All I want you to know is that this is #mythirteenthdoctor.

This week Kiyan and Dylan watch the final little expanded universe thing they’re watching before they get to the reboot. In sticking with completely invented and made up traditions they watched Stephen Moffat’s first contribution to the show. It’s the Curse of Fatal Death, aired on the 12th of March, 1999.

Doctor Who © The BBC

Any other references belong to their respective owners, no copyright infringement is intended by this podcast.

The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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Unfortunately you all know it’s true.

This week we’ve made the biggest mistake we’ve ever made. But even our biggest mistake (watching this special) can’t compare to how big of a mistake it was for the show to make Dimensions in Time. It was written by John Nathan-Turner and David Roden, and it was aired on the 26th and 27th of November, 1993.

Doctor Who © The BBC

Any other references belong to their respective owners, no copyright infringement is intended by this podcast.

The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Cybertech.

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That’s how we all end I guess.

Here we reach the end of our run through the Doctors from 8 down to 1 and back up again. Two weeks of random other TV things, then we finally reach Rose. Finally. Thank god. It’s Mad Dogs and Englishmen, written by Paul Magrs and released on January 7, 2002.

Doctor Who © The BBC

Any other references belong to their respective owners, no copyright infringement is intended by this podcast.

The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by John Debney.

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Can you feel the change in the podcast? We’re going back to TV.

This week Kiyan and Dylan are approaching the end of the Dark Years diversion. They’ve listened to their final audio for now, they’ve read their final book (you’ll have to wait until next week) and so it draws almost neatly to a close. Almost. But not quite. Master was written Joseph Lidster and released in October of 2003. Master can be purchased for $3 (or your local equivalent) on Big Finish’s website. It’s also on Spotify.

Doctor Who © The BBC

Any other references belong to their respective owners, no copyright infringement is intended by this podcast.

The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Keff McCulloch.

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As it turns out, Penguins are the third largest flightless bird in the world after the Australian emu and the German mole rat.

After last week’s rather depressing adventure, Kiyan and Dylan are back to talk about a much more uplifting and funny… oh nevermind. Well it started funny and uplifting. It… just didn’t end that way. It’s The Holy Terror, written by Robert Shearman and released in November of 2000. The Holy Terror can be purchased for $3 (or your local equivalent) on Big Finish’s website. It’s also on Spotify.

Doctor Who © The BBC

Any other references belong to their respective owners, no copyright infringement is intended by this podcast.

The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Dominic Glynn.

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Everybody is getting cyberized in Young and Cyber. Coming soon.

This week Jim and Martin make a tepid return to Trust Your Doctor. Apparently they really like Cybermen because if you’ve been paying attention the first time they were on this glorious show was to talk about Revenge of the Cybermen. If you haven’t been paying attention, now you know. Also, we chose this story quite some months ago (almost 6) so the fact that it corresponds nicely with World Enough and Time and The Doctor Falls is legitimately a coincidence. But we talk about them anyway. Obliquely. It’s Spare Parts, written by Marc Platt and released in July of 2002. Spare Parts can be purchased for $3 (or your local equivalent) on Big Finish’s website. It’s also on Spotify.

Doctor Who © The BBC

Any other references belong to their respective owners, no copyright infringement is intended by this podcast.

The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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No one even knows where this supposed British part even is.

This week we actually hear Tom Baker for the first time in 20 years! Can you believe it? He sounds…. exactly the same. Honestly don’t know what I expected actually. It’s The Valley of Death, written by Philip Hinchcliffe, adapted by Jonathon Morris, and released January of 2012. The Valley of Death can be purchased for $45 as part of the Fourth Doctor Boxset (or your local equivalent) on Big Finish’s website. It’s also on Spotify.

Doctor Who © The BBC

Any other references belong to their respective owners, no copyright infringement is intended by this podcast.

The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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Only “Senator” Palpatine knows how to do the secret jedicopter move.

This week Kiyan and Dylan have created a new world order. Turns out that was our plan all along for this podcast, we were going to use it to start this new world order thing. Not sure what we’re going to do with it now, stay tuned. It’s The Sentinels of the New Dawn, written by Paul Finch and released April 2011. The Sentinels of the New Dawn can be purchased for $8 (or your local equivalent) on Big Finish’s website.

Doctor Who © The BBC

Any other references belong to their respective owners, no copyright infringement is intended by this podcast.

The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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You wouldn’t happen to know what really happened would you?

My memory never cheats. My memory only wins. Every time. This week we’re talking The Memory Cheats, written by Simon Guerrier and released in September of 2011. The Memory Cheats can be purchased for $8 (or your local equivalent) on Big Finish’s website.

Doctor Who © The BBC

Any other references belong to their respective owners, no copyright infringement is intended by this podcast.

The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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Not all trees bleed, but the ones that do… they’re pretty creepy.

I’m pretty certain this is the newest audio drama that we’ve listened to, which is kind of interesting because it’s also about the oldest (and one of the best) TARDIS team on the books. Unless, I guess, if you count just The First Doctor and Susan. Which maybe you should, I don’t know. It’s Domain of the Voord, written by Andrew Smith and released September 2014. Domain of the Voord can be purchased for $11 (or your local equivalent) on Big Finish’s website.

Doctor Who © The BBC

Any other references belong to their respective owners, no copyright infringement is intended by this podcast.

The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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