Some of Trent University’s brightest alumni came
together October 15 to give a critical appraisal of the state of
Canadian media. A full house at Bagnani House were treated to “Through A
Canadian Lens, The Current and Future Landscape of Television and
Film.” This insightful event drew Peterborough community members, as
well as Trent faculty, staff, and students to hear about the changing
nature of television broadcasting and film.
The talk featured four notable Trent alumni as part of the Life After
Trent program: Stephen Stohn ’66, President of Epitome Pictures,
multi-award winning executive producer of Degrassi, and top
entertainment lawyer; Bill Corcoran ’70, who has been in the television
and motion picture industry for forty years as director, and an
assistant director and producer who has directed over 300 hours of
television and 30 movies; and Bay Weyman ’76, an award winning Canadian
filmmaker with over 25 years’ experience writing, producing and
directing documentary films through his company Close Up Films. Molly
Blyth ’01, who has been a professor at Trent since 1986, moderated the
event.
The panelists were each cautiously optimistic about the future of TV/film in Canada.
Mr. Weyman cited fewer funding options and documentary’s “mutant
younger brother,” reality TV, for a tougher Canadian documentary
landscape. He tempered this by noting an increase in the number – and
success – of documentary film festivals as well as the success of new
creative approaches to documentaries.
Mr. Corcoran stressed the need for Canadian filmmakers to be strong
storytellers. He also pointed out that, rather than “broadcasting” –
getting content out to huge numbers all at once – film and television is
now “narrowcasting” – being extremely viewer specific in targeting age,
gender, nationality, interest, and more. Due to streaming and
video-sharing sites, getting content out has never been easier. “The
ability to monetize it,” he notes, “is another matter altogether.”
Mr. Stohn addressed the need for a stronger government role when it
comes to operating procedures for streaming channels, such as Netflix –
that the financial gulf between American content providers and the rest
of the world is too great.
“Politicians have a role to provide structure to an industry that
ranks only behind mining and oil and gas in Canada,” explain Mr. Stohn.
For Stohn, this issue has not been adequately addressed by the
government or the CRTC.
At the same time, he says that TV is currently enjoying a creative
Renaissance – that the over 450 new series’ being created this year
alone speak to the ability for quality content to be shared.
The panelist all agreed, if there is one thing that is certain about
Canadian television and film, it is that nothing is certain.