thebunkerny

@asylcahier is a Tokyo-based DJ who also hosts a series of events entitled LSI Dream. While he was born in Japan, it was moving to New York that led him to explore music more deeply and begin to DJ. There he was influenced by, and had the chance to play alongside, house luminaries like Fred P, DJ Qu, and Baaz. There he also fell in love with the beauty of techno music and discovered more abstract sounds. When DJing Asyl seeks to fuse together these different influences, open to experimenting without ever losing sight of the dancefloor, with a consistent groove grounding his sets. His considered approach has established him as a name to watch in the Tokyo scene, and he has supported many international acts, including Shed, Svreca, Powell, Lena Willikens, Mosca and the Giegling crew.

This set was recorded at SECT party at Daikanyama Saloon in the summer of 2016.

1. Adesse Versions - In The Sticks [Numbers.]

2. Chri$topher Rau - I Hear $$$ Featuring. Ron Wilson [Money $ex]

3. ASOK - Guardian Dragon [Crème Organization]

4. Adjowa - Orient (Basic Soul Unit Remix) [Parages Music]

5. Different Fountains - Limbo Rift [Different Fountains Editions]

6. Avalon Emerson - Hurdy Gurdy DJ Tool [Shtum]

7. Mr. Tophat & Art Alfie - Chromatic [Karlovak Chrome]

8. John Osborn & Tallmen.785 ‎– Meldrum [Run Out Run]

9. John Selway - Recollect [CSM]

10. Nick Chacona - Be Like Olive (Levon Vincent Remix) [Moodmusic]

11. Truncate & Jimmy - Submission (Truncate Rework) [Ultramajic]

12. Powder - Her [RA Breaking Through Special]

13. Refracted - The Jungle Is Thick [Silent Season]

14. Samuel - Pump Room [Not So Much]

15. CO/R ‎– Gudrun [Hinge Finger]

16. Desert Sky - But I Like To Say [Desert Sky]

17. Ovis Aurum - Reclamation [Seagrave]

18. Eugene Ward - Paper (Solo) [Where To Now?]

19. Batu - April These [Dnuos Ytivil]

20. Tallmen.785 - Down [Tallmen]

21. Israel Vines ‎– WWKD [Eye Teeth]

22. UMFANG - ok [1080p]

23. Teenage Music - Runnin From Your Love (Main) [Atypical Dopeness]

For our 136th podcast, mysterious producer @Nihiti surprised us with this mix comprised of some original productions and techno classics layered with mostly 90s hip-hop. Nihiti told us: "The idea was kicking around in our heads for years - we wanted to see what it would sound like to marry mystical techno vibes with the masterfully desolate urban poetry that emerged from New York City in the early 90s (and still has not, to our minds, been topped). It was apparent that this was a great idea after the first few edits, and from there we proceeded to make more and more edits and eventually some originals as well. It's been 20 years since most of these words were penned and it is somewhat unfortunate that the anti-authoritarian message inherent in these lyrics is as powerful and relevant in 2016 as it ever was."

Follow Nihiti on Soundcloud @Nihiti

Tracklist:

Nathan Jonson - Softly (Lo Bit Landscapes)

The Surveyor - Wickeder

Cut Hands - Nzambi Lla Ngonde (Susan Lawly)

Marcel Dettmann - Corebox (James Ruskin Blueprint Mix) (MDR)

Planetary Assault Systems - Om The Def (Ostgut Ton)

Thomas Hessler - Perception (Index Marcel Fengler)

Mathew Jonson - Marionette (Wagon Repair)

Nihiti - Crooked On The Two (Unreleased)

Christoph De Babalon - Brilliance (Digital Hardcore)

Ben Klock - Before One (Ostgut Ton)

Nihiti - The Ten Track Commandments (Unreleased)

Orphx DJ mix recorded in Toronto, October 2016. Their new album "Pitch Black Mirror" will be released on Sonic Groove (vinyl, digital) and Hands (cd). They're playing live at the Sonic Groove x The Bunker party at Analog on November 18, alongside Dasha Rush, Adam X, and Patrick Russell: http://thebunkerny.com/events/2016-11-18-the-bunker-x-sonic-groove-adam-x-dasha-rush-orphx-patrick-russell

Conrad Schnitzler - Metall I

Vromb - Histoire de camion

Esplendor Geometrico - Japo

Family Sex - Manbait (Regis version)

Female - Looking Through the Eyes of Love

Orphx - Blood in the Streets

Diamond Version - Operate at Your Optimum

Matter - Depth

Orphx - Zero Hour

Adam X - Antagonistic

Clock DVA - Dark Attractor

Peter Van Hoesen - Breach

Planetary Assault Systems - Bell Blocker (Silent Servant remix)

