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On today’s date in 1942, on a radio broadcast by the NBC Symphony, 75-year-old Italian conductor Arturo Toscanini led a performance of El Salón Mexico by 41-year-old American composer Aaron Copland. Copland, who attended the performance, was amazed to see that Toscanini knew his score by heart, apparently unaware that the extremely nearsighted Toscanini always memorized the scores he conducted.
After the performance, Copland was invited backstage to the Green Room to meet Toscanini. “He addressed me as ‘maestro.’ That was a shock. It was rather fun to be addressed as ‘maestro’ by the maestro. But Toscanini seemed disturbed. I wondered what was bothering him and apparently the rhythmic complications of my piece had caused him considerable headache, trying to remember all these changes of rhythms in the piece by heart, and made him a little unsure of his memory,” he recalled
Years later, among Toscanini’s papers, a copy of Copland’s score was found, written out in Toscanini’s own hand, from first note to last, apparently made as an aide to — or test of — his memory. Copland asked Toscanini’s son Walter for a photocopy, and it remained one of his prized possessions.
Aaron Copland (1900-1990): El Salòn Mèxico; NBC Symphony; Arturo Toscanini, conductor
By American Public Media4.7
176176 ratings
On today’s date in 1942, on a radio broadcast by the NBC Symphony, 75-year-old Italian conductor Arturo Toscanini led a performance of El Salón Mexico by 41-year-old American composer Aaron Copland. Copland, who attended the performance, was amazed to see that Toscanini knew his score by heart, apparently unaware that the extremely nearsighted Toscanini always memorized the scores he conducted.
After the performance, Copland was invited backstage to the Green Room to meet Toscanini. “He addressed me as ‘maestro.’ That was a shock. It was rather fun to be addressed as ‘maestro’ by the maestro. But Toscanini seemed disturbed. I wondered what was bothering him and apparently the rhythmic complications of my piece had caused him considerable headache, trying to remember all these changes of rhythms in the piece by heart, and made him a little unsure of his memory,” he recalled
Years later, among Toscanini’s papers, a copy of Copland’s score was found, written out in Toscanini’s own hand, from first note to last, apparently made as an aide to — or test of — his memory. Copland asked Toscanini’s son Walter for a photocopy, and it remained one of his prized possessions.
Aaron Copland (1900-1990): El Salòn Mèxico; NBC Symphony; Arturo Toscanini, conductor

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