In this episode, hosts Ketaki Sharma and Sanaya Chandar explore the evolution of rom-coms and the forms of escapism they have traditionally offered, why we love “love stories,” and how these films inform expectations and hopes regarding our relationships. Guest: Shakuntala Banaji (Professor of Media, Culture and Social Change, Department of Media and Communications, London School of Economics and Political Science)
Hosts: Ketaki Sharma, Sanaya Chandar
Artwork: Sripradha Ganesh
Production: Yash Hirave (Instagram | LinkedIn)
Music: Aksheya Chandar (aka The Multiverse Concept)
Nachatiram Nagaragiradu (Pa. Ranjith, 2022)
Brokeback Mountain (Ang Lee, 2005)
Bareily Ki Barfi (Ashwiny Iyer Tiwari, 2017)
Rocky Aur Rani Kii Prem Kahaani (Karan Johar, 2023)
Lone Star (John Sayles, 1996)
Dilwale Dulhaniya Le Jayenge (Aditya Chopra, 1995)
Kuch Kuch Hota Hai (Karan Johar, 1998)
Silsila (Yash Chopra, 1981)
You've Got Mail (Nora Ephron, 1998)
Eternal Sunshine of The Spotless Mind (Michel Gondry, 2004)
Before Sunrise (Richard Linklater, 1995)
Before Sunset (Richard Linklater, 2004)
Before Midnight (Richard Linklater, 2013)
10 Things I Hate About You (Gil Junger, 1999)
Qayamat Se Qayamat Tak (Mansoor Khan, 1988)
Bombay (Mani Ratnam, 1995)
Swades (Ashutosh Gowariker, 2004)
Sir (Rohena Gera, 2020)
Kabhi Khushi Kabhie Gham (Karan Johar, 2001)
The Lunchbox (Ritesh Batra, 2013)
Laapataa Ladies (Kiran Rao, 2024)
Lipstick Under My Burkha (Alankrita Shrivastava, 2017)
Fire (Deepa Mehta, 1996)
Gadar: Ek Prem Katha (Anil Sharma, 2001)
Jab We Met (Imtiaz Ali, 2007)
Kabir Singh (Sandeep Reddy Vanga, 2019)
Romeo and Juliet (William Shakespeare)
Reading Bollywood by Shakuntala Banaji (2006)
The Romantics (Netflix, Smriti Mundhra, 2023) Follow us on social media: Twitter | Instagram | LinkedIn
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