Historian Pádraig Óg Ó Ruairc has just produced Burn Them Out, a history of the Irish far-right. One of its most intriguing chapters studies the Blueshirt movement, tracing its development from an association of veterans into something much broader. Studying intelligence files and reports, Ó Ruairc demonstrates the surprising level of violence associated with this movement around the country. So, was Eoin O’Duffy’s so-called ‘March on Dublin’ ever a serious proposal, and what could have happened on the streets of Dublin in August 1933?

Buy the book: https://chaptersbookstore.com/products/burn-them-out?srsltid=AfmBOop0N2oZXPbSABE-zU5TPnUeajS5-fJ2bJ8TJrNdsMUQYynSN-tM

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Both Patrick Leo Burdock and Ivan Beshoff were revolutionaries, though in very different circumstances. These two names remain stalwarts of the Dublin chipper landscape, but did you know a branch of Leo Burdock’s was raided in 1941, or that Ivan Beshoff lived to be over 100? From the Battleship Potemkin to a tramway strike in Dublin, this is the story of two remarkable men.

This edition of the podcast contains adult language and themes and is not suitable for younger listeners.

This special live edition of the podcast was part of Abair, an annual programme within the Saint Patrick’s Festival. Joining me is Caroline West (author of a recent best selling history about Monto and a sex educator and columnist), Terry Fagan (oral historian and Monto expert), MacDara Yeates (singer and cultural programmer) as well as musical guests Sean Fitzgerald (The Deadlians) and Phelim Drew.

In Dublin, just a handful of public houses now open at seven o’clock in the morning. Where did these early houses come from, and what has influenced their decline? On this journey across the city, we visit a pub financed by the Beamish & Crawford Brewery, as well as the historic fruit and vegetable market. Thanks to Brand New Retro for scanning SLATE Magazine!

Bob Dylan’s 1966 visit to the Adelphi Cinema is a concert on which there is very little agreement. Torn apart by one Dublin reviewer, many who were there describe the gig in different terms entirely. For many in attendance, it was an extraordinary experience. Visiting Dublin in a year when The Clancy Brothers were putting Dublin’s story on the international map, the Dylan concert survives.

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Described by The Irish Times as 'raucous, bawdy, reflective and wistful in turn', Traditional Singing from Dublin is more than just an album of songs. Inspired by figures as diverse as Liam Weldon and Seosamh Ó hÉanaí, this work has a strong sense of history throughout. Macdara Yeates joins me. You can stream Traditional Singing from Dublin now. Tickets for TradFest are available at www.tradfest.com

In 1898, tens of thousands of people paraded in Dublin for the unveiling of a foundation stone to a Wolfe Tone statue. So why did it not happen? Only in 1967 did Edward Delaney’s tribute to Tone appear on St Stephen’s Green. In this podcast, celebrating the fact the Tone monument is part of Dublin City Council’s Dublin Winter Lights, Delaney’s son and biographer joins me at the memorial to talk about one of my favourite Dublin statues. For more see: https://www.dublinwinterlights.ie/

These are exciting times at the Collins Barracks branch of the National Museum of Ireland. This week, the first Harry Clarke display at the museum opens, showcasing six works by Ireland's most beloved stained glass artist. The Museum is also taking part in the Dublin City Council 'Dublin Winter Lights' for the first time. Dónal Maguire, Keeper of Art & Industry at the National Museum of Ireland, gave me a sense of the museum and its collections. Tickets and more information from www.dublinwinterlights.ie.

The story of Michael Healy is one that tells us much about the Dublin of his time. Born into a working class inner-city family in 1873, Healy was shaped by the artistic and cultural movements of the time, becoming a central figure in the stained glass studio An Túr Gloine. The work of that studio is still to be found across Dublin today. His biographer David Caron joined me in Dublin’s Hugh Lane Gallery to discuss Healy and his time. Be sure to check out the Hugh Lane Gallery's fantastic After Hours programme. With thanks to the gallery and Sherpa events.