T.O.U.C.H. Samadhi

Firmly established as the Trance Dad of the Southeastern US psytrance community, Kri Samadhi continues to innovate, seeking out the best and brightest of our scene. Skorpium, well known throughout the region for his darkpsy DJ selections, joins forces with Kri to deliver a seven-minute journey through watery subterranean depths. “Konstruct” follows a driving bassline into dark territories infested with slithering leads and mossy atmospherics. On the second track, MissyMiss (who exploded onto our scene with her dark and energetic DJ sets just a few years ago) and Kri build a heavy rhythmic foundation for “Coming Down,” evoking a mind-bending experience amid dark foliage and living, breathing plant life. These tracks are as appropriate for the dancefloor as they are for deep introspection.

Firmly established as the Trance Dad of the Southeastern US psytrance community, Kri Samadhi continues to innovate, seeking out the best and brightest of our scene. Skorpium, well known throughout the region for his darkpsy DJ selections, joins forces with Kri to deliver a seven-minute journey through watery subterranean depths. “Konstruct” follows a driving bassline into dark territories infested with slithering leads and mossy atmospherics. On the second track, MissyMiss (who exploded onto our scene with her dark and energetic DJ sets just a few years ago) and Kri build a heavy rhythmic foundation for “Coming Down,” evoking a mind-bending experience amid dark foliage and living, breathing plant life. These tracks are as appropriate for the dancefloor as they are for deep introspection.

AOUGHT, the drum & bass alter-ego of psytrance producer Kri Samadhi, here presents his collection of scenes of cyberpunk dystopia. “Soulphane” is a lurking, mournful mass of sludgy bass, mournful atmospheres, and shifting rhythms. “Break the frame” picks up with sinister minimal beats and a snarling bassline that support ice-cold pads. The title track, “Crumbs” introduces cinematic vocal and string ambience and a low end that marches endlessly forward, whereas “Saiko” detours into glitched-out paranoia and distorted 808 bass. “Files” evokes the deadly hacker drama of 1990s cyberpunk fiction, with clashing beats and spacy old-school leads. “The Great Dying” may be the album’s darkest track, with bleak droning atmospheres, lo-fi drums, and an absolutely hostile bassline. “Bad Boy” is a tribute to darkside jungle, produced on a vintage Akai S3000XL sampler to produce authentically mashed-up Amen breaks and classic pads. Finally, the album closes with Herbivore’s blistering remix of “Soulphane,” which transports the original into a murky underwater dancehall.

All tracks written by Kri Samadhi

Remix and additional production on Track 8 by M. Love

Mastering by https://skyaudiomastering.com

AOUGHT, the drum & bass alter-ego of psytrance producer Kri Samadhi, here presents his collection of scenes of cyberpunk dystopia. “Soulphane” is a lurking, mournful mass of sludgy bass, mournful atmospheres, and shifting rhythms. “Break the frame” picks up with sinister minimal beats and a snarling bassline that support ice-cold pads. The title track, “Crumbs” introduces cinematic vocal and string ambience and a low end that marches endlessly forward, whereas “Saiko” detours into glitched-out paranoia and distorted 808 bass. “Files” evokes the deadly hacker drama of 1990s cyberpunk fiction, with clashing beats and spacy old-school leads. “The Great Dying” may be the album’s darkest track, with bleak droning atmospheres, lo-fi drums, and an absolutely hostile bassline. “Bad Boy” is a tribute to darkside jungle, produced on a vintage Akai S3000XL sampler to produce authentically mashed-up Amen breaks and classic pads. Finally, the album closes with Herbivore’s blistering remix of “Soulphane,” which transports the original into a murky underwater dancehall.

All tracks written by Kri Samadhi

Remix and additional production on Track 8 by M. Love

Mastering by https://skyaudiomastering.com

AOUGHT, the drum & bass alter-ego of psytrance producer Kri Samadhi, here presents his collection of scenes of cyberpunk dystopia. “Soulphane” is a lurking, mournful mass of sludgy bass, mournful atmospheres, and shifting rhythms. “Break the frame” picks up with sinister minimal beats and a snarling bassline that support ice-cold pads. The title track, “Crumbs” introduces cinematic vocal and string ambience and a low end that marches endlessly forward, whereas “Saiko” detours into glitched-out paranoia and distorted 808 bass. “Files” evokes the deadly hacker drama of 1990s cyberpunk fiction, with clashing beats and spacy old-school leads. “The Great Dying” may be the album’s darkest track, with bleak droning atmospheres, lo-fi drums, and an absolutely hostile bassline. “Bad Boy” is a tribute to darkside jungle, produced on a vintage Akai S3000XL sampler to produce authentically mashed-up Amen breaks and classic pads. Finally, the album closes with Herbivore’s blistering remix of “Soulphane,” which transports the original into a murky underwater dancehall.

All tracks written by Kri Samadhi

Remix and additional production on Track 8 by M. Love

Mastering by https://skyaudiomastering.com

AOUGHT, the drum & bass alter-ego of psytrance producer Kri Samadhi, here presents his collection of scenes of cyberpunk dystopia. “Soulphane” is a lurking, mournful mass of sludgy bass, mournful atmospheres, and shifting rhythms. “Break the frame” picks up with sinister minimal beats and a snarling bassline that support ice-cold pads. The title track, “Crumbs” introduces cinematic vocal and string ambience and a low end that marches endlessly forward, whereas “Saiko” detours into glitched-out paranoia and distorted 808 bass. “Files” evokes the deadly hacker drama of 1990s cyberpunk fiction, with clashing beats and spacy old-school leads. “The Great Dying” may be the album’s darkest track, with bleak droning atmospheres, lo-fi drums, and an absolutely hostile bassline. “Bad Boy” is a tribute to darkside jungle, produced on a vintage Akai S3000XL sampler to produce authentically mashed-up Amen breaks and classic pads. Finally, the album closes with Herbivore’s blistering remix of “Soulphane,” which transports the original into a murky underwater dancehall.

