On this week’s show, Steve is joined by June Thomas, author of A Place of Our Own, and Michael Schulman, author of Her Again and Oscar Wars, for some rollicking Gabfest discourse. First up, they get all shook up by EPiC: Elvis Presley in Concert, the concert documentary directed by Baz Luhrmann from archival Elvis performance footage. Does the master of cinematic spectacle bring the King back to life?

Next, they turn to The Fall and Rise of Reggie Dinkins, the new sitcom from 30 Rock co-creator Robert Carlock starring Tracy Morgan. Finally, they examine the uncanny and profound phenomena of posthumously-published celebrity interviews—including Eric Dane and Jane Goodall—of Netflix’s Famous Last Words specials. Existential bravery or exploitative trash? They discuss.

In an exclusive bonus episode for Slate Plus subscribers, the panel weighs in on the best casting Oscar race.

Endorsements

Michael: The audiobook of the memoir I Regret Almost Everything by Keith McNally as narrated by the incomparable Richard E. Grant.

June: Two niche podcasts featuring conversations with authors of biography including Bio, the official podcast of the Biographers International Organization, and Biographers in Conversation. Also, jumping on the Richard E. Grant train, the BBC parody cooking series Posh Nosh starring Grant and Arabella Weir.

Steve: The recent essay “The Stony Dark Within” by Joy Williams about Rainer Maria Rilke in the New York Review of Books.

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Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

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The original trio Steve, Dana, and Julia convene for a right cracker of a Gabfest as they discuss How to Get to Heaven from Belfast, the new comedic mystery from Derry Girls creator Lisa McGee. In the Netflix series, three longtime Belfast friends must revisit their childhood trauma to unravel the mystery of a fourth friend’s disappearance— raucous Northern Irish hijinks ensue.

Next, they step into the unhinged dystopian Los Angeles of Gore Verbinski’s new film Good Luck, Have Fun, Don’t Die. In it a beleaguered time traveler played by Sam Rockwell must visit the same Norm’s diner 117 times to save the world from the menace of A.I..

Finally, they welcome Slate senior writer Christina Cauterucci to unpack her recent piece “My Gun and Me” about her unlikely journey towards gun ownership during Trump 2.0—and how she’s not alone in doing so in her left-leaning, queer community.

In an exclusive bonus episode for Slate Plus subscribers, they determine if there are indeed no comfortable reading positions, as a recent Slate essay by Luke Winkie attests. 

Endorsements

Dana: The latest Today in Tabs entry from Rusty Foster "A.I. Isn't People."

Julia: In lieu of an endorsement, a gripe: the much-hyped New York Times two-player word game Crossplay is just Scrabble! (If only there were a German word for this specific form of disappointment...)

Steve: Rereading J.D. Salinger with some distance from one’s own adolescence— particularly Franny and Zooey and the short story "For Esmé—with Love and Squalor." And for a good critical reassessment, read Janet Malcolm's New York Review of Books essay "Justice to J.D. Salinger." 

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Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Hosted on Acast. See acast.com/privacy for more information.

This week, Dana is joined by Amy Nicholson, Los Angeles Times film critic and host of the podcast Unspooled, as well as Jamelle Bouie, New York Times columnist and host of the podcast Unclear and Present Danger. They discuss love affairs, lustful, glamorous, and interspecies.

First up, it’s the lustful as they take up Emerald Fennell’s bodice-ripping adaptation of “Wuthering Heights.” Starring Margot Robbie and Jacob Elordi as the doomed duo Cathy and Heathcliff, the adaptation promises an over-the-top, camp spin on the Gothic tale but does it offer enough depravity to really deliver?

Next, it’s on to the glamorous with the Ryan Murphy-produced, CK One-scented limited series Love Story: JFK Jr. and Carolyn Bessette about the tragic love story of the political scion and New York fashion It Girl.

Finally, they discuss all the interspecies hijinks and backstage chaos in the delightful revival of The Muppet Show.

In an exclusive bonus episode for Slate Plus subscribers, the trio of cinephiles celebrate recent reporting that movie theaters are cool again.

Endorsements

Jamelle: William Wyler's 1939 version of Wuthering Heights starring Laurence Olivier— and while you're visiting the Criterion Channel, check out their collection Mervyn LeRoy’s Pre-Code Films.

Amy: Gore Verbinski's new film Good Luck, Have Fun, Don’t Die, in theaters now.

Dana: The patient, observant documentaries of the recently deceased filmmaker Frederick Wiseman, several of which are available to stream on Kanopy. 

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Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Hosted on Acast. See acast.com/privacy for more information.

The sugarcane fields! La casita! Piraguas! Lady Gaga! Ricky Martin! An actual wedding! Bad Bunny’s immense and boisterous Super Bowl Halftime show brought a whole Puerto Rican universe to Levi’s Stadium and into American viewers’ homes. Julia and guest hosts Nadira Goffe and Rebecca Onion revel in the joyful spectacle and are joined by Slate writer Joshua Rivera to decode the inclusive politics of this party. 

