Soundcheck

Music can be a serious business. But no one says, “I work music.” You play music. In this episode, discover two very different musical acts who understand the significance of having a playful streak. First, we welcome three best friends who formed the indie rock band Horsegirl when they were still in high school in Chicago; they play a couple of songs from their sophomore album, “Phonetics On and On.” Later, New Orleans-born, three-time Grammy-winning jazz pianist and composer Sullivan Fortner makes good use of our piano, performing some of his original music as well as a piece by Chopin in a way only he can.

Horsegirl Set list: 1. Where'd You Go 2. Switch Over 3. 2468

Sullivan Fortner Set list: 1. Grandpa's Spells (Jelly Roll Morton) 2. It's A Game 3. Chopin's Valse Du Petit Chien

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What happens when an electric guitar is used to interpret music from cultures that completely ignore the Western tonal system? Guitarist Marisa Anderson dove into the depths of late filmmaker Harry Smith’s record collection to find out. While Smith himself once did similar research to compile his influential Anthology of American Folk Music, Anderson was more interested in compositions and improvisations that emerged outside of her country. She felt particularly drawn to recordings from places the United States has been in conflict with for decades, which led her down the path of producing her own Anthology of UnAmerican Folk Music.

Transcribed in her “first language”, the electric guitar, and accompanied by soundscapes built with keyboards, the accordion, and other instruments, Anderson carefully arranged pieces from Afghanistan, Yemen, Vietnam, and more. As she bent the strings of her guitar to achieve some form of microtonality, she kept questioning the concept of being unamerican: “Who are the people we’ve been told in our lifetimes are “unamerican?” What have we lost or been denied access to in the fallout from that label?”

Anderson brings some of her interpretations to our studio for a solo performance and explains her process. “This project changed me permanently… I’m a better listener,” she says, as she approaches each new territory with the curiosity and joy of a child in a candy store. (- Sırma Munyar)

1. Hamd 2. Sarvi Simin 3. Taqsim for Guitar

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Photo of Lara Downes by Ebru Yildiz

Pianist Lara Downes has spent the last couple of years traveling the country and collecting not only music, but also stories, for a pair of projects that celebrate America at 250. One is her multimedia piece called The Declaration Project, and the other is an album of music that spans at least 250 years of American history called Hold These Truths, which amplifies the stories gathered in her Declaration Project. The music ranges from before the nation’s founding to new works – an overall reflection on revolution, resistance, and resilience from early 20th century composer Harry T. Burleigh to Nigerian-American composer Shawn Okpebholo. Lara Downes plays some of these works, in-studio. 

Set list: 

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The New Orleans band Tank and the Bangas have been public radio favorites since they won NPR’s Tiny Desk Contest in 2017. Since then, they’ve built their considerable reputation on their high octane, dance-ready blend of R&B, hip hop, spoken word and pop. The Grammy-winning band has some new songs to play for us from their latest album, The Last Balloon. After that, we welcome Rodney Crowell into our studio, who helped create the genre known as alternative country. He’s written #1 hits for himself and artists like Bob Seger and Waylon Jennings, as well as collaborating with Johnny Cash, Willie Nelson, Sheryl Crow and, most notably, Emmylou Harris. He joins us to tell some tales and give us a taste of his 2025 album, Airline Highway. 

Setlist: 

1. Tank and the Bangas - "Move" 

2. Tank and the Bangas - "No Invite"  

3. Rodney Crowell - "Rainy Days in California"  

4. Rodney Crowell - "21 Song Salute"  

5. Rodney Crowell - "Taking Flight"

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For Dallas-born folk singer-songwriter Anjimile, who grew up in a conservative Christian family with immigrant parents from Malawi, life wasn’t always easy to figure out. His journey as a young adult, trans man, while simultaneously battling addiction, resulted in the brutally honest 2020 album, Giver Taker, which the artist deemed to be full of prayers. A few years later came The King, his most defiant and intense record to date, which helped Anjimile deal with the complex emotions that stem from existing as a Black, trans person in the current political climate. And though that album felt like one filled with curses, the latest addition to his discography, titled You’re Free to Go, appears to be “an album of blooming.” As Anjimile puts it, “a lot of the themes are related to transformation and/or growing pains… a blooming spring is a beautiful thing but it’s also a disruption to the status quo.” 

