Jeff and Phil ring in the Lunar New Year and welcome journalist Kimmy Yam to talk about trial runs, fresh starts, and the Year of the Horse. They discuss the unfortunate and untimely shutdown of NBC Asian America -- and the loss of representation, trust, and cultural power; the incredible depth of reporting and coverage of the Asian American community that Kimmy was able accomplish during her tenure at NBC; and what the future looks like now for authentic and sustained news coverage of marginalized communities. Also: The Good, The Bad, and The WTF of the new year. This episode is sponsored by Chinese Republicans, a new play from Roundabout Theatre Company.

Jeff and Phil welcome poet/author/activist Bao Phi and Minnesota Star Tribune columnist Laura Yuen to talk about the ongoing and escalating crackdown by federal immigration operations in Minnesota. They talk about Laura's recent piece about her family and their citizenship; the temperature on the street, particularly in the wake of recent killings by ICE agents; the widespread fear and uncertainty among community members just trying to move through their lives; and the kindness of everyday Minnesotans who are helping each other survive the siege. Also: The Good, The Bad, and The WTF of being in Minnesota right now. This episode is sponsored by Chinese Republicans, a new play from Roundabout Theatre Company.

Jeff and Phil welcome chef Hasung Lee, aka "Culinary Monster," one of the breakout contestants from season two of Netflix's hit Korean cooking competition show Culinary Class Wars. He talks about his journey from Korea to the United States to train in some of the world's best kitchens; getting cast on the show as a Black Spoon chef -- including how he got his nickname; his unique focus and confidence while competing in each cooking challenge; and which fellow contestants' dishes he wishes he could have tasted. Also: The Good, The Bad, and The WTF of competing on Culinary Class Wars.

Phil and Jeff welcome animator and filmmaker Alex Woo, co-director of the Netflix animated feature In Your Dreams. He talks about the foundational education in storytelling he received while working at Pixar, leaving to strike out on his own and chase the brave new world of streaming with Kuku Studios, and telling an emotionally grounded story -- while teaching the kiddos about suffering! -- through the wildly entertaining and absurd world of their dreams. They also discuss the unfairness of Simu Liu's talent; Phil's totally wrong theories about Stevie and Elliot's namesakes; and that nasty, magical place behind the refrigerator. And will the real Alex Woo please stand up? Also: The Good, The Bad, and The WTF of making In Your Dreams.

Jeff and Phil welcome artist, author and advocate Rina Oh, one of the only Asian American women to publicly share her experience as a victim of sex offender and trafficker Jeffrey Epstein. She shares about her journey as an immigrant and striving artist that eventually led her into the orbit of the disgraced financier -- a relationship marked by manipulation, exploitation, and ultimately, regret. She talks about the reckoning still yet to come, as details about the web of players from the Epstein investigation continue to come to light. Rina also shares about her journey of healing and renewal as a survivor and artist. Also: The Good, The Bad, and The WTF of the release of the Epstein files.

Jeff and Phil welcome Francesca Hong -- chef, community organizer, state assemblymember, and candidate for governor of Wisconsin. She talks about her working class roots and political ascent from the food service industry to being elected the first Asian American member of the Wisconsin Legislature, and now running for governor as a Democratic Socialist to build a Wisconsin in which everyone has a seat at the table. She also talks about rocking the Stay Angry shirt, why Wisconsin is more than just beer and cheese, and how it's "cool as hell" to be Korean right now (and feeling some kind of way about it). And of course, The Good, The Bad, and The WTF of running for governor of Wisconsin.

Jeff and Phil welcome creator/star Angela Wong Carbone and actors Celia Au and Derek Basco -- voices behind the new comedy fiction podcast Minor Legends (part of the Potluck Podcast Collective), an ambitious narrative project that's "a little cringe, a little crazy" that delves into the funny, weird and wild side of Asian America. Angela talks about being inspired to create a multi-dimensional showcase for her community of hugely creative friends; Celia and Derek talk about summoning/channeling their Asian parent vibes ("Ai-yaaaahh!") for their roles. Also: The Good, The Bad, and WTF of making Minor Legends. Plus: stick around to the end and listen to a bonus episode of Minor Legends.

Jeff and Phil welcome friend and filmmaker Fawzia Mirza, writer/director of indie comedy/drama feature The Queen of My Dreams. They talk about the Asian diasporic film subgenre of "Our Parents Are People Too"; Fawzia's own journey of telling this story over multiple iterations and embracing her identity as a director; and the challenges of shooting a narrative that spans several time periods and countries, from 1969 Karachi to 1989 Nova Scotia. Also: The Good, The Bad, and The WTF of making The Queen of My Dreams.

Jeff and Phil celebrate the 300th episode of They Call Us Bruce and welcome writer/scholar Jeff Chang, author of Water Mirror Echo: Bruce Lee and the Making of Asian America, recorded live at Skylight Books in Los Angeles. He talks about writing a biography of Bruce Lee that authentically centers the man behind the legend, while doubling as a stealth culturally history of Asian America, in a way that it's never been told before. They discuss Bruce's rough-and-tumble (and highly cinematic) teen years; how young Bruce was actually kind of awkward (and annoying); and the hard-fought Asian American journey to becoming a global icon. Also: The Good, The Bad, and The WTF of writing Water Mirror Echo.

Jeff and Phil welcome pop culture pals and cultural critics Dino-Ray Ramos and Rebecca Sun to discuss two new similarly-flavored TV series, Butterfly and Tempest. They explore the cultural significance of these Korean and Korean-adjacent shows, their unique storytelling approaches, and the evolving landscape of Asian American representation in global content. They discuss the future of authentic Asian storytelling in Hollywood -- beyond stunt casting and "flower vases"; the role of diaspora creatives; and the balance between small, intimate stories and larger global narratives. They also caution against Hollywood's inevitable exploitation and commodification of K-culture.