The Tune Project Podcast

Carolyn is a Los Angeles-based singer-songwriter, fiddler, guitarist, and producer. After many happy years on the road as a side musician, she has blossomed as a solo artist since issuing her debut EP Tear Things Apart in 2020. Heralded as “hauntingly lovely” (Paste Magazine), you won’t want to miss a Carolyn Kendrick live performance.

After graduating from Berklee College of Music, Carolyn criss-crossed the country with her former duo project The Page Turners. She has shared the stage with beloved artists such as Darol Anger, Bruce Molsky, Aoife O’Donovan, Kaia Kater, Hannah Read, Margo Price, The Clements Brothers, and Jacksonport. She has played festivals such as Newport Folk Festival, Greyfox Bluegrass Festival, Savannah Music Festival, and won awards such as the Freshgrass ‘Best Duo’ Award, The Fletcher Bright Award, and was the Fall 2023 Composer In Residence at the University of the Pacific. 

In addition to her songwriting career, Carolyn is active in the Bluegrass and Old-Time fiddle scene and has produced and written music for the award-winning podcasts You’re Wrong About and You Are Good.

Her forthcoming album, Each Machine, is a collection of traditional and original political folk songs inspired by her time researching The Satanic Panic for the history podcast You’re Wrong About. These songs are modern, electric re-imaginings of hymns, murder ballads, pagan chanting, and even songs of devil-worship. The full album, both physical + digital copies, as well as an accompanying zine of behind-the scenes photography and essays, will be released December 6, 2024 on High Occulture Records.

https://www.carolynkendrick.com

Songs featured in the episode, in order of appearance:

“Devil’s Nine Questions”

"Leela"

"Perfect World"

Some of the topics we cover during our conversation today are:

- How history repeats itself and what we can learn from it from both a musical and humanity standpoint

- How songwriting and traditional instrumental music can and should coexist

- The intersection of folk music, religion, and politics

Rooted in tradition with an ear toward the future, contemporary folk duo Rakish embody earnest musical exploration and an infectious playfulness on their new album Now, O Now. Fiddler Maura Shawn Scanlin, acclaimed for her expressive playing, was raised in North Carolina’s Appalachian Mountains. Her songwriting and clawhammer banjo technique hint at regional old-time ballads. Further north, guitarist Conor Hearn grew up steeped in the venerated Washington, D.C. Irish music scene and developed a keen interest in literature and poetry. His setting of James Joyce’s poetry on the title track as well as “Lightly Come or Lightly Go” epitomizes the duo’s approach: the dextrous alchemy of the old and the new into something wholly Rakish. The pair’s deep musical connection and unbridled love for pushing traditional sounds forward is striking. Just listen to the fiddling on “765” featuring trancey electronic dance production by Jamie Oshima or the epic tune “The Morning Glory” which is set atop an evocative, melancholic drone. It’s clear Rakish refuses to be pigeonholed into one genre and are most comfortable occupying the inbetween. On Now, O Now , set to release Oct. 11, they journey through Celtic and Americana styles, deftly showcasing how to bring forth something new from the deep well of tradition.

Songs featured in this episode, in order of appearance:

- "Lonely Hotel Room"

- "765"

- "Lightly Come, or Lightly Go"

Some of the topics we cover during our conversation today are:

- The beauty of genre-crossing

- The thriving folk music scene in the Northeast U.S.

- Cross-generational collaboration as a distinctive feature of the folk music community.

https://www.rakishmusic.com/

https://www.instagram.com/rakishduo/?hl=en

Louise is a USA-based Scottish musician and photographer who uses both mediums to tell stories old and new.

Growing up in the culturally rich Orkney islands gave Louise a solid grounding in music: she started playing fiddle at the age of 7. Since then she has honed her craft at Glasgow’s renowned session scene while studying at the city’s Art School, before winning a scholarship to Berklee College of Music, Boston. Masterfully blending traditional and classical arrangements, her work is thoughtful, and complex, curious and playful. She composes in response to her roots and the world

around her; weaving through stories of connection to people, nature, the past and the possibility of the future. 