As his voice deepened and grew in confidence, Anjimile discovered “a newfound level of comfort”, both in singing and composing his music. And though he appeared on Soundcheck before, he returns with a new sonic palette and stories, encapsulating moments of acceptance and eagerness to let love in.  (- Sırma Munyar)

Set list: 1. Rust and Wire 2. The Store 3. Waits For Me

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Elizabeth Ziman, who performs as Elizabeth and the Catapult, is a singer-songwriter from Brooklyn. Over the past twenty years, she and a slowly rotating cast of musical friends have released six LPs, full of songs that offer a neat, often unexpected blend of the witty and the vulnerable. Her latest release is called Responsible Friend, "about slowing down in a world that keeps accelerating. It’s a commitment to friends, family, and self, at a time when everyone seems to be carrying more than they can reasonably hold" (Bandcamp). Elizabeth and the Catapult play in our studio. 

Set list: 1. 50/50 2. When the Doctor Needs A Doctor 3. I Love You Still

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of Soundcheck, revisit a special live performance and interview from our archives, recorded in 2019. Multi-instrumentalist, composer, host of the podcast Aria Code, and MacArthur Fellow Rhiannon Giddens collaborated with Italian pianist and percussionist, Francesco Turrisi on there is no Other: twelve songs that explore the connections between European, Arabic, African-American, and Mediterranean sounds with an opposition to "othering" and “a celebration of the spread of ideas, connectivity, and shared experience” (Nonesuch Records).

The duo’s artistic cross-pollinations and discoveries draw from Italy, Ireland, Iran, Africa, and Brazil, among other places, and reflect the history of the movement of both people and instruments (with particular attention paid to both the trans-Saharan and the trans-Atlantic slave trade). Giddens and Turrisi have mentioned in interviews that audiences probably won’t be thinking about how cultures meet, collide, and create new forms. But perhaps as the players weave their magic, the result might also be that the music will start deep and productive conversations about migrations. Rhiannon Giddens and Francesco Turrisi, along with bassist Jason Sypher, join us in-studio to perform some of these songs. – Caryn Havlik

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The London-based art rock band, Mary in the Junkyard, is getting ready to release their debut album after four years of trying to make sense of strange things in life through music. “I think that life is very surreal,” says the vocalist of the group, Clari Freeman-Taylor, as she explains why she enjoys “writing about things that may be a little bit unsettling”. Nothing about the order of life is rehearsed, so why should their music be? Their practice relies heavily on their songwriting and arranging rituals where they carefully piece each layer of sound together. But preparations for live performances are enforced with a spirit of spontaneity, which, as the viola and bass player Saya Barbaglia points out, is a big part of their sound. 

The duo blurred the rigid lines of classical music together as they grew into their teenage years with rock music. They traded hours of sight-reading for jam sessions that led to endless scraps of ideas. Those ideas would eventually become fully fleshed-out songs with the addition of drummer David Addison to the band. 

Mary in the Junkyard’s upcoming LP, Role Model Hermit, carries hints of Freeman-Taylor and Barbaglia’s classical music background, as dense string arrangements pop up every now and then. But in our studio, the trio reveals the core of each song they perform: raw, skeletal, dark, and light, all at the same time. (- Sırma Munyar)

Setlist: 1. New Muscles 2. Myrtle 3. Blood

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Bassoonist Joy Guidry is a versatile improviser, performance artist, and composer of experimental ambient electronic music, who has founded her own record label, Jaid Records. While she is classically-trained, she has also listened deeply to some of the spiritual jazz of Pharoah Sanders, Alice Coltrane, Shabaka, and Nala Sinephro, and collaborates widely, most recently at the Park Avenue Armory in New York with Jessie Cox, Tcheser Holmes, and Scott Li. Her latest album Five Prayers, is a collection of works for bassoon with electronics, in which the Houston-born musician and sound architect takes inspiration from the spirit of the Black church and atmospheric sounds of ambient music. Joy Guidry performs in-studio. 

Set list: 1. Georges 2. Dear June 3. You've Done What You Can

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Imagine the tropical grooves of Colombia and Mexico in an avant-garde setting. That’s the ethos of Ruido Tovar; the new collaborative project between Eblis Alvarez of Meridian Brothers and Camilo Lara of the Mexican Institute of Sound. 

Before releasing their debut self-titled record together, both Alvarez and Lara were known to experiment with electronics, fusing modern sounds with music styles that are typically considered traditional. Alvarez put a spin on cumbia and salsa with his band Meridian Brothers, while Lara pushed the electronica movement in Mexico forward with his project, the Mexican Institute of Sound. 

Coming together as Ruido Tovar, the duo joins the Soundcheck host, John Schaefer, with their pocket-sized effects pedals and compact synthesizers to perform some new songs from their new record and discuss their journey in music thus far.  (- Sırma Munyar)

Setlist: 1. El Campeon 2. Concorde 3. Ritmo Babilonia

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.