On our 49th episode, we enjoyed the rare opportunity to share an hour with a writer whose work has been hugely important to both of us. Jungian analyst and podcaster Lisa Marchiano is the author of several books, including one that we hold especially close: “Motherhood: Facing and Finding Yourself.” In the last five years, we both became mothers, and because of this we’ve been navigating completely new lives and ways of relating to ourselves, to the world around us, and to time itself. There nothing quite like the initiation into parenthood. It is joyful, disorienting, and profoundly beautiful—and, at times, full of loss, grief, and frustration. It was an honor to speak to Marchiano about the many and rich complexities and contradictions of this experience, and how we learn to make meaning from even our most turbulent transformations.

Our intro (“Love is Love”) and outro (“My Ace”) are courtesy of KING VISION ULTRA, 2025.

For our 48th episode, we shared time with the brilliant Emily Manwaring—an artist from and living in New York City whose tender, evocative, & multidimensional works on canvas have been shown at galleries and institutions such as Canada, New Image Art, the Brooklyn Museum, and the Venice Biennale. We first came into contact with Emily when we licensed one of her paintings to illustrate our 2023 book about nameplate jewelry and have remained drawn both to her prolific creativity and generous spirit. We spoke about what led her to start making images, the need to stay grounded and purposeful while navigating the fickle pressures of the art industry, and how the poetry of NYC life and heritage emerges in her work.

Our intro (“Love is Love”) and outro (“My Ace”) are courtesy of KING VISION ULTRA, 2025.

Our 47th episode welcomes dynamic duo Melissa Sáenz Gordon & Molly Salas of Soft Power Vote: a civic engagement resource that leverages digital, print, and live formats to encourage New Yorkers—and especially millennials and Gen Z—to vote! While just a few days away from the Democratic mayoral primary election in NYC, we’re honored to share the perspectives of two people who have been extremely busy engaging us, and so many of our peers, with crucial information and tools around the urgency of participating in local political infrastructures. This conversation unpacks what brought each of them to this work, some of the eccentricities of election policies and logistics in NYC, and, most importantly, the complexities of navigating the inevitable cynicism of a world in turmoil to act on the belief that we can and must each contribute to shaping and caring for the city we hold so dear.

To learn more about Soft Power Vote, visit them on Instagram https://www.instagram.com/softpowervote/

Our intro (“Love is Love”) and outro (“My Ace”) are courtesy of KING VISION ULTRA, 2025.

For episode 46, we spoke to scholar and author Francesca Sobande, whose research focuses on the impact of digital media in shaping how we perceive, understand, and experience the world and each other. Our conversation explores Francesca’s numerous books (which address topics such as the online lives of Black women in the UK, the ways that big brands manipulate, exploit, and even derail social justice movements, and the commodification of care culture in COVID-19), and the way digital media informs *and* is informed by what we think is “real life.”

Our intro (“Love is Love”) and outro (“My Ace”) are courtesy of KING VISION ULTRA, 2025.

On episode 45, we welcomed scholar, community arts educator, curator, and artist Dr. Jillian Hernandez (@pastelitocookie), whose work challenges the ways racialized and working-class bodies, sexualities, and cultural practices are policed through gendered tropes of deviancy and respectability. We spoke to Jillian about her debut book “Aesthetics of Excess: The Art and Politics of Black and Latina Embodiment” (2020); the insurgent Miami-based art collective, Women on the Rise!, which she founded in 2004; her personal, lived journey into scrutinizing the cultural politics of style; and the radical possibilities of excess.

Our intro (“Love is Love”) and outro (“My Ace”) are courtesy of KING VISION ULTRA, 2025.

For episode 44, we invited illustrator, author, and comedian Daisy Ruiz (@draizys) to bring us into her journey as an award-winning cartoonist and, more recently, aspiring comedian. We talked with Daisy about her highly-acclaimed, super inspiring, and hilarious first comic book—”Gordita: Built Like This” (2023)—and how she combined memory, fiction, and humor to create a parable about the body politics of girlhood. Our conversation digs into how she creates whole worlds on paper; the influence of growing up in the Bronx on her eye and style of storytelling; and how comics can capture the complexity and magic of everyday life.

Our intro (“Love is Love”) and outro (“My Ace”) are courtesy of KING VISION ULTRA, 2025.

For our 43rd episode, and our first after a multi-year (and multi-child) parental leave, we sat down face to face with artist June Canedo de Souza (@junecanedodesouza) on the occasion of Deli Radio—a platform she created with Daniel Santos while in residence at Recess Art in Brooklyn—which Top Rank was delighted to be included in.

We spoke to June about the enduring impacts of childhood on our perspective, obsessions, and creative expression; the thematic considerations of gender, labor, migration, and consumerism that permeate her art across painting, sculpture, and performance; and what it’s like to make art (or anything, really) as a new mother.

Our intro (“Love is Love”) and outro (“My Ace”) are courtesy of KING VISION ULTRA, 2025.

On episode 42 we are joined by Mims — an artist, abolitionist, and facilitator based in Los Angeles, CA. Mims is the mind behind “Uncle Ronnie’s Room,” an art-driven campaign to mobilize the general public and media around the story of Ronald (Ronnie) Coleman Jr. and Carl Coleman’s wrongful conviction over 20 years ago.

At 29 years old, Ronald Coleman Jr. was sentenced to two life sentences plus 65 years for a murder case that he was not involved in. Ronnie is currently incarcerated at Calhoun State Prison in Morgan, Georgia, where he has lost 22 years of his life and counting.

Through exploring his childhood, Uncle Ronnie’s Room takes us deeper into who Ronnie is as a person, information about his case, and the impact his incarceration has had on his family. The work invites attendees to imagine what he could have done with 22 years of his life, creates space to collectively tap into spiritual and ancestral guidance, and questions the system at large.

Learn more about the campaign and support here: https://www.uncleronniesroom.com

On episode 42 we are joined by Mims — an artist, abolitionist, and facilitator based in Los Angeles, CA, Mims is the mind behind “Uncle Ronnie’s Room,” an art-driven campaign to mobilize the general public and media around the story of Ronald (Ronnie) Coleman Jr. and Carl Coleman’s wrongful conviction over 20 years ago.

At 29 years old, Ronald Coleman Jr. was sentenced to two life sentences plus 65 years for a murder case that he was not involved in. Ronnie is currently incarcerated at Calhoun State Prison in Morgan, Georgia, where he has lost 22 years of his life and counting.

Through exploring his childhood, Uncle Ronnie’s Room takes us deeper into who Ronnie is as a person, information about his case, and the impact his incarceration has had on his family. The work invites attendees to imagine what he could have done with 22 years of his life, creates space to collectively tap into spiritual and ancestral guidance, and questions the system at large.

Learn more about the campaign and support here: https://www.uncleronniesroom.com

This episode features our conversation with Destiny Mata, an NYC/San Antonio photographer and filmmaker whose work focuses on topics pertaining to subculture and community. Her photography book "The Way We Were" documents the alternative punks of color scene in NYC.

Destiny is formerly the Director of Photography Programs at the Lower East Side Girls Club and her work has been published in Vogue, Vice’s Noisey, Vibe, The Source, and Mass Appeal. Her work has been exhibited on a multitude of occasions, including for the 2020 Photoville Festival, at the International Center of Photography, and at the Museum of the City of New York, to name just a few.

Learn more about Destiny:

http://www.destinymata.com

Her book "The Way We Were" is available for purchase here https://www.theculturecrush.com/culture-crush-editions/the-way-we-were