Philadelphia struggles to reconcile whether her love for a facinorous person makes her facinorous as well. Either way, she’s quick to point out that she is no REGULAR person.

Philadelphia ventures into the world of cinema and shares her thoughts on her recent screening of Hamnet. As might be expected, she has a less traditional perspective from those of Gage and Jessica - and modern times in general.

Perhaps the only thing worse than a miserable malady is MULTIPLE miserable maladies. Philadelphia shares such a fate faced by a young king.

While Philadelphia admits to enjoying nonsensical lyrics, she is surprised – and amused – when Gage and Jessica tell her that the word for those nonsensical lyrics has taken on a much different meaning today. A meaning she's admittedly quite curious about. Batteries not included.

Even from Philadelphia's elitist perch, she wouldn't wish a toothache on her lowly listeners. Gage and Jessica are grateful for the advancements dental care has made since Philadelphia's time.

Philadelphia has a much less favourable opinion than Gage and Jessica when it comes to one of Shakespeare’s creations. A hero to some is but a puckfist to others.

Philadelphia shares gruesome details of Kingly sores.

Philadelphia doth affy that the knowlege of the wise from her time is more reputable than that of a couple of pod ladies. The pod ladies affy otherwise.

Philadelphia desires not to ever be labeled a fricatrice. Gage and Jessica are miffed that there are a surprisingly high number of such words.

Philadelphia feels there is a woeful shortage of wittols in the world. Gage and Jessica learn what the female equivalent of a wittol is.