This has been a fun annual event to do each year. I enjoy the anticipation, the fun in the forums, and the chance to get something I normally would not pick out myself. I would also say that I am a consumer of Premier Guitar’s content and for me this is a small way to support what they do.

Of course, not all people feel this way. Many believe it to be a disgrace and an irresponsible way to spend money. Some think it would be better to give the money to charity, some say it's better to support local businesses, and others just don’t like the concept.

But what potential prizes are there this year? How big are our boxes? Which Tweed Couch co-hosts participated? What did we get in previous years? What did we get this year? Who got the biggest Box of Sad? Can we return it? What is the deal with the GloKnob? And… next year… are we doing it again or is it time to do something else?

Well we will discuss this, and more on this group therapy session with Jason, on the Tweed Couch.

As you just heard in the intro, Jason is now a licensed therapist in Texas. Although this podcast has never been about true scientific therapy and the advice here was never meant to treat anything but an entertainment deficiency.  My hope was always that you left here encouraged, happier, and motivated to be a better person and musician… then in which you came. And all of this at no charge. Which is why I always ask for a like and subscribe on the YouTube Channel and podcast platform. It’s a free way to support this free to you content.

But back to “Guitar Player or Collector”. Of course I also realize that I’m no guru and definitely no saint… I have my own therapy that is needed on something I have wrestled with for a years. You see, I love the guitar. I love playing, touring, talking, tweeking, and owning guitars. After 3 decades of playing I have also accumulated… guitars, pedals, amps, cables, picks, parts, etc… etc… etc… So this left me with the question… Am I a guitar Player or Collector? And thankfully Jason is licensed and ready to help me… kinda. 

But… What makes a player a player? What makes a collector a collector? Could you be both? What draws some to purchase music gear? Are we slaves to subliminal marketing? Should we feel guilty about owning so much? What about pedals and amps… can we collect them too? When is enough… enough? And Quizzes… get your pencil and paper ready because we are about to  assess you as a Player or Collector too.

And we will discuss this, and more on this group therapy session with Jason, on the Tweed Couch.

We all have passions. When I was a kid I loved playing sports and collecting baseball and football cards. As a young adult I was into playing guitar and music. Now as a middle age adult I love being with my wife and kids. Teaching and learning. Being in the music industry. And obviously I love collecting, playing, and fixing guitars. 

Of course not all of these things can make us money. And if I’m honest, generally speaking, none of these things are going to make you filthy rich on its own. 

But how do we turn passion into a paycheck? Is it worth it to even try? What about burnout? Can there be too much of a good thing? What sacrifices need to be made? Do I need a side hustle? And venn diagrams… can we really use a visual aid on a podcast?

Well we will discuss this, and more on this group therapy session with John, on the Tweed Couch.

Back in 1954, Leo Fender once again created a guitar that would revolutionize popular music. Although many changes have occurred over the last 7 decades… at the heart of it… the Stratocaster is still just as revolutionary today as it was back then.

Of course it has been a long journey since then. In 1965 the headstock was enlarged. In 1971 the 3 bolt neck began. In 1977 the 5 way switch became the stock design. In 1982 they began releasing Squier versions. In 1985 Japanese Strats started getting a humbucker in the bridge. In 1997 the US made, double humbucker, “Big Apple” Strat was created… and the story goes on and on and on.

But… what makes a strat a strat? Should we call similar designs an S-style guitar? Which is better, rosewood or maple fretboards? Can you call it a strat if it has humbuckers? What about a 5 switch? Should the tremolo be floating? Why do they call it a tremolo if its really a vibrotol? Is it really a strat if its a hardtail? What mods are worth the time? And sounds… what or should I say who makes the best “strat tone”? 

Well we will discuss this, and more on this group therapy session with Chris, on the Tweed Couch.

Every year I talk about how this festival feels like a family reunion and this year was no exception. It’s not just because I get to see my normal Tweed Couch Buddies and not just because I get to perform music with my bandmates. It is because of the bond we share because of our desire to see this Christ centered event be successful.

Of course, much like a family working together. There are plenty of stories, frustrations, laughter, sweat, blood, and tears as the event goes on… oh and a fair amount of shenanigans too.

But what bands played this year at Lifest? Did they use real amps? Who is Lord Meniscus? Why was I called “The Rabbit”? What is a guitar vault? Can you decorate them? Did my 12 year-old get to drive? Did my 16 year old help run the main stage? Did the Newsboys really go on without Michael Tait or Peter Furler? Are big name artists actually nice people? And rain… did lightning really nearly strike a stage?

