*Whomobile does not actually appear.

This week, the slog through season 22 continues. Luckily our distress call was heard by The Second Doctor and Jamie, so they’re shown up to spice up the serial a bit. It’s the Two Doctors, written by Robert Holmes and aired in February and March of 1985.

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The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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I question whether the choreographers even knew how to read a choreograph.

So, the universe is populated by more rogue time lords than we thought. Seriously, every week it feels like they add another one. This time it’s The Mark of the Rani, written by Pip and Jane Baker and aired in February of 1985.

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The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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Hey, great idea, let’s use smart cars for mining.

Moving swiftly through season 22 we come to another divisive serial. If you don’t mind me spoiling for a second, quite a few of the serials this season lead to a divide between Kiyan and Dylan, so brace yourself please. The divide this week: Vengeance on Varos, written by Philip Martin and aired in January of 1985.

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Any other references belong to their respective owners, no copyright infringement is intended by this podcast.

The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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Cyber. Cyber. Cyber. Cyber.

Yes this week we begin season 22. Season 22 is quite the experience.  It’s very violent. And to think it all begins with some cybermen. It’s Attack of the Cybermen, written by Paula Moore and aired in January of 1985.

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The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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Can you imagine techno renaissance music?

This week we finally not only finish season 21, but also start the 6th Doctor. Remember last week when we said we predicted the 6th Doctor era to be the most divisive? Well buckle up, it’s the Twin Dilemma, written by Anthony Steven and aired in March of 1984.

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The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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In hindsight maybe not doing this with Krynoid was why this episode was all over the place.

Remember how the Fourth Doctor Retrospective was fun? This is… sort of fun? We take a look back at good old Peter Davison, and try to discuss his brief but fun era of Doctor Who.

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The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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And the sequel, Batnipples Forever.

And here we see the return of one of the greats of Doctor Who writing. Mostly. The Krotons was a bit of a dud, but hey, it was his first serial. This week Robert Holmes returns to write The Caves of Androzani, aired in March of 1984.

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The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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War is the future. War is our destiny.

This week we get two companion write outs! Two! Although I don’t think Kamelion can really be considered a companion so much as a plot device really. Turlough, on the other hand, one of the most fleshed out characters that’s not The Doctor. It’s Planet of Fire, written by Peter Grimwade and aired in February and March of 1984.

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The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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When are we getting a serious bear themed episode of Doctor Who?

Wow who would have guess that Davros would come back? And who would guess that this serial would basically display genocide? About 6 people made it out of this serial alive. Amazing. It’s Resurrection of the Daleks written by Eric Saward and aired in February of 1984.

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Any other references belong to their respective owners, no copyright infringement is intended by this podcast.

The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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French fries are potatoes so potatoes have to be good right?

A grey quarry. Bland spaceship sets. Poor concept execution. The question is, am I describing Underworld or Frontios? It’s Frontios. Sorry. Frontios was written by Christopher H. Bidmead and aired in January and February of 1984.

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Any other references belong to their respective owners, no copyright infringement is intended by this podcast.

The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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