Three Castles Burning

Bram Stoker’s life and career was shaped by the strong women around him. Charlotte Stoker, his mother, raised him on folklore and stories of her own youth, while Speranza (Lady Jane Wilde, the mother of Oscar) was a key influence in expanding his knowledge of Ireland’s folklore and mythology. 

I’m joined by Marion McGarry, author of the acclaimed book Irish Customs and Rituals and an authority on Charlotte Stoker to discuss some of the women central to Stoker’s life and work. Live readings by actor Eva Jane Gaffney bring their words to life.

Marion's book is available from: https://www.orpenpress.com/books/irish-customs-and-rituals/

Irish Food History: A Companion is an extraordinary thing - a moment in Irish publishing history. Coming in around 800 pages, it covers everything from archaeology and food to the pub grub of today. Full of archival images, poetry, recipes and more besides, the book captures the best of what is happening in Irish food research. On this episode, editors Dorothy Cashman and Máirtín Mac Con Iomaire join me to go through this collection.

The book is available from: https://booksupstairs.ie/product/irish-food-history-a-companion/

Paula Meehan is a poet for whom history is a constant source of inspiration. In this discussion at the Dublin Festival of History, she reads a number of poems written throughout the Decade of Centenaries, as well as other work shaped by the past. Paula’s collection, The Solace of Artemis, is available from: https://booksupstairs.ie/product/the-solace-of-artemis/

Lee Miller is best recalled now for her defining images of the Second World War. With Kate Winslet playing the role of Miller in a new film, it seems a good time to explore Miller’s visit to Dublin in the winter of 1946. Sent by Vogue to photograph James Joyce’s Dublin, her images capture scenes like Barney Kiernan’s public house and Belvedere College.

Catriona Crowe is former Head of Special Projects at the National Archives of Ireland. She is Ireland’s most recognisable archivist, and someone to whom all historians of modern Ireland are indebted. At the recent Seán Corcoran Series (www.seancorcoranseries.com/) we discussed archives, oral history and much more.

Clodagh Finn and John Morgan have produced an important history of the involvement of Irishmen and women in the anti-fascist movements of the Second World War. One of the most extraordinary stories they have uncovered is Catherine Crean, a woman in her sixties originally from Dublin’s Moore Street. She would give everything in defence of democracy and in opposition to Hitlerism. The Irish in the Resistance is out now (Gill Books.)

This year marks four decades of the DART. Along with that, the Luas has turned twenty. These two services have radically changed how we live in Dublin, but where did they come from and how did Dublin's transport history shape them? This episode explores these things and questions of tomorrow.

Seeing the inevitable headlines on the horizon around the Wolfe Tones performing at Electric Picnic, I decided to reach out to Brian Warfield for a chat about his book, The Ramblings of an Irish Ballad Singer. Amongst other things, Brian spoke to me about his family origins, why the Tones recorded songs like 'The Sash', and the importance of the English folk music revival for his band.

(Original image: Richard Walshe, Mindfield Flickr)

The Liffey Swim is a beloved painting, and one of the most visited works in the National Gallery of Ireland. A century ago, it led to the first Olympic medal of the new Free State. With calls for the creative arts to return as a competitive dimension of the Olympics, this episode explores Jack B. Yeats and the cultural and political context of his win.

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At the Irish Museum of Modern Art, a new exhibition explores the life and work of artist Hilary Heron.  Like many, I came away from it amazed that this important modernist sculptor was not better known here. Born in Dublin in 1923, her work achieved international recognition in her own lifetime. Dr. Billy Shortall is the author of an essay on Heron in the exhibition catalogue, and has done great work to bring her back to  deserved prominence.

An article by Billy on Heron can be read at www.rte.ie/brainstorm/2021/0105/1187779-hilary-heron-sculptor-art-ireland/

Support TCB: www.patreon.com/threecastlesburning