Unstoppable Recording Machine Podcast

Devin Townsend is a legendary musician, songwriter, and producer who has worked with Lamb Of God, Misery Signals, Gwar among others. He is rightfully considered one of the most innovative, groundbreaking and influential artists in his self created and ever evolving category of music, and we’re very stoked to have him on the podcast.

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Devin is as thoughtful and articulate as he is talented, so this one is a fantastic episode that covers a ton of ground: how to know when it’s time to move on to a new project, what it’s like to have people pressuring you to take a stand on an issue, and why it’s oftentimes difficult but always necessary to come to terms with who you are as a creator.

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“I think I was aware throughout my career that if I had ever gotten really successful, I just didn’t have the mental fortitude to handle it.” - Devin Townsend

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MIXCRITMONDAY IS THE SHOW WHERE WE CRIT YOUR MIXES!

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On today’s episode we crit URM student submitted mixes for At The Gates’ “The Chasm” and The Haunted’s “Preacher of Death.” These mixes are picked at random from our private, student-only mix crit group on Facebook, The Rocktagon.

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Bryan Von Reuter is a forensic media examiner who works as a court-appointed expert on both state and federal cases, often focusing on technical analysis of audio files to establish the identity of a speaker, source of a sound, and so forth.

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We spend so much time on this podcast focusing on people who work with audio for music that we sometimes forget that there's a wide world of non-music related audio careers. Even if you don't fit the producer mold, it doesn't mean you don't have a future in audio. We’re excited to have Bryan on to discover more about forensic audio analysis and how it’s used: what tools and techniques he relies on, how he works with criminal defense attorneys, what is an isn’t acceptable in a court of law, and of course, how these techniques could cross over into music work. 

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If you love the technical episodes then you won’t want to miss out on this one because it goes deep!

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“There’s, to some extent, this vow of poverty that happens when you want to truly follow the path to make a creative life that involves self-prescribing and making art and music for yourself. Sometimes that’s incredibly culturally salient,  and then sometimes it totally diminishes the joy when you start involving other people with it or sharing it with the world.” - Bryan Von Reuter

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Blasko is the bassist for Ozzy Osbourne, former bassist for Rob Zombie, and manages prominent artists such as Andy Black and Zakk Wylde.

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Very few people have the chance to ever experience their dreams come true, let alone sustain those dreams for an entire career. That type of success doesn't happen by accident. Only through a sustained habit of great decision making, a network of influential strategic alliances, calculated risk taking, next level intuition, an unstoppable work ethic, and a little bit of luck can anyone even hope to have the chance to play the game at it's higher levels. It's rare to get the chance to pick the brain of someone who's made it happen, to that degree.

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That's why we’re thrilled to have Blasko back on the podcast. He's been in the upper echelon of this business for decades and it really shines through in this episode.We discuss what it takes to make the most out of every single opportunity. Whether you succeed or fail at something, with the right mindset (and skillset) anything can be reframed to your advantage.  You’ll want to soak up everything he says, because it doesn’t just apply to touring, it applies to anything you want to do with your creative career. 

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“Your network is your net worth. In this business there is no truer statement. There’s no truer reality.” - Blasko

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Susan Rogers is a neuroscientist and professor at Berklee College of Music and a mixer/engineer who’s worked with legends like Prince, David Byrne, and Barenaked Ladies among many others.

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We’re thrilled to have Susan on to talk about music from a very different angle than what you’re probably used to: a deep dive on how to understand music on a neurological level, how she got her start working with Prince, how the definition of “success” can vary wildly for every one of us, and much more.

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Susan’s unique point of view is thought provoking, refreshing, and guaranteed to give you plenty to think about. So if you’re ready to put your brain to work, press play on this episode and enjoy the ride!

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“Too many artists are concerned simply with themselves and with getting the product on the shelf. They should be a concerned a lot more with the consumption of it. Who’s consuming it and why?” - Susan Rogers

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Eliran Kantor is a prolific artist who has worked with bands like Testament, Hatebreed, Thy Art Is Murder, Fleshgod Apocalypse,  Bloodbath, Andy Black, and many more.

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Eliran Kantor is known for bringing a unique and truly dark look to every album cover he creates. We discuss how he got his start in art, what led him to working with Testament, and how he never gave up on his passion. He also talks about what it’s like to be a team player when his personality doesn’t always naturally play well with others.

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Tom Lord-Alge is a legendary mixer whose credits we simply can’t do justice to in this format: He’s worked with a massive list of household names like Marilyn Manson, Sum 41, Green Day, Korn, Blink-182 and Weezer among countless others, and has maintained his position at the top of the audio food chain for well over three decades.

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We’re thrilled to have Tom on the podcast to talk shop, including how he got his start, what role his brother Chris has played in his career, how his process has evolved over time to incorporate both digital and analog, and many, many more lessons he’s learned over the course of his incredible career.

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Needless to say, with so many years in the game, Tom has a wealth of knowledge to share and we’re barely scratching the surface here-- we could have talked to him for literally days. That said, listening to this episode is the closest thing you’ll get to downloading Tom’s experience directly into your brain, so you definitely don’t want to miss this one!

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“Generally speaking, a good song is a good song is a good song. I’ve been very fortunate throughout my career to have some great songs on my console. And all my job was to make them sound really good and exciting and to bring out the key things in the songs to make them even better.” - Tom Lord-Alge

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In this episode, we’re thrilled to welcome Patrick Stump (vocalist of Fall Out Boy) and Sean O’Keefe, who produced the debut Fall Out Boy album “Take This To Your Grave” as well as their “Lake Effect Kid” EP.

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They have a ton of history together dating back to the early days of the band, but what makes this such a cool and fun conversation is that it’s not just a nostalgia fest. They’re able to compare the past to the present, talk about what they learned along the way, and touch on a few of the things about the old days that they’ve kept alive even as their careers leveled up.

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Patrick and Sean dive deep on how it felt to be reunited for “Lake Effect Kid” years later, how they met, how they’ve grown as creators and some fun things that you probably didn’t know about “Take This To Your Grave.”

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It’s a rare opportunity to sit down with a band that’s gone from playing to a dozen people at a bowling alley to playing the Superbowl twice AND a producer who’s worked with them at both points in time, so don’t miss out on this one!

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MixCritMonday is the show where we crit YOUR mixes! On today’s episode we crit URM student submitted mixes for Fall Out Boy’s “Lake Effect Kid.” These mixes are picked at random from our private student only mix crit group on Facebook.

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Producer Jacob Hansen and the members of Dyscarnate join us to discuss how to optimize a DIY production. If done properly, even a low budget production can be turned into gold in the hands of the right mixer.

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When Jacob Hansen handled the mixing for With All Their Might, he was given a bare bones, but properly done DIY production. The band gave him everything he needed to be able to turn it into a crushing mix. In this episode we discuss what is important and what isn’t important when your recording situation isn’t ideal. It’s true that nothing beats a great band in a great room with great gear and a great producer, but that’s just not reality for most bands and it’s important to know how to make the best out of any recording situation you find yourself in

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