Free Siege re-rub of Rossi x Jazzy 'High On Me'.
Not an official release - for promotional use only.

Free Siege re-rub of Rossi x Jazzy 'High On Me'. Not an official release - for promotional use only.

Rossi. x Jazzy - High On Me (Siege re-rub) [FREE DOWNLOAD]

UNDRSIEGE Radio January 2021 episode including tracks from Mark Knight & Siege , Danny Howard, Eli Brown, Harry Romero, Alan Fitzpatrick and more.

www.instagram.com/siege.dj
www.undrsiege.com

UNDRSIEGE Radio January 2021 episode including tracks from Mark Knight & Siege , Danny Howard, Eli Brown, Harry Romero, Alan Fitzpatrick and more. www.instagram.com/siege.dj www.undrsiege.com

UNDRSIEGE Radio January 2021 episode including tracks from Mark Knight &amp; Siege , Danny Howard, Eli Brown, Harry Romero, Alan Fitzpatrick and more.

www.instagram.com/siege.dj
www.undrsiege.com

UNDRSIEGE Radio January 2021

Bookings: bookings@undrsiege.com
Management: mgmt@undrsiege.com

Siege's connection with music runs deep. As a child he was drawn to sound for as long as he can remember. Piano lessons gave him a formal start, but electronic music quickly took over. The energy of eurotrance and the possibilities of sound design opened a new world.

Turntables soon followed. DJing was a way to share that passion, but it wasn't enough. He wanted recognition for the music itself, to create something of his own, so producing became the natural step. Over time this grew into a sound shaped by house, techno and trance, with the drive of techno, the groove of house and the melodies of trance when the track allows for them.

A defining moment came with Crunk, a rework of Mary J. Blige's "Family Affair," released on Azuli. After being swept up in an EDM wave that never felt right, this marked a return to his roots. From there his music began gaining support across the spectrum, from undrground pillars like Carl Cox and Adam Beyer to more mainstream figures such as Tiësto and David Guetta, with consistent backing from BBC Radio 1 selectors including Danny Howard and Pete Tong. Gigs grew in scale, with Tomorrowland's DreamVille stage standing out as a breakthrough, born from a simple email to the festival founder that led to a performance for thousands. His tracks went on to find a home on Toolroom, Saved and Truesoul, while shows took him from Tomorrowland to Eden Ibiza and Studio 338 in London.

Even when life pulled him away from the stage, music stayed close. Coming back was never a question of if, only when. The focus now is simple: make music, and build from there.

Music

Bookings: bookings@undrsiege.com Management: mgmt@undrsiege.com Siege's connection with music runs deep. As a child he was drawn to sound for as long as he can remember. Piano lessons gave him a formal start, but electronic music quickly took over. The energy of eurotrance and the possibilities of sound design opened a new world. Turntables soon followed. DJing was a way to share that passion, but it wasn't enough. He wanted recognition for the music itself, to create something of his own, so producing became the natural step. Over time this grew into a sound shaped by house, techno and trance, with the drive of techno, the groove of house and the melodies of trance when the track allows for them. A defining moment came with Crunk, a rework of Mary J. Blige's "Family Affair," released on Azuli. After being swept up in an EDM wave that never felt right, this marked a return to his roots. From there his music began gaining support across the spectrum, from undrground pillars like Carl Cox and Adam Beyer to more mainstream figures such as Tiësto and David Guetta, with consistent backing from BBC Radio 1 selectors including Danny Howard and Pete Tong. Gigs grew in scale, with Tomorrowland's DreamVille stage standing out as a breakthrough, born from a simple email to the festival founder that led to a performance for thousands. His tracks went on to find a home on Toolroom, Saved and Truesoul, while shows took him from Tomorrowland to Eden Ibiza and Studio 338 in London. Even when life pulled him away from the stage, music stayed close. Coming back was never a question of if, only when. The focus now is simple: make music, and build from there.

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Undr Siege Radioshow

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