Join HPA’s Through the Frame for a conversation with Glenn Derry, one of the key technologists responsible for virtual production on Avatar, The Jungle Book, and many others. Glenn will walk us through an introduction to pre-vis and virtual production, and give us an idea of where they're headed.

Join VFX Editor Myles Robey, as he breaks down the post production process for creating the movie 1917, which was made to look like one shot.  Single shot movies are a huge undertaking and have many complicated challenges, most of which you’d never even know happened. Myles breaks down the workflow that made this award winning feature film possible!

Workflow specialist Rachel McIntire has spent a lot of time on the road, traveling to 41 countries and all 7 continents over the course of her career. She joins Through the Frame host Jesse Korosi, to talk about dailies and what it means to be on the road setting up a remote lab.

Learn how the new movement toward reanimating camera movement, stabilizing, and reframing shots in post is taking shape! Chad Peter and Tai Logsdon have been on the forefront of this change and will discuss how it all began and how it’s being done today, with lots of details and examples from Mind Hunter, Bird Man, Homecoming & Mr. Robot.

Technical Supervisor Ben Gervais breaks down the groundbreaking workflow used to deliver the Will Smith feature Gemini Man at 120 frames per second, Native3D, HDR, and ATMOS. From a workflow perspective, this might just be the most challenging film ever delivered and Ben was key in making this happen.

A quick intro to what you're in for when tuning in to Through The Frame!