July 26, 2021

Tyler Stovall on white freedom

1 hour 1 minute

“To be free is to be white, and to be white is to be free. In this reading, therefore, freedom and race are not just enemies but also allies”. That’s my guest today, the historian Tyler Stovall on the idea that animates his new book White Freedom: The Racial History of an Idea. It was an idea, Tyler says, that “kept him awake at night”. We talk about whether the most important racial line is between white and others, or between Black and others; the startling true history of the Statue of Liberty (“the world’s most prominent example of the racialization of modern ideas of freedom”, Tyler says); the controversy surrounding the 1619 Project and specifically the extent to which retaining slavery motivated some of the colonies in the War; the fight over school integration; the use of reason and rationality as gatekeepers to enlightenment ideas of liberalism; the decolonization movement; and the fights over both voting rights and Critical Race Theory; and much more besides. It’s a topical conversation but also one that reaches across history. I found this a stimulating and challenging conversation.

Tyler Stovall

Dr. Tyler Stovall is a lauded historian of modern and twentieth-century France, with a specialization in transnational history, labor, colonialism, and race. His work has covered topics ranging from the suburbs of Paris to Black American expatriates in France and the French Caribbean. He has written numerous books, including the widely-popular “Paris Noir: African Americans in the City of Light.” This summer, Stovall was appointed as the Dean of Fordham’s Graduate School of Arts and Sciences. Previously, he was the Dean of Humanities at UC-Santa Cruz and served as the President of the American Historical Association from 2017 to 2018. Stovall currently lives in Berkeley, California with his wife Dr. Denise Herd.

More Stovall

In this episode, we discussed Stovall’s new and thought-provoking book “White Freedom: The Racial History of an Idea”

He recently wrote an article in The Nation titled “Liberty’s Discontents”

While serving as President of American Historical Association, Stovall gave an address on “White Freedom and the Lady of Liberty”. You can watch it here.

Also mentioned

Stovall mentioned the book “Men on Horseback”, written by David Bell

We discussed the iconography of the broken chain on the Statue of Liberty

The hat that was given to former slaves in Ancient Rome is known as a ‘Pileus’

Stovall referred to the famous painting by Delacroix, “Liberty Leading the People”

We discussed the New York Times 1619 project which you can learn more about here.

Stovall mentioned Crispus Attucks, an African American man killed during the Boston Massacre and believed to be the first casualty of the American Revolution.

Here’s a clip of The Allman Brothers Band performing their song ‘Whipping Post’

We discussed Phyllis Schlafly and her role in opposing the Equal Rights Amendment

In On Liberty, J.S. Mill wrote that “Despotism is a legitimate mode of government in dealing with barbarians, provided the end be their improvement, and the means justified by actually effecting that end.” (p. 19)

After WWI ended, Black American soldiers returned home to a violently racist society and were threatened with increasing riots, lynchings, and additional brutality.

Stovall mentioned Julius Nyerere, the former President of Tanzania.

A man in Texas, after waiting in line for hours, now faces a 40-year sentence for voting while on parole.

I referenced Amartya Sen on the concept of meritocracy and its central conflict of who gets to define merit. Read more of his work on this topic here.

In his book, “Excellence: Can We Be Equal and Excellent Too?”, John W. Gardner writes, “The society which scorns excellence in plumbing as a humble activity and tolerates shoddiness in philosophy because it is an exalted activity will have neither good plumbing nor good philosophy: neither its pipes nor its theories will hold water.”

The Dialogues Team

Creator: Richard Reeves

Research: Ashleigh Maciolek

Artwork: George Vaughan Thomas

Tech Support: Cameron Hauver-Reeves

Music: "Remember" by Bencoolen (thanks for the permission, guys!)

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By Richard V. Reeves

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