www.youtube.com/newsoundsmusic

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Blackstar was David Bowie’s last record, a musical farewell, and it featured the sax player Donny McCaslin. In fact, Bowie ended up using Donny McCaslin’s whole band for that album. The experience led McCaslin to expand his already restless musical palette, and on this episode of Soundcheck, he brings his quintet to our studio to play some of his post-Bowie tunes. There's also a visit with Guitarricadelafuente, a rising young Spanish singer and guitarist with a couple of high profile collaborations of his own - with Australian pop star Troye Sivan. He’s also had two hit singles in Spain, and he’ll play songs from his album Spanish Leather, a title borrowed from Bob Dylan. Guitarricadelafuente and his band play an intimate set in our studio.

Donny McCaslin Quintet Set list: 1. KID 2. Solace 3. Mercy

Guitarricadelafuente Set list: 1. Poses 2. Mataleón

Photo of (L) Guitarricadelafuente by Pedro J Pacheco, CC BY-SA 4.0 , via Wikimedia Commons

Photo of (R) Donny McCaslin courtesy of the artist

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Wendy Eisenberg is a Brooklyn-based guitarist, improviser, and songwriter who uses guitar, pedals, the tenor banjo, the computer, the synthesizer and the voice. They are also a professor of songwriting, and a constant collaborator in many different circles: with the improvising trio Squanderers, an art rock band called Editrix, and the minimalism-inspired guitar quartet led by Bill Orcutt, to name a few. Their latest album, also called Wendy Eisenberg, is full of tracks that almost present as conventional songs, but which actually dance around form and genre. Some of them may be indebted to jazz, and also inhabit the in-between space where folk, pop, outsider country music, and math rock all hang out.

OH. And the riffs! Their masterful fingers climb through odd rhythms, spidery melodies, and unexpected progressions, taking sudden swerves and turns while still creating a sense of spaciousness. On the record, the songs also feature contributions from friends and collaborators on pedal steel, strings, synth, bass, drums. Over this all, Eisenberg’s clear voice conversationally addresses time – reflecting on memories, embracing change, growing - while they describe “moving through this new world right now,” (Bandcamp). Wendy Eisenberg plays some of their songs in a solo set, in-studio. – Caryn Havlik

Photo of Wendy Eisenberg by Eleanor Petry

Set list: 1. Meaning Business 2. Vanity Paradox 3. Will You Dare

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The artist known as Everlast was the lead rapper in the group House of Pain, whose single “Jump Around” remains one of hip hop’s most familiar songs. But in the 1990s he began adding bluesy guitars to his songs, creating enormous hits like “Put Your Lights On,” his collaboration with Santana, and the plea for empathy called “What It’s Like.” Everlast is still writing songs, and his latest album – his first in eight years, Embers To Ashes, was produced by Yelawolf and recorded in Nashville. It’s a collection of unflinching and moving songs that tell tales of glory grasped and lost, along with hard-earned wisdom and warnings. Everlast plays a stripped-down set in-studio.

Photo of Everlast by Lisa Franchot

Set list: 1. Losing Man's Game 2. Happy You Can Cry 3. Stones

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It’s common for songwriting artists to process their emotions through composing music. LA-based folk singer Annahstasia spent many years crafting her debut album, Tether, doing just that, without a metronome guiding her: “We’re human beings in a room following our heartbeats and the natural rhythm that we feel together… My production style is essentially like energy doula-ing,” she says. As for English baroque pop experimentalist Patrick Wolf, the making of his latest album, Crying the Neck, as well as other batches of new songs he’s been releasing that ended his decade-long hiatus, was a way to acknowledge that he was “a damaged vehicle”, after losing his mother to cancer and struggling to recover from a hit and run. Both artists are known for their big, often orchestral songs, but on this edition of Soundcheck, they each put on a solo performance, revealing the raw side of their lyrics and melodies.

Annahstasia's Setlist: 1.Be Kind 2.Slow

Patrick Wolf's Setlist: 1.Enter the Day 2.The Last of England

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Norwegian singer-songwriter Sondre Lerche defines himself as a “chord progression artist”: “You establish a pattern, and then of course, you have to break it,” he says. This line of thinking is likely what drives him to disrupt the normal sequence of his daily life too, by staying out all night before a recording session, just to tap into the right emotion for a song the next day. Some artists don’t respond well to structure while creating and Sondre Lerche is definitely one of them. Whether he’s exploring acrobatic melodies that push his lungs to their limits or jumping from one genre to another, he seems to put the art first and figure out where he fits in it as a vessel later.

Sondre Lerche’s latest album, aptly titled Acrobats, contains a big, cinematic sound, while blending elements of folk, jazz, pop, and rock. But his background in musical theatre becomes more apparent when it’s just him and his guitar, as he addresses the subjects of his songs as though they’re right by his side with unmistakable realism, for this episode of Soundcheck. - Sırma Munyar

PS – Sondre Lerche is on tour in North America and Europe this Fall: https://www.sondrelerche.com/tour

(Photo of Sondre Lerche by Hilde Solli)

Setlist: 1.Little Kids 2.Acrobats 3.How Much of This Was Planned

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Shearwater is the project of singer, songwriter, and ornithologist, Jonathan Meiburg, who recently took a trip to the Antarctica to study the “the bizarre life of the polar seafloor” and wrote a book called A Most Remarkable Creature : The Hidden Life of the World’s Smartest Birds of Prey. As he made significant attempts at understanding his natural surroundings, Meiburg also had several collaborators in Shearwater. Now, he’s back with a new album titled, The New World, joined by pianist Emily Lee and multi-instrumentalist Dan Duszynski.

On the album, the band is also joined by a wide array of other respected musicians, from Firaz Zriek on qanun to Shahzad Ismaily on drums, bass, synthesizers, and more. But they bring a couple of other contributors to our studio: legendary avant-garde artist Laurie Anderson on vocals and violin, and Doug Wieselman on clarinet. Together, they perform skeletal, subdued, and sophisticated renditions of some of their cerebral new songs.

Jonathan Meiburg of Shearwater will be at Rough Trade Below on Thursday, September 17th, in New York, for a live acoustic performance and signing. - Sırma Munyar

Setlist:1.Daydream Unbeliever 2.More and More 3.You and Your Dog

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