Jeff and Phil welcome back acclaimed legendary playwright David Henry Hwang, who talks about his new take on the classic Rodgers and Hammerstein musical Flower Drum Song, now playing at East West Players in Los Angeles. He talks about rewriting and re-contextualizing the book for this beloved show (still only one of the few Broadway musicals to center Asian Americans); refreshing some of the more outdated and regressive elements of the story -- including a few of the cringe-inducing lines from David's own 2002 revisal -- for contemporary times; and how this staging of Flower Drum Song represents a full-circle moment for David's life and career.

Jeff and Phil welcome back friend and filmmaker Bao Nguyen, director of the Netflix documentary BTS: The Return, which follows global pop supergroup BTS -- Jin, Suga, J-Hope, RM, Jimin, V, and Jung Kook -- as they reunite and record their highly anticipated comeback album Arirang. Bao talks about riding shotgun and spending the summer with the biggest band in the world; getting an intimate glimpse into the group's camaraderie, artistry, and unique dedication to their massive fanbase; and what it means for BTS to represent their nation and culture at this pivotal moment in their career. Also: The Good, The Bad, and The WTF of making BTS: The Return.

Jeff and Phil welcome their old friend, writer and educator Scott Kurashige, author of American Peril: The Violent History of Anti-Asian Racism. He talks about his personal journey into Asian American activism and movement scholarship; the erasure of anti-Asian racism and colonial violence, and why we are constantly learning and re-learning this history; and why legislating and prosecuting hate crimes isn't necessarily the answer for multiracial solidarity. Also: The Good, The Bad, and The WTF of writing American Peril.

Jeff and Phil welcome rapper/actor/writer Jonnie Park, aka Dumbfoundead, author of the new memoir SPIT: A Life in Battles. He talks about why the time felt right to share his story through this book; coming up in Koreatown and finding his voice as an artist through the Los Angeles battle rap scene; making the leap from music to movies and TV in projects like K-Pops! and Beef; and why Phil is the only person who calls him by his government name. Also: The Good, The Bad, and The WTF of writing SPIT.

Jeff and Phil welcome back their best pals in podcasting, cultural critic/journalist/educator Rebecca Sun and Dino-Ray Ramos of DIASPORA, to re-connect, reset, and share what they've been watching/consuming/experiencing lately in pop culture and beyond. They discuss, among other things, Asians in the Regency romance of Bridgerton; the possibility of a brown James Bond in Riz Ahmed's offbeat comedy series Bait; the audacity of multiple Asians as health care workers on The Pitt; and how far pretty privilege can get you on The Traitors. Also: Jeff finally watched Pop Star Academy. This episode is sponsored by Chinese Republicans, a new play from Roundabout Theatre Company.

Jeff and Phil welcome writer/director Amy Wang and actress Shirley Chen to talk about their new film Slanted, a horror/comedy described as "Mean Girls meets The Substance." They discuss blending body horror and black comedy to tell an Asian American story about race, shame, and belonging; why the American high school prom is a useful and universal -- they love this movie in Germany! -- cinematic narrative device to interrogate some big ideas; how to find the "whitest" stock footage for your fake karaoke video; and why McKenna Grace speaks Chinese so well in the movie. Also: The Good, The Bad, and The WTF of making Slanted. This episode is sponsored by Chinese Republicans, a new play from Roundabout Theatre Company.

Jeff and Phil welcome back Daniel Chong, director of the Disney/Pixar animated feature Hoppers. They discuss the silly, unlikely pitch for "Penguin Avatar" that actually got the green light; centering an angry Asian young woman at the heart of this adventure (and why this movie arrives amidst an incredible moment for animated Asian movie heroines); and all the fun world-building that goes into crafting a story set in the animal kingdom. Also: The Good, The Bad, and The WTF of making Hoppers. This episode is sponsored by Chinese Republicans, a new play from Roundabout Theatre Company.

Jeff and Phil ring in the Lunar New Year and welcome journalist Kimmy Yam to talk about trial runs, fresh starts, and the Year of the Horse. They discuss the unfortunate and untimely shutdown of NBC Asian America -- and the loss of representation, trust, and cultural power; the incredible depth of reporting and coverage of the Asian American community that Kimmy was able accomplish during her tenure at NBC; and what the future looks like now for authentic and sustained news coverage of marginalized communities. Also: The Good, The Bad, and The WTF of the new year. This episode is sponsored by Chinese Republicans, a new play from Roundabout Theatre Company.

Jeff and Phil welcome poet/author/activist Bao Phi and Minnesota Star Tribune columnist Laura Yuen to talk about the ongoing and escalating crackdown by federal immigration operations in Minnesota. They talk about Laura's recent piece about her family and their citizenship; the temperature on the street, particularly in the wake of recent killings by ICE agents; the widespread fear and uncertainty among community members just trying to move through their lives; and the kindness of everyday Minnesotans who are helping each other survive the siege. Also: The Good, The Bad, and The WTF of being in Minnesota right now. This episode is sponsored by Chinese Republicans, a new play from Roundabout Theatre Company.

Jeff and Phil welcome chef Hasung Lee, aka "Culinary Monster," one of the breakout contestants from season two of Netflix's hit Korean cooking competition show Culinary Class Wars. He talks about his journey from Korea to the United States to train in some of the world's best kitchens; getting cast on the show as a Black Spoon chef -- including how he got his nickname; his unique focus and confidence while competing in each cooking challenge; and which fellow contestants' dishes he wishes he could have tasted. Also: The Good, The Bad, and The WTF of competing on Culinary Class Wars.