Essaie Pas - Lights Out (Orphx remix)

Dasha Rush - 100 Hearts

Marie Davidson - Planet Ego

Rrose - Purge

Generic Face - Dacryphile

Schwefelgelb - So Heisser Es Wird

Konkurs - Face the Target

Thomas Heckmann - Speak Silent to Me (VSK remix)

November Novelet - Crying Walls

Mike Parker - Moisture (Treatment 3)

Kangding Ray - Coracoid Process

MRTVI - Ibukron

Oureboros - Vastarien

Recorded at home in Denver, Colorado. Radere's upcoming LP - 'I Can't Sleep, I Can't Wake Up' - releases later this month on Full Spectrum Records.

Huerco S - Kraanvogel

Joanna Brouk - Mary's Watch Part 2

Egard Varèse - Poème Electronique

Suzanne Ciani - Concert At Phil Niblock's Loft

Synth Sisters - I'm Calling You From A Distance

M. Geddes Gengras - Threshold

Bee Mask - The Story Of Keys & Locks

Federico Durand - Una Ciudad Al Pie De Las Montañas

Growing - Primitive Associations / Great Mass Above

The Slaves - Burn Into Light

Abul Mogard - Tumbling Relentless Heaps

Symbol - Tracer

Chi - Kuhl

Recorded live at Unsound Festival New York at The Bunker at Good Room on June 17, 2016. Further Reductions is Rose E. Kross & Shawn O'Sullivan.

The sharply defined lines of Brutalist architecture, the infinite starry expanse of the cosmos, the industrial automation of the factory floor, the endless virtual worlds that make up the alternate universe of cyberspace: what do each of these things have in common with the new EP from Wata Igarashi on The Bunker New York? All are essentially a distillation of the grand, overarching spirit of modernity embodied by techno music.

Wata Igarashi is a lifelong musician and professional sound designer by trade. His decades of experience composing music for TV, web, live events, and beyond taught him the ins and outs of electronic music production — the mood of his machines — and led him to develop mind-bending techno timbres that recall the similarly hypnotic artistry of Rrose or Donato Dozzy, alongside a certain ineffable quality that makes his work uniquely his own. “Japanese people like to refine things,” suggests Igarashi. “There’s definitely some kind of particular ‘Japanese thing’ in electronic music — some Japanese producers are so detailed, carefully looking after the smallest elements,” he adds. Certainly, Igarashi himself falls in that cohort.

The last several years have been fruitful for Igarashi, with hotly tipped records on Peter Van Hoesen's Time to Express record label, the Berlin-based Midgar, and Spanish minimal techno specialists Semantica. A chance meeting at Berghain in February 2015 led Igarashi to connect with Bryan Kasenic, the man behind The Bunker New York, who already knew and loved his music. The pair developed a fast friendship based on mutual respect, and Kasenic was honored to welcome Igarashi to The Bunker New York family.

For his debut on The Bunker New York, Igarashi presents Mood of the Machines, a pristine techno record so perfectly composed, so tightly woven, that it simply speaks for itself. Each of the four untitled tracks offers a different bassline groove paired with slowly unfurling cosmic sound design, featuring synthesizer leads that sound like an aural glimpse into the inner workings of your brain. Techno is a universal language, and The Bunker New York is proud to share Wata Igarashi's latest dancefloor declaration with the world.

The sharply defined lines of Brutalist architecture, the infinite starry expanse of the cosmos, the industrial automation of the factory floor, the endless virtual worlds that make up the alternate universe of cyberspace: what do each of these things have in common with the new EP from Wata Igarashi on The Bunker New York? All are essentially a distillation of the grand, overarching spirit of modernity embodied by techno music.

Wata Igarashi is a lifelong musician and professional sound designer by trade. His decades of experience composing music for TV, web, live events, and beyond taught him the ins and outs of electronic music production — the mood of his machines — and led him to develop mind-bending techno timbres that recall the similarly hypnotic artistry of Rrose or Donato Dozzy, alongside a certain ineffable quality that makes his work uniquely his own. “Japanese people like to refine things,” suggests Igarashi. “There’s definitely some kind of particular ‘Japanese thing’ in electronic music — some Japanese producers are so detailed, carefully looking after the smallest elements,” he adds. Certainly, Igarashi himself falls in that cohort.

The last several years have been fruitful for Igarashi, with hotly tipped records on Peter Van Hoesen's Time to Express record label, the Berlin-based Midgar, and Spanish minimal techno specialists Semantica. A chance meeting at Berghain in February 2015 led Igarashi to connect with Bryan Kasenic, the man behind The Bunker New York, who already knew and loved his music. The pair developed a fast friendship based on mutual respect, and Kasenic was honored to welcome Igarashi to The Bunker New York family.

