Jeffrey Sturges is the current Director of Exhibitions for the Estate of Tom Wesselmann. He first worked as a studio assistant for Tom Wesselmann in the 1990s, taking time in between to explore the gallery world and his burgeoning interest in photography, and returned in 2004 just prior to after the artist’s death. Highlights of the interview include discussions of Sturges’ early experiences in Wesselmann’s studio and his first encounters with Wesselmann’s art, the transition from a working studio to an estate, stylistic and symbolic interpretations of Wesselmann’s work, and the unique nature of Wesselmann’s record keeping and titling practices.

Constance “Connie” W. Glenn is an acclaimed art historian, curator, writer, and collector. She is the founding director of the University Art Museum at California State University Long Beach, where she also established the Graduate Certificate Program in Museum Studies and taught courses in art history and museum studies. Since the 1960s, she has been an avid collector with a particular interest in Pop Art and the works of Tom Wesselmann. In her second oral history session with WPI, Glenn discusses her philosophy as a collector, her correspondence with Wesselmann on the difficulties of classifying works, and her observations of shifts in Wesselmann’s approach over the course of his career.

Constance "Connie" W. Glenn is an acclaimed art historian, curator, writer, and collector. She is the founding director of the University Art Museum at California State University Long Beach, where she also established the Graduate Certificate Program in Museum Studies and taught courses in art history and museum studies. Since the 1960s, she has been an avid collector with a particular interest in Pop Art and the works of Tom Wesselmann. Highlights of the interview include descriptions of the burgeoning Kansas City art scene in the 1960s, trends in Glenn’s history as an art collector, memories of her relationship with Tom and Claire Wesselmann, and thoughts on the unique and lasting nature of Wesselmann’s works.

Diedra Harris-Kelley is an artist, educator, and co-director of the Romare Bearden Foundation, the nonprofit organization responsible for preserving and perpetuating the legacy of acclaimed artist Romare Bearden. Harris-Kelley is also Bearden’s niece. Highlights of Harris-Kelley’s oral history include memories of her childhood on Staten Island with her extended family, including Romare and his wife Nanette; discussions of her education and influences as a formally trained artist; and thought-provoking reflections on how to shape an artist’s public legacy after their passing.

KEYWORDS: Romare Bearden, Nanette Rohan, Romare Bearden Foundation, Johanne Bryant-Reid, Grace Stanislaus, Cinque Gallery, catalogue raisonné, artists’ studios, artists’ estates, experimental art, collage, African-American art movements, Canal Street, St. Martin, Dance Theater of Harlem, art collectors

Peggy Steffans Sarno is an American actress and model known for her collaborations with her husband, Joseph Sarno, the “Ingmar Bergman of porn.” She counted Claire and Tom Wesselmann as close family friends, and participated as a portrait model in Tom’s Smoker series. Highlights of her oral history include memories of New York’s arts and cultural scene in the 1960s, discussions of Wesselmann’s oeuvre in the context of American social and sexual norms, and reflections on her personal connection to Wesselmann’s body of work today.

KEYWORDS: Pop Art, Cooper Union, nude portraiture, pornography, Claire Wesselmann, 20th-century American art, Mouth series, Smoker series, Joe Sarno, cinema, Polly Platt, artists’ models, artists’ muses, A Life in Dirty Movies