Places I Have Heard Voices is coming July 13th from Theater Accident. This new audio production is a fractured travelogue through a woman’s inner landscape.

Places I Have Heard Voices is written by Matthew Freeman, designed by Sean Elias-Reyes, directed by Jessi D. Hill and performed by Moira Stone.

The first episode will be released on July 13th and then released every other day until July 27th. You can subscribe to hear the whole story on Apple Podcasts, Stitcher and Spotify. We hope you will subscribe to hear the whole story.

We are presenting this podcast without sponsors so that we can retain the fluidity of the storytelling. That’s why we ask that you make a donation to Theater Accident to productions like this one.

If you’d like to support the work of the artists that made this podcast possible, go to www.theateraccident.org and click the donate button. That will bring you to Theater Accident’s Fractured Atlas donation page.

Please enjoy this preview!

Stitcher

Spotify

Apple Podcasts

“Sometimes it’s the sea, other times the mountains, often it was the forest, the city, the plain too, I’ve flirted with the plain too, I’ve given myself up for dead all over the place, of hunger, of old age, murdered, drowned, and then for no reason, of tedium, nothing like breathing your last to put new life in you…”

Texts for Nothing, Samuel Beckett

The Sea The Mountains The Forest The City The Plain is written by Matthew Freeman. The play was originally produced in October of 2019 at the Brick Theater in Williamsburg Brooklyn under the direction of David Cote. The play was performed by Robert Honeywell. Sound Design was by Chris Chappell, Lighting Design by Nicholas Houfek and Scenic Design by Kerry Lee Chipman. The stage manager was Jodi Witherall.

What you are about to hear is from a live performance recorded by Daniel McKleinfeld.

This is not pristine audio: it was recorded with a mic designed for record keeping, not broadcast. While we’re aware this is an era of audio made with perfection and care, we hope you’ll enjoy the sound for its imperfect flavor, and appreciate the rare feeling of overhearing a performance as it was performed.