Creatives of all types are waking up to the fact that much of what they have spent their entire lives learning to do, and be, is endangered by Artificial Intelligence applications that can replace them at a fraction of the price.
Their concern was evident during the Hollywood actors' strike of 2023, which was in part over getting assurances that they could be protected from being replaced by digital replicas.
There are also a number of copyright infringement lawsuits pending right now, with major companies such as Thompson-Reuters, Getty Images, and the New York Times, contending that AI models were trained on their work without their knowledge, consent, and most importantly of all; without any kind of monetary compensation.
Actors, writers, and comedians, including Sarah Silverman, David Baldacci, and George R.R. Martin, are also suing, contending that their work was stolen as well.
Their outrage, concern, and fears are shared by creatives in other countries as well. For example, in Great Britain, a coalition of musicians, photographers and newspapers issued a joint statement recently, pushing back against a proposal in Parliament that would assume they gave permission for their work to be used, and require them to opt-out, instead of to being asked for permission, getting paid, and actively opting-in.
If all this sounds familiar; it's because it is exactly the same kind of concern raised by record companies and musicians with the rise of tech applications like Napster and Spotify.
But while the fundamental issue–using copyrighted works without permission and compensation for the rights owners–is the same, the underlying technology, is very different. It is so different, in fact, that many judges and lawmakers don't really quite know what to make of it yet, and on top of that; the technology is rapidly changing and evolving.
But while all that is in flux; real people are facing a real existential crisis with regard to being able to continue to earn a living, with the added insult that their own work could be used against them without their permission or compensation, to make them redundant.
So how is this going to shake out, and are current copyright laws strong and resilient enough to protect those who rely upon them?
Listen now to my conversation with University of Akron, Visiting Assistant Professor of Law, Jess Miers, whose work focuses on the intersection of law and technology, with recent research and scholarship centered on Generative AI.