You’ll hear excerpts from a few of Louise’s original tunes throughout the episode, starting with the title track from her newest album “The Lost Summer”, a lively tune featuring a chorus of unison fiddles. Later, you’ll hear a breezy strathspey called “Adam & Eric’s”, and to round out the episode, “Pinnacle”, a tune characterized by a driving, percussiveness, and featuring a mandolin mirroring the fiddle melody, along with some fun harmonies.

Some of the topics we cover during our conversation today are:

- The crossover between Scottish and New England fiddle traditions

- The benefits of studying folk music from cultures outside of our own

- How having multiple mediums as an artist can give us a unique perspective

Links to Louise Bichan's music:

https://www.louisebichan.co.uk/

https://www.youtube.com/c/LouiseBichanOrkney

Raised in a small town in Maine, Lissa grew up surrounded by music. She began playing fiddle at the age of six, inspired by her parent's interest in folk music. In 2001 she graduated from the New England Conservatory of Music with a degree in Contemporary Improvisation. She has been writing, performing, and teaching music around the world ever since.

Lissa’s most recent album, Falling Forward, is a collection of Lissa’s original fiddle tunes and two traditional New England songs, and the result of processing her experience of living through the Covid-19 pandemic. Falling Forward was recorded in Springfield MA with a cast of all female musicians and some of the most influential musicians in traditional music today. The tunes range in tone from that of a riotous fiddle party where you’d imagine floor boards thumping, bow hairs flying, and instruments and dancers in every corner, to more somber and introspective. The album features music for both meditation and release, all of which feels appropriate in processing our collective experience as a society over the last few years.

Over the last several decades Lissa has made music that has showcased everything from traditional New England dance tunes, to original songs inspired by her experience as a foster and adoptive parent. Falling Forward has blended her love of traditional music with her love of writing, in her first fiddle forward album in over a decade. 

You’ll hear excerpts from a few of Lissa’s original tunes throughout the episode, but to kick things off, we’ll start with the title track from her aforementioned album “Falling Forward”, an upbeat number with fiddles powerfully playing in unison and harmony. Later in the episode, you’ll hear a sample from the aptly named, foot-stomping 3-tune medley, “Step Aside/Move on Over/Patriarchy Is Dead”, and to round out the episode, “Susan’s Garden March/Summer Rain”, a lovely, meditative tune combo featuring piano and fiddle.

Some of the topics we cover during our conversation today are: the importance of ear training in folk music, taking responsibility for gender imbalance in traditional music, and the forever  symbiotic relationship between music and community. 

Lissa Schneckenburger's music and teaching:

https://www.lissafiddle.com

The Arizona-born, Nashville-based Danielle Durack’s music combines the pop sensibilities of childhood favorites like Sara Bareilles with a modern wit that slots her right next to contemporaries like boygenius and Hop Along. Beginning with debut album Bashful, Durack’s developed her sound into something mature and emotionally complex, without skimping on the hooks and humor. Her third album, Escape Artist, arrives February 16th. 

Following Bashful, a breakup led to an artistic breakthrough. her sophomore record, No Place garnered praise from Pitchfork, NPR, and other outlets for its honest portrayal of a long term relationship’s dissolution. No Place was released in the middle of an intense, lockdown-induced writer's block. Once she started writing again, music became her solace and a place to safely process the emotional turmoil of the past year. The title, Escape Artist, is a reflection of this.

Escape Artist, recorded with Samuel Rosson, is her densest, most emotional record to date. The topics are more wide-ranging - lighthearted breakup narratives now coexist alongside darker material about anxiety and codependency. The soundscapes where Durack finds herself on Escape Artist, in and of themselves, are someplace heavenly and otherworldly in which to lose herself for just a little while: she says, “Music has been a safe place for me to go to all this time.”

Some of the topics we cover during our conversation today are: the challenges and excitement of starting over in a new place, processing our inner and outer world through song, and escapism.