Well we will discuss this, and more on this group therapy session with Owen & Eli, on the Tweed Couch.

There is something cool about the delay effect on guitar. Sometimes you need a little to add size. Sometimes you need a lot to add texture. Sometimes you need to go backwards or wobbly to do something completely different. 

Of course delay isn’t perfect… and it could cover your sloppy playing but really… when done right… It's one of the best ways to sculpt your style and create a tasty tone. 

But… who uses delay best? Is it the same as reverb? What do the knobs do? Does it have to be a pedal? Who makes the best pedal? I get ⅛ and ¼ note… but what does dotted and triplet do? Can I leave it on all the time? And… tap tempo… is it a must?

Well we will discuss this, and more on this group therapy session with Barber, on the Tweed Couch.

There is a reason why we fall in love with the tones of songs from decades ago. The player, the phrasing, the technique, the gear. All of this ignites and inspires a guitar player.

Of course that gear has become harder and harder to obtain as time goes on. Plexi’s to JCM’s. Tweed to Silverface. Burst Les Paul to Korina Explorer. Pre-CBS Tele to Grunge Jagstang. If you want the real deal you will have to pay for it… if you don’t mind a newer reissue. then there might still be hope.

But… Are reissues the same as the original? Do they cost more? Why would people want the old model? Should you pay more to have it intentionally beat up? What is a clone? Is it better than a reissue? Who does them right? Who does them wrong? Does weight play a factor? What about the finish? Is time on its side? Who are reissues marketed for? And the automobile industry… when are you going to jump on board?

Well we will discuss this, and more on this group therapy session with Lloyd, on the Tweed Couch.

Some trade their gear in and trade up. Others sell their unwanted stuff off to finance other endeavors. Some feel the clutter and just want to regain space and sanity. 

Of course you never know if you might need that gear again. And most of the time, selling it off is actually more of a hassle than it's worth. Then again the ROI is often lower and you’ll never be able to buy it back for what you sold it for. Add that up to the memories you’ve created with the stuff and you might just be better off keeping it or giving it to a budding new musician. 

But what gear do we currently have that goes unused? Is there a reason for holding on this long? If we did sell it then where would we do it? Would I have to deal with taxes and shipping? Have we ever given gear away? Can I justify buying more? What’s a tire kicker? Is there a reason to hold on? How has the market looked since the pandemic? And… Skeleton’s in the Closet… Did Barber really forget that he owned two guitars sitting in a closet until this podcast?

Well we will discuss this, and more on this group therapy session with Barber, on the Tweed Couch.

Some love them. Some hate them. Those that feel the love appreciate the history, tone, feel, and inspiration these guitars embody. Those that feel the hate. Disapprove of the hype and blinded devotion to a flawed guitar design  that reeks of terrible tuning stability, inferior quality control, headstock breakage, high price, and heavy weight.

Of course these are a few examples of the extremes based on the guitars. Add in the sketchy corporate decisions that has led the company to bankruptcy more than once the acquisition of “non-guitar related businesses”, the lawsuits brought down on other popular brands, the campaign to “Play Authentic” and license the use of the guitars or else, and… ugh… the destruction of hundreds of firebird X guitars by an excavator… ya… they said they were “unfixable”... sure…

But why do people love Gibson guitars? Does it count if it's an Epiphone? Is Custom Shop really that much better? How are the acoustics? Is the weight really a problem? What's a pancake body? Does more price really get you more guitar? How many do Jason and I own? Were the robot tuners really that bad? What is neck dive? Should a Gibson cost more than a Fender? And… Ted McCarty… the man that is still saving the company today.

Well we will discuss this, and more on this group therapy session with Jason, on the Tweed Couch.

I’ve used inear monitors for over 20 years and floor wedges for even longer. Although there is a huge price difference between these two. Depending on the venue or concert you are playing, there is definitely a clear winner. 

Of course a great mix with great musicians makes all the difference when it comes to the experience of the show. On top of that, everyone has a preference that suits their needs, style, and comfort level.

But is it okay to get budget level monitors? What options do I have? Can I control my own mix? Do I need to do the same thing as the rest of the band? Should I get custom molded inears? Is it okay to switch from one type to the other? Do I even have to have a monitor? And monitor mixes, iif I can’t hear something is the answer to just make it louder? 

Well we will discuss this, and more on this group therapy session with John, on the Tweed Couch.