Ticket Stubs

As you sort through your Thanksgiving leftovers and start your Christmas shopping, let Overlapping Dialogue serve the role of comforting holiday companion. We ring in the series of occasions with a pair of football movies that tug on the heartstrings- albeit in wildly different ways- with Heaven Can Wait and Friday Night Lights. But before they settle their respective differences on the gridiron, we as humble color commentators devour a full fledged meal with a Blue Plate Special lineup: listen as we discuss the latest edition of the Call of Duty franchise (Modern Warfare 3...again) and ponder what the yet-to-be-released Coyote vs. Acme and its stalled fate means for the future of the motion picture industry, as well as find theatrical solace with an unlikely trio of satisfying new releases in Anatomy of a Fall, The Holdovers, and Thanksgiving. Upon finally arriving to our pigskin-themed main event, we delight in the multi-hyphenate nature of the 1978 romantic comedy fantasy sports yarn and try and catch our breathes from the insistent, stifling DRAMA in all caps (no cap, fr fr) of the 2004 high school sports saga. Appropriately, we even enshrine one of this episode's subjects into our very own Hall of Fame, the Immune.

As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at [email protected] with your questions, comments, and requests.

https://thebigwblog.wordpress.com/2023/11/19/update-makarov-goes-nuclear-call-of-duty-modern-warfare-iii-why-are-you/

Light your cigs and scout the blotter: it's Noirvember, sugar bumps! This episode's pair of films, dedicated to one of classic Hollywood's richest legacies, celebrates the waning years of the legendary Orson Welles's time in the States with The Stranger and The Lady from Shanghai. But before we get lost in the shadows of postwar American ennui, our Blue Plate Special segment finds us diving ever so briefly back into the domain of bloody baboons with a discussion of the teaser trailer for Kingdom of the Planet of the Apes. We eventually trade in our computer generated fur for some proper money suits with a double feature of Welles noirs, one which subtly makes a case that fascism wasn't totally extinguished at the conclusion of the Second World War and another that stylishly crashes and burns with the intensity of a cinematic volcano.

As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at [email protected] with your questions, comments, and requests.

As All Hallows' Eve approaches with a creeping intensity, Spooktober Spooktacular continues with two iconic cinematic ghost stories that have left an indelible impact with audiences of every subsequent generation: Poltergeist and The Sixth Sense. But before we exercise these spirits, we unpack and sort through our thoughts on the latest Martin Scorsese's historical epic Killers of the Flower Moon, look for answers in the satisfying labyrinth of The Blair Witch Project, and muse over the highs and lows of Hulu's small screen comedy-mystery Only Murders in the Building. Join us as we enter a pair of old dark houses that is our double feature: listen as we try to suss out the Spielbergian elements within Tobe Hooper's 1982 supernatural horror before taking stock of the innumerable hallmarks that at once put Shyamalan on the map in 1999 and established a formula he's yet to ever succeed outside of.

As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at [email protected] with your questions, comments, and requests.

https://thebigwblog.wordpress.com/2023/10/21/our-blood-is-turning-white-killers-of-the-flower-moon-needed-more-and-less/

Bedazzle the cobwebs and yassify the cemetery: it's that time again, the third annual Overlapping Dialogue Spooktober Spooktacular! We dive into the Halloween spirit in with two black and white chillers from the 30s and 40s with Vampyr and Isle of the Dead. In addition to tangling with the undead, we get fat and happy with a Blue Plate Special bag of goodies, ranging from thoughts on the new Wes Anderson shorts adapting Roald Dahl on Netflix, predictions on what effects Swifties will have on theaters with the release of Taylor Swift: The Eras Tour, and puzzle our way through Rolling Stones Magazine's ranking of the "50 Worst Decisions in Movie History." It's a *scary* good episode that may or may not conclude with us chowing down on some General Mills monster cereal. But which one? You'll have to listen to the very end to find out.

As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at [email protected] with your questions, comments, and requests.

In this edition of Overlapping Dialogue, we make off with a load of fat greenbacks that turn out to be counterfeit junk with 1987's The Untouchables and 2009's Public Enemies. Though both films have generated healthy followings over the years, we take issue with their approaches to and executions of the crime genre, a medium we have particular passions for. Also, there's no Blue Plate Special this time but have no fear, we made a whole meal out of the cinematic dumpsters we're highlighting. Feel free to lock us up after this one and throw away the key: it's our story and we're sticking to it.

As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at [email protected] with your questions, comments, and requests.

