Trey Knowles Music

Trey Knowles' "Set Yourself Free" is a song that encourages listeners to resist material temptations and break free from oppression. The lyrics emphasize the idea that possessions can lead to conflict and bondage, urging individuals to walk in the spirit of God rather than being controlled by worldly desire.

Trey Knowles' "Fugio" is an allegorical song that critiques historical figures, particularly Benjamin Franklin. The lyrics suggest that Franklin mistreated, jailed, and killed indigenous people while simultaneously asserting control over global currency. The song appears to expose these injustices and challenge the narrative surrounding Franklin's legacy.

Trey Knowles' "Rahab to Son of Red Earth" is a song that presents a modern-day Rahab delivering a message to the Son of Red Earth, warning that his walls will soon fall and that his sins have reached the heavens. The lyrics emphasize themes of divine justice, historical reckoning, and spiritual warfare, referencing figures like Goliath and invoking biblical imagery.

Trey Knowles' "English" is a thought-provoking and symbolic song that challenges listeners to examine the difference between claiming the name of Christ and living according to His character. Rather than focusing on ethnicity or nationality, the song uses the figure of an "English" character as a literary symbol representing a false image of Jesus Christ that is known not by truth, but by its actions. Throughout Scripture, Yeshua taught that people are identified by their fruit, and this song invites listeners to judge spiritual claims in the same way.

The central message asks a difficult but important question: If someone claims to represent Christ, but their works produce theft, destruction, oppression, and deception, can they truly represent Him? The song draws attention to the words of Yeshua in John 10:10: "The thief comes only to steal and kill and destroy; I have come that they may have life, and have it abundantly." By contrasting the character of the thief with the character of the true Messiah, the song encourages listeners to evaluate every claim about God according to righteousness, justice, mercy, and truth rather than tradition, power, or outward appearance.

"English" also reflects on one of the most sobering passages in the Gospel of Matthew. Many people confidently declare, "Lord, Lord, did we not prophesy in your name?" believing that miracles, religious works, and public ministry prove they belong to Christ. Yet Yeshua's response is startling: "I never knew you; depart from me, you workers of lawlessness." This warning reveals that using the name of the Lord is not enough. Genuine faith is demonstrated through obedience to God, love of truth, and a life that reflects His righteousness. A profession of faith without the character of Christ is empty.

Through powerful symbolism and biblical themes, Trey Knowles explores the danger of following a version of Christ that bears little resemblance to the One revealed in Scripture. The song asks whether people have accepted a religious image built by human tradition rather than the Messiah who taught humility, justice, repentance, mercy, and complete obedience to the Father. It challenges listeners to look beyond titles, institutions, and cultural identities and instead examine the fruit produced by those who claim to speak for God.

Ultimately, "English" is a call to spiritual discernment. It reminds believers that Christ is recognized not merely by words but by His works, and His followers are known in the same way. The song encourages every listener to test every doctrine, every teacher, and every religious claim against the teachings of Scripture. It asks whether we are following the Good Shepherd who gives life or a counterfeit voice that leads people away from the commandments of God. By ending with the haunting question, "What would happen if the English say, 'Lord, Lord, did we not prophesy in your name?'", Trey Knowles leaves the audience with a challenge to examine their own faith, their understanding of Christ, and whether they truly know Him—or merely know about Him.

Trey Knowles' "Innocent Eyes" is a powerful song that critiques police brutality and systemic injustice. The lyrics explore themes of racial profiling, mercy, and biblical justice, questioning how society would react if Jesus were a Black man. The song draws parallels between historical oppression and modern-day struggles, urging listeners to reflect on justice and accountability.

Trey Knowles' "Let It Rot" is a song that explores themes of oppression, economic inequality, and resistance to systems of power that the artist portrays as corrupt. Rather than encouraging support for institutions that perpetuate injustice, the song presents the idea that structures built on exploitation should be allowed to collapse under the weight of their own corruption. Its message challenges listeners to question established systems, reject complicity in oppression, and seek justice instead of accepting inequality as inevitable.

Throughout the song, the themes center on exposing the divide between those who accumulate wealth and influence and those who bear the burden of unjust policies and social conditions. "Let It Rot" calls for moral courage, urging people to recognize manipulation, resist exploitation, and reclaim their dignity rather than empowering institutions they believe no longer serve the public good. The title itself symbolizes refusing to preserve what the artist views as spiritually, morally, or socially corrupt.

By combining social criticism with imagery of decay and renewal, "Let It Rot" presents the idea that lasting change often requires the end of oppressive systems before something more just can take their place. The song serves as both a protest against injustice and a call for accountability, encouraging listeners to stand together, reject oppression, and pursue a future founded on fairness, truth, and freedom.

Trey Knowles' allegory song "47th" is the son of the bloodline of the Holy Roman Emperor of Germany, who becomes the president of the United States. The Third Reich, which the Nazis referred to as the Thousand-Year Reich of earth control. 47th is the Tyrant who puts the world in chaos, pretends to bring peace, but causes humanity to kill one another.

Trey Knowles' "You Scientists" critiques the influence of scientists on society, particularly those who reject religious beliefs. The song suggests that some scientists manipulate the world through experiments, controlling both the earth and human life. It explores themes of atheism, paganism, and power, questioning the ethical implications of scientific advancements.

Trey Knowles' “Standback Be Holy”, is a thought-provoking piece telling countries of people to recognize who they Bullie is and do not worry. If the whole earth submits to God, except for the devil because the devil wants power and destruction. Only the devil wants nuclear weapons and things that are opposite of God's character to influence you and destroy you.

If all countries of people, submit to God and don't follow their Bullie, the enemies of God's people will be defeated. Exodus 14:14 states, "The Lord will fight for you; you need only to be still."

Trey Knowles' "Asteroid" is a powerful and thought-provoking piece that delves into themes of divine justice and the consequences of human actions. Drawing inspiration from biblical imagery, it portrays an asteroid as a symbol of reckoning, emphasizing the need for righteousness and accountability.