Jeff and Phil welcome Francesca Hong -- chef, community organizer, state assemblymember, and candidate for governor of Wisconsin. She talks about her working class roots and political ascent from the food service industry to being elected the first Asian American member of the Wisconsin Legislature, and now running for governor as a Democratic Socialist to build a Wisconsin in which everyone has a seat at the table. She also talks about rocking the Stay Angry shirt, why Wisconsin is more than just beer and cheese, and how it's "cool as hell" to be Korean right now (and feeling some kind of way about it). And of course, The Good, The Bad, and The WTF of running for governor of Wisconsin.

Jeff and Phil welcome creator/star Angela Wong Carbone and actors Celia Au and Derek Basco -- voices behind the new comedy fiction podcast Minor Legends (part of the Potluck Podcast Collective), an ambitious narrative project that's "a little cringe, a little crazy" that delves into the funny, weird and wild side of Asian America. Angela talks about being inspired to create a multi-dimensional showcase for her community of hugely creative friends; Celia and Derek talk about summoning/channeling their Asian parent vibes ("Ai-yaaaahh!") for their roles. Also: The Good, The Bad, and WTF of making Minor Legends. Plus: stick around to the end and listen to a bonus episode of Minor Legends.

Jeff and Phil welcome friend and filmmaker Fawzia Mirza, writer/director of indie comedy/drama feature The Queen of My Dreams. They talk about the Asian diasporic film subgenre of "Our Parents Are People Too"; Fawzia's own journey of telling this story over multiple iterations and embracing her identity as a director; and the challenges of shooting a narrative that spans several time periods and countries, from 1969 Karachi to 1989 Nova Scotia. Also: The Good, The Bad, and The WTF of making The Queen of My Dreams.

Jeff and Phil celebrate the 300th episode of They Call Us Bruce and welcome writer/scholar Jeff Chang, author of Water Mirror Echo: Bruce Lee and the Making of Asian America, recorded live at Skylight Books in Los Angeles. He talks about writing a biography of Bruce Lee that authentically centers the man behind the legend, while doubling as a stealth culturally history of Asian America, in a way that it's never been told before. They discuss Bruce's rough-and-tumble (and highly cinematic) teen years; how young Bruce was actually kind of awkward (and annoying); and the hard-fought Asian American journey to becoming a global icon. Also: The Good, The Bad, and The WTF of writing Water Mirror Echo.

Jeff and Phil welcome pop culture pals and cultural critics Dino-Ray Ramos and Rebecca Sun to discuss two new similarly-flavored TV series, Butterfly and Tempest. They explore the cultural significance of these Korean and Korean-adjacent shows, their unique storytelling approaches, and the evolving landscape of Asian American representation in global content. They discuss the future of authentic Asian storytelling in Hollywood -- beyond stunt casting and "flower vases"; the role of diaspora creatives; and the balance between small, intimate stories and larger global narratives. They also caution against Hollywood's inevitable exploitation and commodification of K-culture.

Jeff and Phil welcome actors Daniel Dae Kim and Reina Hardesty, stars of the Prime Video thriller series Butterfly. Daniel talks about adapting the original graphic novel to create an action/espionage series around Korean American characters; Reina talks about auditioning for "Untitled Daniel Dae Kim Project" and finding her way in the role of estranged daughter (and highly-skilled assassin) Rebecca; they talk about the need for nuance in ethnic-specific casting for Asian American actors; and Daniel and Reina share The Good, The Bad, and The WTF of making Butterfly.

Jeff and Phil welcome their old friend Oliver Wang, professor of sociology, curator for the Japanese American National Museum exhibition Cruising J-Town: Behind the Wheel of the Nikkei Community, and author/editor of the exhibition's companion book. They talk about the rich history of Japanese American car culture in Los Angeles, its significance in shaping community identity, the impact of urban development, the surprising gamesmanship involved in street racing, and the complex tapestry of stories still waiting to be uncovered in Asian American history. Oliver also shares some of his research on an important question: why is "Bizarre Love Triangle" the unofficial anthem for Asian Americans (of a certain age)?

Jeff and Phil welcome back Ada Tseng, co-author of Breaking Into New Hollywood: A Career Guide to a Changing Industry, and actor/comedian Amy Anderson and her daughter Aubrey Anderson-Emmons (Modern Family). Ada talks about writing a practical guide to getting started in today's entertainment industry; Amy and Aubrey trade stories with Jeff -- who's had some experience as a stage parent -- about how getting cast on network television show changed their families' lives; and how everybody's navigating this current moment of upheaval and uncertainty. Also: The Good, The Bad, and The WTF of "The New Hollywood."

Jeff and Phil welcome writer and former pinup model Kaila Yu, author of Fetished: A Reckoning with Yellow Fever, Feminism, and Beauty, a memoir-in-essays exploring the roles pop culture and colonialism played in shaping pervasive and destructive stereotypes about Asian women and their bodies. She talks about her iconic status as a model on import tuner scene; her own reckoning with being an object of Asian fetish; and her personal journey of self-love and healing. They also discuss Phil and Kaila's shared history as members of the extended Fast & Furious cinematic universe, as well as the remote possibility that Jeff and Kaila (née Elaine Yang) could be related.

Jeff and Phil welcome Howard Ho, playwright/composer/YouTuber, and Diep Tran, Editor in Chief of Playbill, to discuss Asian Americans in theatre, Broadway, and controversy over the recent announcement that Andrew Barth Feldman, a white actor, would be taking over the lead role in Maybe Happy Ending, the hit Tony Award-winning musical about robots finding connection in future Korea. They talk about the historical lack of opportunities for Asian Americans in theatre, enjoying a moment of hope in the wake of recent successes, and why Maybe Happy Ending's re-casting is such a disappointment on multiple levels. Also: The Good, The Bad, and The WTF of this moment in Asian American theatre.