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Even at this point, at the end of INFERNO's Canto XI, we've come a long with Dante-the-pilgrim. We've walked down six circles of hell. We've also encountered lots of problems in the text, moments that need explanation, lots of interpretive knots.
But I want to call our attention to the criticism of an Italian scholar who essentially says that at this point, the COMEDY has been killed with footnotes.
It's a great moment to stop, reflect, and think about the achievement and beauty of Dante's masterwork. Sure, it's fun to be down in the weeds. But since Virgil stopped to offer a map of the road ahead, I thought we'd stop and I'd encourage you to look back at the the road we've been on.
This episode does not break into easily divided segments.
By Mark Scarbrough4.8
159159 ratings
Even at this point, at the end of INFERNO's Canto XI, we've come a long with Dante-the-pilgrim. We've walked down six circles of hell. We've also encountered lots of problems in the text, moments that need explanation, lots of interpretive knots.
But I want to call our attention to the criticism of an Italian scholar who essentially says that at this point, the COMEDY has been killed with footnotes.
It's a great moment to stop, reflect, and think about the achievement and beauty of Dante's masterwork. Sure, it's fun to be down in the weeds. But since Virgil stopped to offer a map of the road ahead, I thought we'd stop and I'd encourage you to look back at the the road we've been on.
This episode does not break into easily divided segments.

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