Marcel Proust once said, "The real voyage of discovery consists not in seeking new landscapes, but in having new eyes." Thankfully, legendary journalist and maestro of the mustache Geraldo Rivera took such advice to heart in the conception of his iconic, some might say infamous, television special The Mystery of Al Capone's Vaults. Join us as we provide our own commentary to Rivera's attempt to uncover secrets, loot, and- most importantly- anecdotes involving one of American gangland's most notorious figures. The ending may not exactly be what the Internal Revenue Service or sponsors of the special Budweiser and the Quaker Oats Company were hoping for. But hey, isn't it all about the friends and/or meaningless debris we found along the way?

As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at [email protected] with your questions, comments, and requests.

Y2K looms large as Overlapping Dialogue concludes our series on the cinema of the 1990s with two satires situated deep in the Clinton years: Election and American Beauty. But before we celebrate the end of an era, we dive into a Blue Plate Special discussion involving our thoughts on some recent theatrical re-releases (American Graffiti and They Live) in the midst of the ongoing Hollywood strikes, puzzle over the impact of the "critical metric" site Rotten Tomatoes, and generally wrestle with the larger legacies left by the films of 1999 while also debating how it stacks up to other heralded movie years. Upon dispensing with the pleasantries, we dive into the muck generated by both of our spotlighted films: listen as we appreciate Alexander Payne and Tom Perrotta's vision of Middle American angst while objecting to the smug aperture through which Sam Mendes and Alan Ball forcefully demand we "look closer."

As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at [email protected] with your questions, comments, and requests.

We don't know whether to dance or weep on this edition of Overlapping Dialogue, which once again continues our journey through the 90s with a pairing that would leave even the hardiest party animal crying in the club: The Last Days of Disco and American History X. But before we put on our dancing shoes, we dig into a Blue Plate Special slate celebrating the lives of Terry Funk, Bray Wyatt, and Bob Barker; mull over the status of the ongoing Hollywood strikes; and offer up some thoughts on the latest chiller from Universal Studios, The Last Voyage of the Demeter. Upon surviving the Count's subpar attempts to subdue us, we tackle two striking portraits of American whiteness while considering their traditions within the yuppie coming-of-age story and the trial-by-fire political drama respectively.

As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at [email protected] with your questions, comments, and requests.

https://thebigwblog.wordpress.com/2023/08/13/bright-wall-bright-room-movie-theaters-are-in-disrepair-but-isnt-it-great/?fbclid=IwAR1NQvmm3qeXAMi6ti5vI4fgePamuQiN0S4OgHEj0lRtVQYq32P-WySREZo_aem_AZh6XfSOJTuUbATiXoRJSS6Lh8vLbnwT-9R5sfOO4lLZ0CSQ7tLPl9OXflqZG1znr2o

Sometimes odd couples have the ability to go the long haul. In the spirit of labored cooperation, Overlapping Dialogue pairs two disparate 1997 darlings together for an episode you'll never forget: My Best Friend's Wedding and Face/Off! As always, we kick off the proceedings with a Blue Plate Special slate dedicated to celebrating the lives and legacies of William Friedkin and Robbie Robertson, burying once and for all the rote Airport franchise with The Concorde...Airport '79, praise the new release Past Lives, and attempt to assign coherence to a reluctant participant in Reflections of Evil. We eventually arrive to this episode's double feature, where we judge the extent to which John Travolta and Nicholas Cage's scorched earth tête-à-tête is as deranged and manic as Julia Roberts's sabotage of a lovely wedding of her dear friend and potential lover.

As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at [email protected] with your questions, comments, and requests.

https://thebigwblog.wordpress.com/2023/07/29/take-your-sister-by-the-hand-the-unchecked-ambition-of-reflections-of-evil/

After stepping out for a bit with a month-long hiatus, Overlapping Dialogue is back with our continued journey through 90s cinema, one that has us sorting out a pair of 1996 films riddled with daddy issues: Hamlet and Lone Star. But before we account for the sins of the father(s), we devour a Blue Plate Special slate sure to offer something for everyone as we assess some of this summer's most talked about releases with Mission: Impossible- Dead Reckoning Part 1, Oppenheimer, and Barbie. And yes, we do spend time unpacking the larger Barbenheimer phenomenon. Once the smoke clears and the glitter fades away, we dive into this edition's double feature: listen as we admire Kenneth Branagh's reverent adaptation of one of the Bard's most iconic works and marvel at the economical mastery present in John Sayles's small town neo-noir western.

As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at [email protected] with your questions, comments, and requests.