Danielle Durack's Music:

https://open.spotify.com/artist/6GW3s0BFKxz18pDxGXPQnG?si=zjzxGaqZQByT-drmlLUtMw

https://www.danielledurack.com/

https://www.danielledurack.com/

Josey is a soul pop artist hailing from Houston, Texas. After graduating from Columbia College Chicago with a Bachelor of Music degree in 2017, Josey moved to Nashville to further pursue her artist and songwriting career. Her talents have led her to perform at numerous venues such as The Chicago Theatre, The Listening Room, Country Music Hall Of Fame, City Winery, The Basement, Auditorium Theatre, Exit/IN, The Bedford and House Of Blues. Josey has also performed with gifted songwriters/musicians such as Carrie Underwood, Diane Warren, Corey Henry, Allison Russell and Shawn Mullins. She was crowned the winner of talent competition "The Fame Chicago" in 2016, and landed on her first Spotify editorial playlist with her song "Energy" in 2020.

Josey sings to express, not impress. She strives to create a unique balance of soul, pop and alternative r&b, and Her songwriting focuses on self love and overcoming obstacles she’s faced as an underdog, Including the struggles and successes that come with navigating through life, relationships, and growing up. With her eclectic sound, soaring vocals and compelling lyrics Josey is creating her own path within music.

Topics of the episode:

- Expressing truth in song

- Navigating Nashville's music scene as a Black woman

- Loving and accepting yourself as you are

The songs Josey performed on this episode are "Limelight" and "Energy".

Josey's music and social media:

https://www.joseyofficial.com/

Raised in the small town of McMinnville, Oregon, Barie emerges as a mesmerizing voice in the realm of alternative rock here in Music City. 

With a profound passion for writing original music, and an innate ability to craft captivating melodies, Barie's journey through music is one of authenticity, creativity, and resonance.

Born into a family of musicians, Barie's passion for music was ignited at a young age. Her early years were filled with the sound of guitars and original music written and recorded by her parents, laying the foundation for her future artistic endeavors.

 With a boundless curiosity and an unquenchable thirst for self-expression, she began experimenting with her own melodies and lyrics, uncovering a natural gift for crafting evocative tunes.

Barie's lyrical prowess often touches on themes of self-discovery, love, loss, and the intricate tapestry of human emotions. Her songs serve as a medium through which listeners can explore their own feelings and experiences, finding solace in the melodies and comfort in the lyrics.

In an era where authenticity often shines the brightest, Barie stands as a beacon of genuine artistry. Her soulful voice, poetic lyrics, and unwavering dedication to both music and connection, create a powerful synergy that resonates deeply with fans. With each performance, Barie invites listeners to embark on a shared emotional journey—one where the magic of melodies, and the importance of expression intertwine. 

Some of the topics we cover during our conversation today are: showing up as your authentic self as an artist, surrounding yourself with people who have your best interest at heart, and setting aside the ego to make room for magic in the studio.

Songs featured in this episode: “Children of the Corn” and “Chalklines and Bloodstains”

Barie's music and social media:

https://bariemusic.com/

https://open.spotify.com/artist/6syjRFPJMnUlcVlB80wCHc?si=qVlexQDHTraSr_Cs0A1rAw

https://www.instagram.com/barieoriginal/

Julia Cannon is a Nashville-based songwriter, recording artist and music producer who is hard to forget. Recently lauded for her “beautiful balladry” by Rolling Stone (2022), Julia’s soothing, honeyed voice and quirky personality offer a refreshing, vibrant contrast to the bittersweet honesty of her lyrics and uncertain times for those listening.

Julia was raised in Alaska by a hardworking Filipino mother, in a household she could only describe as “unorthodox.” While surviving adversities, Julia Cannon developed her wicked sense of humor and offbeat persona early. As one of very few people of color in a mostly white, ultra-conservative community, Julia’s creative voice cemented her identity as a young woman who could not - and would not - be overwritten.

Julia Cannon’s sound has been described as playful and relaxing, but her tone transcends the folk-pop genre to include soul, rock, and jazz influences. She credits her genre-bending style to influences such as Ella Fitzgerald, Paul McCartney, and Stevie Wonder. In July of 2021, she released her EP Listening, which received positive feedback from both fans and the press. Most recently, Julia made her debut at Newport Folk Festival, with resounding applause and a nod from Rolling Stone. 

