Philadelphia's hugy ambition leads to a hugy honour for her husband. But Gage and Jessica quickly learn that she has more interest in her husband's new honour than in her husband himself.

Philadelphia is piqued by a snotty 'muckinder'. Meanwhile, Jessica and Gage think a 'muckinder' is still a useful accessory - even in today's modern world.

Philadelphia is piqued that her kinswomen boldly married without the permission of Queen Elizabeth. Jessica and Gage enjoy the 'hurly burly'.

Philadelphia shares the latest on her on/off relationship with RB including a tale of her own stage performance with RB himself. Gage admits to being impressed by her performance while Jessica finds herself tallying the body count in The Maid’s Tragedy.

Philadelphia is in fine form as she declares (with a HINT of bias) the cruelest soever to rule in the REAL game of thrones. Jessica and Gage lament their (likely) inability to hold themselves together if ever their fates meet a guillotine.

Gage and Jessica learn about female jesters and their motley ways while Philadelphia kickstarts her heart as she learns about Mötley Crüe and their motley ways.

Gage and Jessica learn about female jesters and their motley ways while Philadelphia kickstarts her heart as she learns about Mötley Crüe and their motley ways.

Philadelphia isn't ashamed to say she loves a good dump. Gage and Jessica aren't quite so forthcoming. But, in the end, they all agree that a good dump is something to be enjoyed.

Philadelphia finds Londoners to be absolute minckins! Jessica and Gage talk about how minckins is used in 'The London Prodigal', a play attributed to Shakespeare.

Philadelphia's word this week, 'noddle' is something every Tudorphile uses well! Jessica and Gage learn that 'The Taming of the Shrew' has an induction with a character named Christopher Sly.