Saw II: Seen, is a sequel that tries to be bigger, better, and more deadly than its predecessor. It succeeds in two of those. More traps, more victims, surprisingly the same amount of backstory.

Intended to be Stuart Gordon's swan song, this Shudder original adaptation of H.P. Lovecraft's "The Thing at the Doorstep" ultimately feels mishandled and cheap. Find out why we're annoyed!

Guys, I'm too tired to think of crypt keeper puns. I'm sorry.

EPISODES COVERED:

• Television Terror

• The Ventriloquist’s Dummy

• Cutting Cards

Sigh. Another protagonist that doesn't seem to exist before the movie starts.

You won't believe who we got as a guest on today's episode.

It's dark and sinister and doesn't seem like anything. Kind of like Jazz.

Pull up a chair. Let's rap.

EDIT: I don't know why comments are locked! I keep changing it and it keeps changing back! -GB

He spelled the name of the movie funny so kids wouldn't accidentally google for it.

And if you don't like this movie? Well, then I suppose you can... get out!

Our analysis of Get Out shouldn’t be the only (or even the first!) that you hear. To provide a broader perspective, we’ve assembled this list of pieces written by critics of color.

• “Getting In and Out” by Zadie Smith

• “From ‘Get Out’ to ‘Nope’, Jordan Peele is Reframing the Act of Looking” by Kelli Weston

• “Get Out film analysis - Negrophilia, race-relation and the new dynamic” by Abdul Moiz

• “Horror Blackademics: The Get Out (2017) Syllabus” by the Graveyard Shift Sisters. This is an index of even more pieces, compiled for a course on Get Out created by Crystal Boson, PhD.

How low can you go? I said, how low can you go?