Next, the panel examines the bracing, anxiety-inducing film If I Had Legs I’d Kick You. Starring a ferocious and funny Rose Byrne and directed by Mary Bronstein, it’s a jittery, intense portrait of motherhood.

Finally, they discuss the hugely popular podcast The Rest Is History and ponder how two British dudes—Tom Holland and Dominic Sandbrook—talking about things like the Battle of Carthage captured so much attention and admiration.

In an exclusive bonus episode for Slate Plus subscribers, it’s time for some Wednesday morning quarterbacking to size up the big game’s real players: the commercials.

Endorsements

Nadira: The new album of footwork music OVERTIME by the underground hip hop outfit usertime and Marsh crane as well as the new album URGH by the English–French noise rock band Mandy, Indiana.

Rebecca: The novel The Director by Daniel Kehlmann and the 2011 appropriately moody Bronte adaptation Wuthering Heights directed by Andrea Arnold.

Julia: The new cookbook by Joshua McFadden Six Seasons of Pasta — try all the absurd little steps at least once, the cheese gravel is good!

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Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Hosted on Acast. See acast.com/privacy for more information.

This week, Steve, Dana and guest host Sam Adams talk anti-authoritarian art in its many forms. First, they take up It Was Just an Accident, the Cannes Palme d’Or-winning film by Iranian filmmaker Jafar Panahi. Inspired in part by Panahi’s own experience being imprisoned for critiquing the Iranian government, his new film—made in secret from the regime— holds back little in its sharp political critique, rage, and… a surprising amount of comedy.

Not surprising in its amount of comedy— but maybe in its frequently anti-authoritarian politics—is Mel Brooks: The 99 Year Old Man! The documentary series about the showbiz legend, produced by Judd Apatow and Michael Bonfiglio, is a loving portrait of the long, unmatched, and revolutionary in its own way, career of Brooks.

Inspired by the recent release “Streets of Minneapolis” by Bruce Springsteen, the panel dedicates its final segment to the state of protest music in 2026. Joined by music critic Carl Wilson, of the Slate and Crritic!, they discuss the long tradition and still potent power of singer/songwriters with acoustic guitars—and the many political artists who defy that stereotype. To hear some of the music they talked about, plus several more current protest songs, check out our 2026 Protest Playlist.

In our bonus episode for Plus subscribers, the gang eulogizes the divine comic genius of Catherine O’Hara.

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Shuffling under the mortal coil this week (aka hosting the Gabfest), it’s our OG players Steve, Dana, and Julia. Like a morose Danish prince contemplating a human skull, they gaze upon the Oscar nominated Hamnet, based on the novel by Maggie O’Farrell inspired by William Shakespeare’s life. Directed by Chloé Zhao and starring Jessie Buckley and Paul Mescal, Hamnet has brought some critics to tears and left others cold. Our hosts share where they landed.

Next, they boot up the Netflix content machine to view The Rip, a new cop caper reuniting Matt Damon and Ben Affleck. Do the boys from Boston (illogically playing Miami cops) make good again? Finally, they welcome New Yorker writer Clare Malone to discuss her recent profile of the deeply polarizing, newly-appointed head of CBS News Bari Weiss. 

In a special add-on, Isaac Butler leaves a voice memo to share his vituperative take on Hamnet—as outlined in a recent Slate piece. The Hamnet discourse continues in a bonus  episode exclusively for Slate Plus subscribers wherein the gang unpacks the film’s ending. Is the play indeed the thing?

Endorsements

Dana: The book Hamnet by Maggie O’Farrell especially the audiobook version read by Jessie Buckley.

Julia: The hilarious video of Matt Damon and Ben Affleck with Jimmy Fallon naming all the towns in Massachusetts on The Tonight Show, the sober, intelligent New York Times opinion round table between Lydia Polgreen, David French, and Michelle Goldberg about ICE raids in Minneapolis and the killing of Alex Pretti, and the still deeply timely film I’m Still Here.

Steve: The film Sentimental Value and the double album Sing the Children Over & Sand In My Shoe by the singer/songwriter Kath Bloom as well as the Kath Bloom cover “Come Here” by the band The Concretes.

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Podcast production by Kevin Bendis. Production assistance by Daniel Hirsch.

Hosted on Acast. See acast.com/privacy for more information.

This week, our Gabfest panel includes Steve and guest hosts Nadira Goffe and Laura Miller with a typically eclectic collection of topics. First up, Dana hops on the call to decode the unspoken truths and dream imagery of Kleber Mendonça Filho’s film The Secret Agent. Set in 1970s Recife, Brazil and starring a very charming Wagner Moura, the film is a heterodox brew of political thriller, magical realism, and attentive character study about the everyday surreality of life under dictatorship.

