Third Eye Live S1-Ep. 15 Katherine Chiljan - Hosted by Bryan M. Bowden
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KATHERINE CHILJAN is an independent scholar who has studied the Shakespeare authorship question for over 30 years. She has debated the topic with English professors at the Smithsonian Institution and at the Mechanics’ Institute Library in San Francisco. She has written several articles for Shakespeare-Oxford Newsletter, and served as its editor for two years. She is currently on the Research Grant committee for the Shakespeare-Oxford Fellowship, and a board member of the Shakespeare Authorship Coalition.
Chiljan has given talks on the Shakespeare Authorship Question in numerous public libraries, clubs, universities, and bookstores throughout California. She is a frequent guest on radio shows and podcasts; she appeared on “Coast to Coast-AM” in 2018.
Chiljan, a graduate of U.C.L.A. in history, became interested in the authorship question after watching a TV debate between Charlton Ogburn and a Shakespeare professor on “Firing Line” in late 1984. Ogburn’s case for the 17th Earl of Oxford as the real Shakespeare was overwhelming. She then read Ogburn’s now classic work, The Mysterious William Shakespeare, and was inspired to do her own research. In April 2012, Chiljan received an award for distinguished scholarship at Concordia University, Portland OR, for Shakespeare Suppressed. She was also a contributor to Contested Year (2016). Chiljan has published two anthologies: Dedication Letters to the Earl of Oxford, and Letters and Poems of Edward, Earl of Oxford (1998).
Articles in the Shakespeare-Oxford Newsletter:
“Richard Brome’s The Antipodes and the English Earl,” Spring 1994
“The Wardship of Henry Bullock,” Fall 1998
“Oxford and the 1566 Play, Palamon and Arcite,” Spring 1999
“Dating the Ashbourne Portrait,” Winter 2003
“The CCI Report on the Ashbourne Portrait,” Winter 2003
“The Earl of Oxford’s Annuity to Robert Hales,” Fall 2005
“Complaints About A Lover’s Complaint,” Winter 2008
“A Vere of ‘great Vertue’ Wrote the Shakespeare Plays,” Summer 2021
“Is This a Portrait of Oxford?” Winter 2022
“Reclaiming The Passionate Pilgrim for Shakespeare,” The Oxfordian, Vol. 14, 2012
“The Importance of Love’s Martyr in the Shakespeare Authorship Question,” Brief Chronicles, Vol. 4, Spring 2013
“Why was Edward de Vere Defamed on Stage – and his Death Unnoticed?” The Oxfordian, Vol. 21, October 2019
“Is Lord Prospero Visconti of Milan the Model for Lord Prospero of The Tempest? The Oxfordian, Vol. 23, 2021
“The Grand Deception of the First Folio,” The Oxfordian, Vol. 24, 2022
“A Portrait of Susan Bertie or Mary Vere, Shakespeare’s Sister?” The Oxfordian, Vol. 25, 2023
“The Queen’s Favorite Unknown Dramatist: Were there other royal plays by Shakespeare? A Research Inquiry,”
Journal of Scientific Exploration, Vol. 37, Issue 2, Summer 2023 (freely online)
THIRD EYE LIVE - hosted by Sir Bryan M. Bowden
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Sir. Bryan M. Bowden Biography
Born and raised in New York City, Bryan experienced some unusual events that drove his curiosity and would later propel him into becoming a boots on the ground UFO, Cryptid and paranormal Researcher and Investigator. His experiences in the paranormal realm cover the gambit of the goblin universe, from encounters with Sasquatch, Dogman, Mystical Beasts and spirits to several UFO experiences.
Bryan is a real life Knights Templar. His official title is S.K. Bryan M. Bowden and often refers to it in appearances using Sir Bryan. He is an extremely accurate Remote Viewer who is a member of IRVA the International Remote Viewers Association; along with being a psychic medium.
When Bryan is not investigating the paranormal, he is tending to his Custom Branding Company where they make swag for a variety of companies, groups and individuals. Bryan is working on a series of new books based on his experiences, investigations, and theories, as well as a few children’s books and short stories. His Latest publication “Words & Muses - A lyrical Life of Poetry”, is on sale at Amazon. He is currently developing new Intellectual property for both Television and the big screen, as well as scheduling investigations, conferences and events for the year ahead.
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