While Philadelphia is fascinated by the weird sisters, she is quick to dismiss Gage’s notion that Jessica doth be deserving of royal status.

Philadelphia learns of the pleasures of a catchy mnemonic rhyme. Meanwhile, Gage and Jessica enlighten her that in modern times women are free to take to the stage to sing, dance and even show some leg.

Philadelphia’s typically overdramatic ways are deemed mostly warranted this time as she discovers a wicked malady that has hit close to home. Gage and Jessica are further concerned about the period’s medical treatment for those affected.

Philadelphia has both confidence in and respect for the grimoire. Gage and Jessica seem less inclined to be so convinced.

Philadelphia disagrees with Gage and Jessica on the cause of the wolf cancer but they're in full agreement when it comes to its awfulness.

Despite having a time machine, Philadelphia confesses to having a guilty pleasure when she reveals a story of trusting a whispered bruit to learn of her future.

Philadelphia declares that her father was responsible for saving Queen Elizabeth from her ordeal with small pox. Gage and Jessica discuss whether the Queen's recovery was really due to the treatment or just luck.

Philadelphia struggles to reconcile whether her love for a facinorous person makes her facinorous as well. Either way, she’s quick to point out that she is no REGULAR person.

Philadelphia ventures into the world of cinema and shares her thoughts on her recent screening of Hamnet. As might be expected, she has a less traditional perspective from those of Gage and Jessica - and modern times in general.

Perhaps the only thing worse than a miserable malady is MULTIPLE miserable maladies. Philadelphia shares such a fate faced by a young king.