Next, it’s back to Westeros with a discussion of A Knight of the Seven Kingdoms, a Game of Thrones prequel set 100 years before the original show based on George R.R. Martin’s fantasy epic. Grounded and surprisingly funny, don’t expect dragons in this knight’s tale.

Finally, they turn to “Gluttons for Punishment,” a recent Vulture article by Lila Shapiro about UPenn religious studies professor Justin McDaniel using some extreme, unorthodox measures to get his students to finish books.

In an exclusive bonus episode for Slate Plus subscribers, the panel talks to Laura about the secret pleasures of wood stacking as discussed in her recent piece “The Art of the Holzhausen.”

Endorsements

Nadira: Some melancholy shoegaze pop from Scandinavia, specifically the albums Goodbyehouse by Snuggle and Big City Life by Smerz.

Laura: The novels of Robert Jackson Bennett in his Shadow of the Leviathan series including Hugo-winning The Tainted Cup and A Drop of Corruption.

Steve:  The Substack essay “The Wall Looks Permanent Until It Falls Down” by Adam Bonica about the cost of American exceptionalism.

And a bonus one from Dana: Pictures of Ghosts, the documentary by The Secret Agent director Kleber Mendonça Filho about Recife, Brazil in the 1970s.

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Podcast production by Kevin Bendis. Production assistance by Daniel Hirsch.

Hosted on Acast. See acast.com/privacy for more information.

Podcasting is a privilege as Steve is joined by Dan Kois and Rebecca Onion to unpack and cackle at the domestic thriller schlockfest The Housemaid. Sydney Sweeney and Amanda Seyfried star in the Paul Fieg-directed tale of two women facing off to rule the McMansion roost.

Next, Seyfried proves she’s got the range as the panel joins the chorus appraising her performance in The Testament of Ann Lee, the epic tone poem and musical biopic about the founder of the Shakers directed by Mona Fastvold.

Finally, Julia hops on the call to join a conversation with Alia Hanna Habib, the influential book agent who is divulging hard-won publishing world insights in a new book Take It from Me and in the Substack Delivery & Acceptance.

In a Slate Plus bonus episode, the panel addresses a listener questioner from a U.S. history teacher about syllabus-worthy pop culture.

Endorsements

Dan: The Ruth Asawa retrospective at MoMA which illuminates the work and life of the prolific artist.

Rebecca: A bunch of books including Canticle by Janet Rich Edwards, The Ax by Donald E. Westlake, and True Grit by Charles Portis.

Steve: The essay "East Side Story" about Marty Supreme by Nawal Arjini in the New York Review of Books.

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Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Hosted on Acast. See acast.com/privacy for more information.

This week, Julia and Steve welcome guest host Sam Adams to deconstruct the aggravating, yet strangely charming, table tennis phenom on the make that is Marty Supreme. Played with “BDE off-the-charts” (Steve’s words) by Timothée Chalamet, the unceasingly shameless hustler may just be an avatar for our age.

Speaking of avatars, we can’t avoid discussing Avatar: Fire and Ash, the latest installment of James Cameron’s immersive mega-franchise. Once again, the big blue folks peopling Pandora drew boku bucks at the box office… but do the Avatar films have any “cultural impact”? And what does “cultural impact” even mean? New Yorker staff writer Michael Schulman steps into the cultural cage match to debate this long-simmering internet argument.

On this week’s bonus episode for Slate Plus subscribers, the hosts take up a listener question about “cultural bran muffins,” the bits of culture you know would be good for you if only you could get them down. The hosts confess their bran secrets.

Endorsements

Steve: The essay "Two Pins and a Lollipop" about Judy Garland by Bee Wilson in the London Review of Books.

Sam: The album Penthouse by the band Luna, particularly the song  "Chinatown."

Julia: Slate's beloved annual tradition Movie Club which for its 2025 edition gathers film critics Bilge Ebiri, Alison Wilmore, Justin Chang, and our very own Dana Stevens for a rollicking exchange about the year in film.

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Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Hosted on Acast. See acast.com/privacy for more information.

In the waning moments of 2025, Julia, Dana, and Steve say goodbye to the year that was with a beloved annual end-of-year tradition… our listener call-in show! And you delivered some great queries, dear listeners. 

The hosts tackle questions about everything ranging from under-dramatized historical eras to Wuthering Heights to wedding registry etiquette. They also zoom out to grapple with a fundamental philosophical question underlying this whole show’s existence and take a cue from Las Culturistas Bowen Yang and Matt Rogers for some Schimpfen und Toben.

No endorsements this week. But for listeners in the New York area, don’t miss Steve when he joins Booker Prize-finalist Ben Markovitz for a conversation about his new novel The Rest of Our Lives on January 5, 2026 at the Upper West Side Barnes & Noble.

For Slate Plus subscribers, the hosts delight in answering an additional listener question in an exclusive bonus episode. They share their ideal cultural outings with their co-hosts.

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Email us your thoughts at [email protected]. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Hosted on Acast. See acast.com/privacy for more information.