There could be nowhere more fitting to discuss the life of Edward Fitzgerald than upstairs in the Lord Edward, as part of Culture Date with Dublin 8. That he was born into privilege is clear, but Fitzgerald also rejected it, his sister recalling that "he was a Paddy and no more; he desired no other title than this." Annie Hughes is a singer and a member of An Góilín Traditional Singers. Fergus Whelan is author of Enemies of the State: Richard Musgrave, the Rebellion of 1798 and the Making of Sectarian Irish History.

John Gibney is co-editor of The Story of Us: Independent Ireland and the 1926 Census. On a sunny day, we sat on a bench dedicated in part to a man you'll find in that census, and discussed what is in this extraordinary landmark census. We look at some interesting people, like the writer Dorothy Macardle, the widowed Maud Gonne MacBride and an influential Italian on Pearse Street. An earlier episode made some predictions, but here we are looking at the real thing. The Story of Us is available now in all good bookshops.

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It would seem everyone in the city has an opinion on the shopping centre at the top of Grafton Street. With that in mind, it seems a good time for a potted history of it and the site it occupies. Controversial in its own day, the project was overseen by the architect James Toomey, though it fell somewhat short of the original vision. What is to be done with this 1988 centre, and why has its proposed replacement irked so many?

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In 1965, the body of Roger Casement was returned to Ireland. No longer condemned to the grounds of Pentonville Prison, he would be buried in Dublin's Glasnevin Cemetery, where he is one of the first graves a visitor encounters today. There were political questions around Casement's body in the 1960s, and his final request was not honoured. Rory Carroll, author of the bestselling 'A Rebel and a Traitor: A Fugitive, the Manhunt and the Birth of the IRA' joins me to discuss Casement, life and afterlife.

Today marks the 120th birthday of Samuel Beckett. Inspired both by this milestone anniversary and by the wonderful new exhibition of the work of photographer John Minihan in the National Gallery of Ireland, this episode explores sites that are important to the story of Beckett and Dublin. Some, like Trinity College Dublin, will be familiar. Others, like the family business on Clare Street where he wrote some of his collection More Pricks Than Kicks are unmarked today. Our journey brings us to places as diverse as Elvery's sport shop and Kennedy's pub, as we get to walk in Beckett's footsteps across a city he did love, despite the challenges it put before him.

With the 110th anniversary of the Easter Rising upon us, it seems a good time to look at one of the less familiar figures of the story. Somewhat in the shadows, Éamonn Ceannt was a meticulous organiser, vitally important not only to the revolutionary movements of his time but traditional music too. His Dublin centred on Rialto, Dolphin's Barn, Crumlin and the surrounding areas, and in this episode we learn about Ceannt's importance to the story of 1916.

(Thanks for your patience as we move - and thanks to all Patreon supporters as always)

In 1903, Saint Patrick's Day formally became a national holiday in Ireland, following a push from the Gaelic League. In the pages of their newspaper, An Claidheamh Soluis, a battle was waged for the closure of public houses on the day. Some publicans stood in opposition to this. This is the story of how a sober St Patrick's Day was achieved, and how it would take until the 1960s for change.

In 1997, David Bowie released Earthling, an album deeply influenced by the sound of drum and bass and industrial electronic music. Spending time in Dublin city, Bowie befriended the Quadraphonic collective, who brought the drum and bass sound to the city at venues like The Globe and The Kitchen. This led to a secret concert at The Factory venue in Ringsend. My guest Ray O'Donoghue is now the Night Time Economy Advisor to Dublin City Council, but was then part of Quadraphonic and opened for Bowie on the night.Contributions also come from John Brereton, Director of the DublinBowie Festival. This episode contains bad language.

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The release of the 1926 census from the National Archives of Ireland is now imminent. These returns should give us fascinating insights into a post-revolutionary Ireland. In this episode, we look at the capital in 1926. It was a defining year in Irish cultural history, with the birth of 2RN and O'Casey's Plough and the Stars, but it was also an austere time. Strikes were plentiful, with the General Strike in Britain grabbing the imagination of some, while the controversial IRA campaign against Moneylenders took up plenty of column inches. From the reconstruction of the city to the birth of Fianna Fáil, this is the story of the capital in a defining census year.

SERIES 4, EPISODE 1.

Welcome back to a new series. Emmett Grogan was one of the defining figures of American counterculture in the 1960s. Though his name is almost completely unknown in Ireland, the author of Ringolevio: A Life Played for Keeps is a man for whom Bob Dylan dedicated an album, and who was described by Abbie Hoffman (who he distrusted greatly) as "the hippie warrior par excellence." Yet before the Summer of Love took San Francisco, Grogan was in Dublin in the early 1960s. His accounts of the city are fascinating, from Neary's to Guinness, but how much of it is true?

You can read his account here: https://stealthiswiki.com/library/emmett-grogan-ringolevio