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In 1895, H.G. Wells published The Time Machine, a sci-fi classic that fired the imagination of Victorian readers. How fantastic it would be to be able to experience past, present, and future at will!
Well, on today’s date in 2019, Icelandic composer Anna Thorvaldsdottir invited the audience at that year’s Point Music Festival in Gothenburg, Sweden, to experience past, present and future all at once via the premiere of an orchestral work she titled Aiōn, after the ancient Greek god of time.
The title is a metaphor, as Thorvaldsdottir put it, “connected to a number of broader ideas: How we relate to our lives, to the ecosystem, and to our place in the broader scheme of things, and how at any given moment we are connected both to the past and to the future, not just of our own lives but across — and beyond — generations.”
At the 2019 premiere, dancers from the Iceland Dance Company moved in and around the players of the Gothenburg Symphony, creating striking visuals to accompany music one reviewer described as “weirdly unearthly, or awesome with oceanic majesty,” and another suggested that “[Aiōn] has the same archaic brutality as Stravinsky's Rite of Spring.”
Anna Thorvaldsdottir (b. 1977): Aiōn; Iceland Symphony Orchestra; Eva Ollikainen, conductor; innova 810 (original release) and Sono Luminus 92268
By American Public Media4.7
176176 ratings
In 1895, H.G. Wells published The Time Machine, a sci-fi classic that fired the imagination of Victorian readers. How fantastic it would be to be able to experience past, present, and future at will!
Well, on today’s date in 2019, Icelandic composer Anna Thorvaldsdottir invited the audience at that year’s Point Music Festival in Gothenburg, Sweden, to experience past, present and future all at once via the premiere of an orchestral work she titled Aiōn, after the ancient Greek god of time.
The title is a metaphor, as Thorvaldsdottir put it, “connected to a number of broader ideas: How we relate to our lives, to the ecosystem, and to our place in the broader scheme of things, and how at any given moment we are connected both to the past and to the future, not just of our own lives but across — and beyond — generations.”
At the 2019 premiere, dancers from the Iceland Dance Company moved in and around the players of the Gothenburg Symphony, creating striking visuals to accompany music one reviewer described as “weirdly unearthly, or awesome with oceanic majesty,” and another suggested that “[Aiōn] has the same archaic brutality as Stravinsky's Rite of Spring.”
Anna Thorvaldsdottir (b. 1977): Aiōn; Iceland Symphony Orchestra; Eva Ollikainen, conductor; innova 810 (original release) and Sono Luminus 92268

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