Spoilers for Welcome to Derry Episode 3!

Thumb War returns to Derry, Maine, where the sewers are wet, the ghost children look like Spirit Halloween interns, and the cemetery scene feels one jump scare away from a discount haunted house behind a Home Depot.

After two strong episodes, Episode 3 might be our first real stumble of the season. We break down:

Did the show blow its horror budget in Episodes 1 & 2?

We still love the show, but we also reserve the right to yell at it.

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This week on Thumb War we dive headfirst into “Shame”, the Steve McQueen film that proves even the hottest people alive can be absolutely miserable.

We unpack Michael Fassbender’s Olympic-level libido, Carey Mulligan’s emotional demolition derby performance, the subway eye-sex, the hotel disaster, the threesome-from-hell, and the sibling dynamic that made us both yell “No thank you.”

Jason is weirdly unimpressed. Rachel is weirdly invested. Fassbender is weirdly… relentless.

If you like art-house chaos, trauma bonds, and movies that make you question your entire browser history, this episode is for you.

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We’re recapping Episodes 1 & 2 of Welcome To Derry, a show that proves Stephen King will never run out of nightmare fuel.

In this episode, Jason and Rachel break down the pacifier trauma, the demon-baby joyride, the womb-from-hell sequence, the pickle-factory disaster, the theater bloodbath, and the government bros who genuinely think they can team-up with Pennywise like he’s the sixth Avenger.

Thankfully, Hazel drops in to provide the emotional support HBO clearly refuses to.

If you love horror, chaos, or watching Derry do Derry things, this one’s for you.

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Welcome to the Thumb War Patreon lounge — where the mics are hot, the Eight Ball’s filthy, and no one’s editing out the weird stuff. JD and Rachel dive into the doomed Soderbergh-Driver Star Wars script, questionable grooming updates, deer encounters, thrift-store T-shirt giveaways, and a heartfelt thank-you to the listeners literally keeping the lights on.

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This week on Thumb War, Jason and Rachel ring up The Black Phone 2 (2025) — a sequel that swaps its creepy basement for a haunted dreamscape — and then revisit An American Werewolf in London (1981), one of the funniest, horniest, and most existential horror movies ever made.

Featuring:

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Jason and Rachel are joined by resident Jedi Jeshua Kidd to tackle Star Wars: Episode II – Attack of the Clones. From Obi-Wan’s noir detective subplot on Kamino to Anakin and Padmé’s galaxy-wide red-flag romance, we break down the highs, lows, and sand-covered cringe of George Lucas’s most ambitious prequel.

Topics include: the infamous “I don’t like sand” scene, Yoda’s lightsaber duel, Ewan McGregor keeping this whole thing afloat, and whether Attack of the Clones deserves its spot near the bottom of most Star Wars rankings.

New to Thumb War? We watch way too much stuff… so you don’t have to.

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This week on Thumb War, Jason and Rachel (with special guest Dan Dan The Pie Man!) check in to the worst Airbnb in cinematic history: Barbarian (2022). We’re talking Bill Skarsgård’s creep factor, Justin Long’s slimeball turn, the unforgettable “Mother,” and why this film makes you scream “Don’t go in the basement!”

Is Barbarian a horror masterpiece or a divisive mess? We break down the scares, the social commentary, and the sheer chaos of Zach Cregger’s debut. Four thumbs way, way up.

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It took two decades, but the rage virus is back. Jason and Rachel review 28 Years Later (2025), the shocking sequel from Danny Boyle and Alex Garland — now available on digital. We unpack the performances (Jodie Comer, Aaron Taylor-Johnson, Ralph Fiennes as Dr. Kelson, Alfie Williams), the bold genre twists, and whether the film lives up to the 28 Days Later legacy.

From the chilling Rudyard Kipling poem to the Lindisfarne setting, the “Bone Temple” setup, and the controversial train sequence — we cover it all.

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Jason & Rachel wrestle with The Smashing Machine — Benny Safdie’s bruising MMA drama starring Dwayne Johnson & Emily Blunt. Is it The Rock’s best performance? Why did it flop at the box office? And could it still earn him Oscar buzz?

Also: J.Lo’s new musical Kiss of the Spider Woman, Stephen King’s Welcome to Derry, Ryan Murphy’s Monster: The Ed Gein Story, and a joyful rewatch of The Naked Gun.

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Andrew DeYoung’s Friendship (A24) is equal parts hilarious, awkward, and deeply uncomfortable. Tim Robinson (I Think You Should Leave) and Paul Rudd dive headfirst into cringe comedy — and we break it all down. From cult-like bro bonding to surreal sewer adventures, nacho intimacy, and an endless parade of green, this movie is as weird as it is brilliant.

We discuss the performances, themes of male loneliness, hidden metaphors, and whether Friendship actually works as a feature-length Robinson vehicle.

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