In this episode, we tackle seven versions of "The Witch" while also trying to remember the Seven Wonders of the World!: 1. The Sonics 2. Atilla & The Huns 3. The Pointed Sticks 4. The Gruesomes 5. Heart 6. Mojo Beatnik 7. Marcel Bontempi

In this episode, we tackle seven versions of "The Witch" while also trying to remember the Seven Wonders of the World!: 1. The Sonics 2. Atilla & The Huns 3. The Pointed Sticks 4. The Gruesomes 5. Heart 6. Mojo Beatnik 7. Marcel Bontempi

In this episode, we tackle&nbsp;seven versions of "The Witch" while also trying to remember the Seven Wonders of the World!: 1. The Sonics 2.&nbsp;Atilla &amp; The Huns 3.&nbsp;The Pointed Sticks 4.&nbsp;The Gruesomes 5.&nbsp;Heart 6. Mojo Beatnik 7. Marcel Bontempi

The Witch

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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The Witch

The Witch

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