Uncanny Japan

Not all Japanese revenge ghosts are wronged women. Meet Kohada Koheiji: a failed Edo-period actor who became famous for playing ghosts, only to be murdered, drowned, and returned as the very thing he once performed. In this episode, we explore the tangled history of the “real” Koheiji, Santō Kyōden’s gruesome tale, Nanboku’s kabuki adaptation, strange actor superstitions, severed fingers, rotten revenge, and one very silly sushi pun.

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In this episode of Uncanny Japan, we follow Benzaiten — also known as Benten — from her origins as Saraswati to her place among Japan’s Seven Lucky Gods. Along the way: Enoshima’s five-headed dragon, white snakes as divine messengers, snake-skin wallets, house snakes, and Ugajin, the wonderfully strange human-headed snake deity linked to rice, water, fertility, fortune, and wealth.

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Have you ever heard of the nodo-hotoke, or “throat Buddha”? In everyday Japanese, it usually refers to the Adam’s apple. But after death, especially in the context of cremation, the nodo-hotoke becomes something else entirely, the actual seat of your soul.

In this episode of Uncanny Japan, I talk about the fascinating and beautiful funeral custom of gathering bones after cremation, using long chopsticks to place them into the urn from feet to head, with the nodo-hotoke placed last. I’ll also touch on the taboo against passing food from chopsticks to chopsticks, the role of the crematorium attendant, and the belief that this Buddha-shaped bone can be connected to the soul, the life lived, or rebirth into the Pure Land.

After that, I read my dark story “The Buddha Bone,” originally published in Weird Horror Issue 7 by Undertow Publications. I also explain a couple of story-context words: hifuki-take, a bamboo tube used to blow into and stoke a fire, and hyottoko, the puckered-mouth comic figure associated with fire-blowing imagery.

Content warning: this episode discusses death, cremation, funerary ritual, and contains a dark fictional story on those themes.

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After exploring animal spirit possession last episode, Thersa turns to the Japanese ways of staying safe, getting a little lucky, and maybe even finding love through ofuda and omamori, talismans and charms filled with divine power and everyday hope. With birdsong in the background and stories woven throughout, the episode ends on a quietly unsettling note that has ushi no koku mairi (cursing your enemies) vibes.

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What is tsukimono? In Japanese culture, it’s the unsettling idea of possession—when a human or animal spirit attaches itself to you and usually does harm.

In this episode of Uncanny Japan, I explore animal possession: foxes, dogs, snakes, and even horses that cling to people for reasons both known and unknowable. What causes it? How can you tell if someone is possessed? And what happens when superstition crosses into real-world harm?

I talk about real eerie (and sometimes silly) historical accounts to my own deeply personal experience. I also look at the strange, the supernatural, and the very human consequences of this fascinating belief.

Perfect for listening while relaxing, walking, or drifting off to sleep.

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A vengeful princess rides a giant toad into battle while a monstrous skeleton tears through castle walls — and these two legends are connected in ways you might not expect.

In this episode, I dig into the story of Takiyasha Hime, daughter of the infamous Taira no Masakado, and the terrifying Gashadokuro. How did a princess become a sorceress? What kind of magic involves frogs? And is that famous skeleton in Kuniyoshi's print really what everyone thinks it is?

I even found the actual spell she used to summon the skeleton. Should I read it aloud?

[Please Note: Some of the links are affiliate links (both Amazon and other). This means that at no cost to you, if you use and purchase through them I receive a small compensation. This is paid by the retailer. It also helps support me and my artistic endeavors. Thank you.]

Music by Julyan Ray Matsuura

SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions.

spectrevisionradio.com

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2026 is the year of the fire horse—a year that happens only once every 60 years. Across East Asia, it symbolizes transformation, intensity, and bold action. But in Japan? It's feared. Birth rates actually plummet during fire horse years because of a superstition that dates back to Edo-era Japan.

What does a cursed kimono that burned down 70% of a city have to do with this? And why was a young girl named Oshichi burned at the stake in 1666? Come with me as I explore the tragic story behind this uniquely Japanese superstition, the Great Fire of Meireki that killed over 100,000 people, and what the saying "if it burns down, we'll build again" means for embracing change during difficult times.

[Please Note: Some of the links are affiliate links (both Amazon and other). This means that at no cost to you, if you use and purchase through them I receive a small compensation. This is paid by the retailer. It also helps support me and my artistic endeavors. Thank you.]

Music by Julyan Ray Matsuura

SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions.

spectrevisionradio.com

Learn more about your ad choices. Visit megaphone.fm/adchoices

What if the meal sitting in those beautiful lacquered boxes held messages from the gods?

In Japan, osechi-ryōri isn't just New Year's food—it's a sacred offering. Each dish carries specific wishes: black beans for health, herring roe for prosperity, lotus root for clear vision into the future. Families prepare them before midnight, then rest for three days while Toshigami-sama, the deity of the coming year, visits every home.

But why can't you use knives during the first three days? What happens to the kitchen god? And why do martial arts schools break open mirror-shaped mochi in January?

Thersa shares her in-laws' traditions of food exchanges, the evolution from handmade to convenience store osechi, and the deeper spiritual layers beneath each symbolic dish.

This episode of Uncanny Japan is brought to you by Spectrevision Radio, a podcast network of creators and entertainers with a love for horror, the paranormal, and championing the "other." Check out the rest of the podcasts at www.spectrevisionradio.com.

[Please Note: Some of the links are affiliate links (both Amazon and other). This means that at no cost to you, if you use and purchase through them I receive a small compensation. This is paid by the retailer. It also helps support me and my artistic endeavors. Thank you.]

Music by Julyan Ray Matsuura

SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions.

spectrevisionradio.com

Learn more about your ad choices. Visit megaphone.fm/adchoices

Don't point at the moon—you might wake up without your ears.

In Japan, the moon rabbit isn't just making mochi. Its image was placed there by the gods to honor an act of pure sacrifice, a Buddhist tale that traveled from India through China and transformed along the way.

In this episode we explore Tsukimi moon-viewing traditions, the violent origin of the moon god Tsukuyomi, protective pompous grass rituals, and dozens of poetic names for moonlight—from the "moon you can stand and wait for" to the "moon that rises deep into the night."

Plus: moon-viewing thieves, spirit-attracting moonbeams, and why pointing at the moon might cost you more than you think.

Tsuki wa jōman. The moon is always full.

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A blind musician is summoned to perform in the darkness. But who is listening? And what terrible price awaits a moment's oversight?

Today I read to you one of Lafcadio Hearn's most famous Japanese ghost stories: "Mimi-nashi Hōichi" or "The Earless Hōichi."

Please Note: Some of the links are affiliate links (both Amazon and other). This means that at no cost to you, if you use and purchase through them I receive a small compensation. This is paid by the retailer. It also helps support me and my artistic endeavors. Thank you.

Follow Uncanny Japan:

Credits:

About SpectreVision Radio:

spectrevisionradio.com
linktr.ee/spectrevisionsocial

Learn more about your ad choices. Visit megaphone.fm/adchoices