The Unveal Review Podcast S2 E2: Dear Artiste (Producers Edition)
Host: Excel & Melody Hassan
Guests: Qasebeats, Alpha Ojini, Lola Oyedele(@l3galtool), SynX, T.U.C, TMXO, Dunnie, Xtremebeatz, Tuzi
As a music producer, the payment you get is for your time not really the beat. Royalty is for creativity.
There is a 50% fixed publishing royalties all over the world. The advance you get on the beats is for your time and energy.
One of the producers discussed issues they face when working with artists in situations when there was negligence to do certain things. If a song is released and the split sheet was not signed you need to get a lawyer.
Publishers sign songwriters too. Do we have publishing companies in Nigeria? Lola answered in the affirmative and further explained how it works.
People get their publishing in Nigeria. For everything you don’t know someone is ready to make it a stream of income.
You have to read whatever about publishing concerning the country involved.
COSON is the collecting society for copyrights in Nigeria.
One of the guests (Xtremebeatz) talked about how Tyga the American rapper changed the horns on a beat he made. Lola advised that he should follow up with Tyga.
Interpolation is when a producer cannot get approval to use a sample so they record elements of the music such as melody and lyrics without using the master recording and also requires the purchase of the mechanical license. Credits must also be given to the original composer. It’s a cheaper alternative to sampling.
Sometimes unknowingly producers sign off moral rights. What is a moral right? These are rights of creators of copyrighted works.
An artist doesn’t owe you anything if as a producer or songwriter you were properly remunerated.
There’s no producers association in Nigeria.
The onus is on the artist to send a producer agreement to a producer.
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