Julia has a growing fanbase in Nashville, who join an existing community of ardent supporters both at home in Alaska and across the US. She is quickly becoming a fan- favorite on the popular social media platform TikTok, with over 14K followers. Known for her outstanding musicality, disarming persona, beauty, style, and offbeat humor, Julia Cannon is a bright star to watch. 

Some of the topics we cover in this episode are women in music, the importance of looking after our mental health, fearlessly breaking stereotypes, embracing the cringe, and going where the joy is.

Julia Cannon's music & social media:

https://www.juliacmusic.com/

https://www.juliacmusic.com/

https://open.spotify.com/artist/6q6hnJk36sgFGT2p2OYtLH?si=mdXcipZsQoeZzzkp8jWlvQ

Mental health & financial resources mentioned in the episode:

https://agapenashville.org/counseling/

http://restorecounselingnashville.com/treatment/artists/

https://www.unitedwaygreaternashville.org/financial-empowerment-center/

Fernando Ortega is a recording artist based in Albuquerque, NM, and played an instrumental role in the Christian music renaissance of the 1990s. As a young adult, Fernando was involved in music education and ministry, and soon after, began touring as a Christian singer-songwriter. Fernando is best known for his thoughtful arrangements of traditional hymns, including “Give Me Jesus” and “Be Thou My Vision”, which, through their success, made him one of the most prominent Christian artists in the world.

Fernando has an extensive discography of 22 albums, he has won 3 Dove awards, and has had songs rank on the Billboard 200 and Billboard Christmas album charts. He’s also toured with Amy Grant and Vince Gill, and recorded with Alison Krauss and Union Station. 

Some of the topics we cover during our conversation today are challenges as a songwriter - specifically within a religious community; how it was the music of Brahms that, as a teen, encouraged him to find new meaning in life; and the solidarity Fernando hopes to find with his listeners through his songs.

The songs featured in this episode are, in order of appearance:

"Mildred Madalyn Johnson" by Fernando Ortega, released in 2004 on album "Fernando Ortega". Provided by Curb Records, Inc.

"Traveler" by Fernando Ortega, released in 2002 on album "Storm". Provided by World Entertainment.

"Dragonfly" by Fernando Ortega, released in 2004 on album "Fernando Ortega". Provided by Curb Records, Inc.

Fernando Ortega's music and social media:

http://www.fernandoortega.com/

https://open.spotify.com/artist/6mGZXaZ4SWNh6IsJ57thCp?si=6WsV26DCS7eCt5ADO_Ckow

https://www.instagram.com/fernandoortegamusic/

My guest today is Matt Bowen, an ASCAP award-winning composer based in Los Angeles, California. A classically trained violinist from the age of three and later a member of a touring youth symphony, Matt ultimately shifted to working behind the scenes. He teamed up with record producer Matt Wallace (Maroon 5, Faith No More) and worked as an engineer on RIAA-certified platinum singles Michael Franti & Spearhead's "All Rebel Rockers" and O.A.R.'s "All Sides.” As composing projects continued to ramp up, Matt ultimately pivoted to composing full-time.

Matt recently scored Hulu’s R-rated feature film THE BINGE starring Vince Vaughn and Skyler Gisondo, and his work can be heard on the gritty Emmy Award-winning documentary BLOOD ROAD (Red Bull Media House). He also teamed up with Christopher Lennertz to co-score the Netflix TV series BEST WORST WEEKEND EVER. In addition to composing, Matt has contributed as an arranger, orchestrator, and composer of additional music on a wide variety of projects for all mediums. He frequently works on Christopher Lennertz's music team on projects such as THE BOYS and BAD MOMS.

The pieces featured throughout this episode include, in order of appearance, “Not Ready” from TV series The Boys, season 3, the main theme from "It's A Wonderful Binge", “I Have No One”, also from "It's A Wonderful Binge", and another piece from The Boys Season 3, “The Vial”.

Some of the topics we cover during our conversation today are Matt’s creative process when scoring for new projects, how his background as a performer and audio engineer informs his current work, and some fun stories from his violin-playing days.

Matt's Social Media: 

https://mattbowenmusic.com/

https://www.instagram.com/mattbowenmusic/