Bad Bunny performing at Super Bowl LX, is iconic. Despite the controversy surrounding the NFL's decision, he becomes the first predominantly Spanish-language halftime show in Super Bowl history. Conservatives are furious. Trump called it "ridiculous." There was a petition to replace him with George Strait, and even an alternative "All-American" halftime show headlined by Kid Rock.
But what everyone's missing is the real story: It's a "this is how the world has changed" moment. A historic feat .
In this episode, we trace the direct line from Atlanta trap music to Bad Bunny's Grammy-winning album "Debí Tirar Más Fotos." We break down how T.I.'s 2003 album "Trap Muzik" didn't just name a genre, it created the template that would eventually give birth to Latin trap, and ultimately, the biggest Latin artist in history.
We dive deep into and Uncover "NUEVAYoL," the opening track of Bad Bunny's album that samples El Gran Combo de Puerto Rico's salsa classic "Un Verano en Nueva York" and wraps it in trap-influenced reggaeton beats. We explore how Bad Bunny uses sampling not just for nostalgia, but as a tool for cultural preservation, ensuring that Puerto Rican musical heritage reaches a new generation.
You'll learn:
- How trap music evolved from Atlanta's underground to global dominance
- Why T.I. naming the genre in 2003 was crucial for Latin trap's emergence
- The story of De La Ghetto and the birth of Latin trap in 2007
- How Bad Bunny's sampling strategy honors the past while creating something revolutionary
- Why "Debí Tirar Más Fotos" becoming the first Spanish-language Album of the Year Grammy winner is more than just a music achievement, it's a cultural milestone
- The real reason behind the Super Bowl backlash (hint: it's not about language)
This isn't just a story about one artist. It's about how Black American music and Puerto Rican culture fused to create a sound that now dominates global charts. It's about immigration, identity, and the real American story: one of fusion, not division.
Whether you're a Bad Bunny superfan, a hip-hop head, or someone trying to understand why the Super Bowl halftime show has become a political flashpoint, this episode gives you the full context.
Perfect for: Music lovers, cultural commentators, anyone curious about the intersection of hip-hop and Latin music, Super Bowl watchers wanting context
Featured Music: Bad Bunny, El Gran Combo de Puerto Rico, T.I., De La Ghetto, Héctor & Tito
Episode Length: 34 minutes
---
SHOW NOTES:
[00:00] Intro: The Sample That Started It All
- El Gran Combo de Puerto Rico's "Un Verano en Nueva York" (1968)
- Bad Bunny's "NUEVAYoL" and the Grammy win
[04:57] Act One: The Song and the Album
- "Debí Tirar Más Fotos" track-by-track breakdown
- Cultural preservation through sampling
- Why this album matters beyond music
[10:51] Act Two: Sampling in Latin Trap
- What makes Latin trap different from American trap
- How sampling fights cultural erasure
[16:07] Act Three: T.I. and the Invention of Trap
- Setting the record straight: Did T.I. invent trap?
- Shawty Redd and the real trap sound origins
- "Trap Muzik" (2003) and mainstream legitimacy
[20:51] Act Four: The Atlanta to Puerto Rico Pipeline
- How Latin artists adapted the trap template
[27:56] Act Five: Full Circle - "NUEVAYoL" and What Photos Can't Capture
- Intergenerational connection through music
- Music as proof of cultural fusion
📱 Follow Uncovering the Cover:
- Instagram: [@uncoveringthecover]
- TikTok: [@uncoveringcover.podcast]
- Website: [pinzondiego.com/podcast]
CREDITS:
Host, Producer, Editor: Diego Pinzón
SUPPORT THE SHOW:
If you enjoyed this episode:
✅ Subscribe to the show
✅ Leave a 5-star review
✅ Share with a friend
✅ Follow us on social media
DISCLAIMER:
The views and opinions expressed in this podcast are those of the host and do not necessarily reflect the official policy or position of any artist, label, or organization mentioned. All music samples are used for educational and commentary purposes under fair use doctrine.