Drawing Impulses

Two surfaces in a suspenseful relationship


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Scribbling, the quality of the line and the composition of two surfaces.

With the first exercise of DRAWING IMPULSES, you got into drawing. You’ve succeeded in letting go of any intention, and instead relying completely on your intuition. I would like to build on this previous exercise and dive even more into the unintentional. But this time with a little concept. On a sheet of paper, place two rectangles or squares parallel next to each other. They should be of the same size and not too small. Then scribble in the respective field.

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Drawing ImpulsesBy Luise Kloos