TOTAL MASSACRE

Zombie month concludes with a modern masterpiece of the genre, 2016's TRAIN TO BUSAN. It's a fast-paced, fast-zombie film that went viral in the streaming age, and Rowan, Carli, and special guest Bryant Francis are here to talk about why it totally deserved its acclaim. Uh, also, Kev is here and they didn't like it, so, surprise conflict amongst our survivors!

Zombie month continues with RETURN OF THE LIVING DEAD, a nihilist zombie horror-comedy that's both as authentically punk and fake Hollywood punk as you can get. Either way, the energy is good, the special effects are good, the characters are good, and Rowan, Kev, and guest Zack Handlen are all here having a great time.

It's zombie month over on TOTAL MASSACRE, as Rowan, Carli, and Kev all check out a classic we've never actually seen before, DAWN OF THE DEAD (1978). We invite horror fan Jack McDonald along, and talk about tremendous editing, the rarity of seeing the collapse from the side of the people in authority, capitalism, how cool Ken Foree is, the implicit and explicit discussion of race, and how horror movies struggle with endings in the most fascinating ways. Let's go ice skating together!

TOTAL MASSACRE's Alien month concludes with the black sheep of the franchise that's the black sheep of franchises. ALIEN: RESURRECTION is widely considered the worst of the series or at least the original run, but what this podcast presupposes is: what if it's actually some weird, icky, goofy fun? Kev, Carli, and Rowan are all in agreement, as is special guests David Bednar, who runs down what actually makes for an Alien film, and why Avatar and Fargo both are but Alien 3 isn't. Rowan also mentions Babylon 5. Multiple times.

Alien month continues with yet another controversial, wildly visionary, endlessly compromised thriller with tremendous production design -- the first of that batch, David Fincher's ALIEN 3. It's a grim movie but a fun show, as Rowan, Kev, Carli, and new guest El Loughney discuss the massively different cuts, doomed production, how this all relates to Babylon 5, comedy xenomorph kills, and just how good Charles Dance and Charles Dutton are in this!

It's Alien month here, and we're having a nice calm episode of TOTAL MASSACRE as we do a leisurely scientific expedition of 2012's PROMETHEUS, where nobody has strong opinions, nobody has an agenda, and definitely nobody dies horribly from excessive arrogance, and DEFINITELY nobody has to have a horrific alien abortion that also removes all subtext from the body! Carli, Kev, and Rowan are joined by resident Alien-liker Zack Handlen to talk about bad androids played well by bad people, characters announcing their motivations, extremely shiny toys, and the hubris of making the film, the hubris of the characters in the film, and the hubris of us trying to discuss the film.

July is Will Smith month for TOTAL MASSACRE, so of course we have to start with INDEPENDENCE DAY, a film that was completely ubiquitous in 1996 and has kind of shockingly faded from public view given that it was THAT big and also it's pretty damn good? Cities are supposed to blow up, and they blow up. Bill Pullman, Jeff Goldblum, and Will Smith are present and good actors, and they act good and charming. Randy Quaid is....also there. Rowan, Kev, and our good friend Madi are here to discuss every part of this film, except for the incredibly awesome/terrible 90s credit animations, which Rowan forgot to mention on the show and is clearing up here.

This episode is funny because we spend the first 3/4s of it talking about an incredibly interesting, strange, 70s film starring David Bowie at one of the peaks of his David Bowie-ness, and then also we mention that the movie kinda sucks. It's THE MAN WHO FELL TO EARTH, with Rowan, Kev, Carli, and returning guest Jack McDonald! Assassination crash helmets! Too Many Televisions! Rip Torn's penis! This is a movie that has it all except connecting tissue, or any action scenes! It is certainly a movie!

It's 70s sci-fi month here at TOTAL MASSACRE, as we open with INVASION OF THE BODY SNATCHERS, a delightful science fiction take on the paranoid thrillers of the era. How fine is Donald Sutherland's moustache? Is San Francisco an incredibly accurate setting for this film? How are the themes so solid and so amorphous? And ain't it cool with the bodies gloop out?

Our formative movie May ends with SPEED RACER, the Wachowskis' then-panned, now cult classic of color and sound and explosion and anti-corporatism. It's Kev's pick for a movie that made them love movies, and they're joined by fellow superfan Grace Robertson, Carli, and Rowan watching it for the very first time, to talk about why it's stuck around, why it came out at exactly the wrong time, how the Wachowskis' Gen X libertarianism may undercut some of its themes, Christina Ricci with grease on her face, and cars going boom.