The Twilight Zone Radio Dramas

Sunnyvale Rest, a home for the aged – a dying place and a common children's game called kick-the-can, that will shortly become a refuge for a man who knows he will die in this world, if he doesn't escape into – The Twilight Zone.

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Some one-hundred-odd years ago, a motley collection of tough mustaches galloped across the West and left behind a raft of legends and legerdemains, and it seems a reasonable conjecture that if there are any television sets up in cowboy heaven and any of these rough-and-wooly nail-eaters could see with what careless abandon their names and exploits are being bandied about, they're very likely turning over in their graves—or worse, getting out of them. Which gives you a clue as to the proceedings that will begin in just a moment, when one Mr. Rance McGrew, a 3,000-buck-a-week phoney-baloney discovers that this week's current edition of make-believe is being shot on location—and that location is the Twilight Zone.

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An old man and a hound-dog named Rip, off for an evening's pleasure in quest of raccoon. Usually, these evenings end with one tired old man, one battle-scarred hound dog, and one or more extremely dead raccoons, but as you may suspect, that will not be the case tonight. These hunters won't be coming home from the hill. They're headed for the backwoods—of The Twilight Zone.

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Nathan Edward Bledsoe, of the Bowery Bledsoes, a man once, a specter now. One of those myriad modern-day ghosts that haunt the reeking nights of the city in search of a flop, a handout, a glass of forgetfulness. Nate doesn't know it but his search is about to end, because those shiny new shoes are going to carry him right into the capital of the Twilight Zone.

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What you have just looked at takes place three hundred feet underground, beneath the basement of a New York City skyscraper. It's owned and lived in by one Paul Radin. Mr. Radin is rich, eccentric and single-minded. How rich we can already perceive; how eccentric and single-minded we shall see in a moment, because all of you have just entered the Twilight Zone.

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An old woman living in a nightmare, an old woman who has fought a thousand battles with death and always won. Now she's faced with a grim decision—whether or not to open a door. And in some strange and frightening way she knows that this seemingly ordinary door leads to the Twilight Zone.

It's August, 1945, the last grimy pages of a dirty, torn book of war. The place is the Philippine Islands. The men are what's left of a platoon of American Infantry, whose dulled and tired eyes set deep in dulled and tired faces can now look toward a miracle, that moment when the nightmare appears to be coming to an end. But they've got one more battle to fight, and in a moment we'll observe that battle. August, 1945, Philippine Islands. But in reality, it's high noon in the Twilight Zone.

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Clown, hobo, ballet dancer, bagpiper, and an army major—a collection of question marks. Five improbable entities stuck together into a pit of darkness. No logic, no reason, no explanation; just a prolonged nightmare in which fear, loneliness, and the unexplainable walk hand in hand through the shadows. In a moment, we'll start collecting clues as to the whys, the whats, and the wheres. We will not end the nightmare, we'll only explain it—because this is the Twilight Zone.

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Mr. Mulligan, a rather dour critic of his times, is shortly to discover the import of that old phrase, 'Out of the frying pan, into the fire'—said fire burning brightly at all times—in The Twilight Zone.

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The carcass of a goat, a dead finger, a few bits of broken glass and stone, and Mr. Alan Richards, a modern man of a modern age, hating with all his heart something in which he cannot believe and preparing – although he doesn't know it – to take the longest walk of his life, right down to the center – of The Twilight Zone.

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