All tracks written by Kri Samadhi

Remix and additional production on Track 8 by M. Love

Mastering by https://skyaudiomastering.com

AOUGHT, the drum & bass alter-ego of psytrance producer Kri Samadhi, here presents his collection of scenes of cyberpunk dystopia. “Soulphane” is a lurking, mournful mass of sludgy bass, mournful atmospheres, and shifting rhythms. “Break the frame” picks up with sinister minimal beats and a snarling bassline that support ice-cold pads. The title track, “Crumbs” introduces cinematic vocal and string ambience and a low end that marches endlessly forward, whereas “Saiko” detours into glitched-out paranoia and distorted 808 bass. “Files” evokes the deadly hacker drama of 1990s cyberpunk fiction, with clashing beats and spacy old-school leads. “The Great Dying” may be the album’s darkest track, with bleak droning atmospheres, lo-fi drums, and an absolutely hostile bassline. “Bad Boy” is a tribute to darkside jungle, produced on a vintage Akai S3000XL sampler to produce authentically mashed-up Amen breaks and classic pads. Finally, the album closes with Herbivore’s blistering remix of “Soulphane,” which transports the original into a murky underwater dancehall.

All tracks written by Kri Samadhi

Remix and additional production on Track 8 by M. Love

Mastering by https://skyaudiomastering.com

AOUGHT, the drum & bass alter-ego of psytrance producer Kri Samadhi, here presents his collection of scenes of cyberpunk dystopia. “Soulphane” is a lurking, mournful mass of sludgy bass, mournful atmospheres, and shifting rhythms. “Break the frame” picks up with sinister minimal beats and a snarling bassline that support ice-cold pads. The title track, “Crumbs” introduces cinematic vocal and string ambience and a low end that marches endlessly forward, whereas “Saiko” detours into glitched-out paranoia and distorted 808 bass. “Files” evokes the deadly hacker drama of 1990s cyberpunk fiction, with clashing beats and spacy old-school leads. “The Great Dying” may be the album’s darkest track, with bleak droning atmospheres, lo-fi drums, and an absolutely hostile bassline. “Bad Boy” is a tribute to darkside jungle, produced on a vintage Akai S3000XL sampler to produce authentically mashed-up Amen breaks and classic pads. Finally, the album closes with Herbivore’s blistering remix of “Soulphane,” which transports the original into a murky underwater dancehall.

All tracks written by Kri Samadhi

Remix and additional production on Track 8 by M. Love

Mastering by https://skyaudiomastering.com

AOUGHT, the drum & bass alter-ego of psytrance producer Kri Samadhi, here presents his collection of scenes of cyberpunk dystopia. “Soulphane” is a lurking, mournful mass of sludgy bass, mournful atmospheres, and shifting rhythms. “Break the frame” picks up with sinister minimal beats and a snarling bassline that support ice-cold pads. The title track, “Crumbs” introduces cinematic vocal and string ambience and a low end that marches endlessly forward, whereas “Saiko” detours into glitched-out paranoia and distorted 808 bass. “Files” evokes the deadly hacker drama of 1990s cyberpunk fiction, with clashing beats and spacy old-school leads. “The Great Dying” may be the album’s darkest track, with bleak droning atmospheres, lo-fi drums, and an absolutely hostile bassline. “Bad Boy” is a tribute to darkside jungle, produced on a vintage Akai S3000XL sampler to produce authentically mashed-up Amen breaks and classic pads. Finally, the album closes with Herbivore’s blistering remix of “Soulphane,” which transports the original into a murky underwater dancehall.

All tracks written by Kri Samadhi

Remix and additional production on Track 8 by M. Love

Mastering by https://skyaudiomastering.com

AOUGHT, the drum & bass alter-ego of psytrance producer Kri Samadhi, here presents his collection of scenes of cyberpunk dystopia. “Soulphane” is a lurking, mournful mass of sludgy bass, mournful atmospheres, and shifting rhythms. “Break the frame” picks up with sinister minimal beats and a snarling bassline that support ice-cold pads. The title track, “Crumbs” introduces cinematic vocal and string ambience and a low end that marches endlessly forward, whereas “Saiko” detours into glitched-out paranoia and distorted 808 bass. “Files” evokes the deadly hacker drama of 1990s cyberpunk fiction, with clashing beats and spacy old-school leads. “The Great Dying” may be the album’s darkest track, with bleak droning atmospheres, lo-fi drums, and an absolutely hostile bassline. “Bad Boy” is a tribute to darkside jungle, produced on a vintage Akai S3000XL sampler to produce authentically mashed-up Amen breaks and classic pads. Finally, the album closes with Herbivore’s blistering remix of “Soulphane,” which transports the original into a murky underwater dancehall.

All tracks written by Kri Samadhi

Remix and additional production on Track 8 by M. Love

Mastering by https://skyaudiomastering.com