For his debut on The Bunker New York, Igarashi presents Mood of the Machines, a pristine techno record so perfectly composed, so tightly woven, that it simply speaks for itself. Each of the four untitled tracks offers a different bassline groove paired with slowly unfurling cosmic sound design, featuring synthesizer leads that sound like an aural glimpse into the inner workings of your brain. Techno is a universal language, and The Bunker New York is proud to share Wata Igarashi's latest dancefloor declaration with the world.

Recorded in Belgrade, Serbia, September 2016, in advance of her gigs at Unter x The Bunker and Berghain this weekend.

Full info for Unter x The Bunker here: http://thebunkerny.com/events/2016-09-23-unter-x-the-bunker-iii

1. Rex Ilusivii - Meditation I, Aurora The Dreambird

2. Tuxedomoon - A Piano Solo

3. Autechre - Nil

4. Graze - Thundare

5. Foba - Boss White Boy

6. MU - Let's Get Sick

7. Marco Zenker - First Feeling

8. Francois X - Rising

9. Dave Aju - Boom Yeah

10. Marco Shuttle - Sing Like A Bird (Reprise)

11. Kassem Mosse- Enoha

12. Polarius - Nemo Airfield

13. MGUN - Tritan

14. Parallel 9 - Technic

15. Seelow - TFExx4B

16. Separate Minds - Scattered Thoughts (Original 1993 Detroit Version)

17. Tosca - JayJay (Makossa & Megablast 80s Remake)

18. Andreas Gehm - Brzzzl

19. Erdem Tunakan & Alpha Tracks - Pure Pain

20. Plastikman - Marbles

21. Kangding Ray - Luna

22. Drexciya - Black Sea (Aqualung Version)

23. Ghetto Brothers - Ghetto Disco

24. Justus Kohncke - 2 After 909

25. Blake Baxter - Techno Music Lifts You Up

Recorded at The Bunker Dream House, August 2016.

tracklist:

Brooks Mosher - Ged Ready (Fred P Reshape)

Grey People - Shadow Figures

Donato Dozzy - Quadra Sette

JTC - On Time

Justin Cudmore - Forget It

Rework - Anyway I Know You

Virginia - Raverd (Dub)

Justin Cudmore - Bagels

Rhythm Plate - Lean Part 2

Adryiano - Brykk

Paranoid London - We Come to Rock

Julien Sandre & Mennie - Move With Me

DHS - Bad Acid #9

Decius - Gay Futures

Justin Cudmore - Crystal (Dub Mix)

Second Hand Satellites - Orbit 1.4

The sharply defined lines of Brutalist architecture, the infinite starry expanse of the cosmos, the industrial automation of the factory floor, the endless virtual worlds that make up the alternate universe of cyberspace: what do each of these things have in common with the new EP from Wata Igarashi on The Bunker New York? All are essentially a distillation of the grand, overarching spirit of modernity embodied by techno music.

Wata Igarashi is a lifelong musician and professional sound designer by trade. His decades of experience composing music for TV, web, live events, and beyond taught him the ins and outs of electronic music production — the mood of his machines — and led him to develop mind-bending techno timbres that recall the similarly hypnotic artistry of Rrose or Donato Dozzy, alongside a certain ineffable quality that makes his work uniquely his own. “Japanese people like to refine things,” suggests Igarashi. “There’s definitely some kind of particular ‘Japanese thing’ in electronic music — some Japanese producers are so detailed, carefully looking after the smallest elements,” he adds. Certainly, Igarashi himself falls in that cohort.

The last several years have been fruitful for Igarashi, with hotly tipped records on Peter Van Hoesen's Time to Express record label, the Berlin-based Midgar, and Spanish minimal techno specialists Semantica. A chance meeting at Berghain in February 2015 led Igarashi to connect with Bryan Kasenic, the man behind The Bunker New York, who already knew and loved his music. The pair developed a fast friendship based on mutual respect, and Kasenic was honored to welcome Igarashi to The Bunker New York family.

For his debut on The Bunker New York, Igarashi presents Mood of the Machines, a pristine techno record so perfectly composed, so tightly woven, that it simply speaks for itself. Each of the four untitled tracks offers a different bassline groove paired with slowly unfurling cosmic sound design, featuring synthesizer leads that sound like an aural glimpse into the inner workings of your brain. Techno is a universal language, and The Bunker New York is proud to share Wata Igarashi's latest dancefloor declaration with the world.