South Indian Classical (Carnatic) Music Archive: Classes / Lessons

Vatapi Ganapathim (Class / Lesson): Hamsadhwani ; Adi; Dikshitar


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Full Notation / Meanings -> http://www.shivkumar.org/music/#v

Ragam: Hamsadhwani (29th mela janyam)

ARO: S R G P N S || AVA: S N P G R S ||

Talam: Adi

Composer: Dikshitar

Version: T. Rukmini

Pallavi:

Vaataapi Ganapathim Bhajeham Vaaranaasyam Vara Pradam Sri

Anupallavi:

Bhootaadi Samsevitha Charanam

Bhoota Bhautika Prapancha Bharanam

Veetharaaginam Vinuta Yoginam Vishwakaaranam Vigna Vaaranam

Charanam:

Puraa Kumbha Sambhava Munivara Prapoojitam Trikona Madhyagatam

Muraari Pramukhaadyupaasitam Moolaadhaara Kshetrasthitam Paraadi Chatvaari Vaagaatmakam

Pranava Svaroopa Vakratundam Nirantaram Nitila Chandragandam Nijavaamakara Vidhrutekshu Dandam

Karaambujapaasha Beejaapooram Kalushavidooram Bhootaakaaram Haraadi Guruguha Toshita Bimbam

Hamsadhvani Bhooshita Herambham

Meaning: (From TK Govinda Rao’s Book)

I worship (“Bhajeham”) Lord Ganapati of Vaatapi, who has the face (“aasyam”) of an elephant (“vaara”) and confers (“pradam”) boons (“vara”) on His devotees.

His feet (“charanam”) are worshipped (“samsevitha”) by a host of Bhootaganas. He pervades (“bharanam”)  the world  (“bhoota bhautika”) consisting of the five elements (“prapancha”). He transcends(“raaginam”)  the desires (“veeta”) and is revered (“vinuta”) by Yogis. He is the cause (“kaaranam”) of creation(“viswa”)  and the obliterator (“vaaranam”) of obstacles (“vigna”).

He is worshipped (“prapoojitham”) by the ancient sage (“munivara”) Agastya -- who was born (“sambhava”) out of a water pitcher (“pura kumbha”).

He dwells in the center (“madhyagatham”) of the mystic triangle (“trikona”) and is meditated (“upaasitham”) upon Vishnu (“muraari”) and other “Pramukhas” (important ones).

He is the presiding deity (“sthitham”) of Mooladhaara Kshetra.

He is of the form (“aatmakam”) of four (“chatvaari”) kinds (“paraadi”) of sound (“vaagaa”) beginning with Para.

He has a twisted (“vakra”) trunk (“tundam”) and is of the form (“swaroopa”) of Pranava.

He bears a crescent (“nitila”) moon (“chandra”) on his forehead (“gandam”) and holds a sugar cane (“ikshu”) on His left hand.

He bears in His lotus-like (“ambuja”) hands (“kara”) a noose (“pasha”), a goad and fruits (“beejapooram”).

He drives away (“vidhooram”) all the evils(“kalusha”). He has a gigantic (“bhoota”) form (“aakaaram”).

He (“bimbam”) is adored (“toshita”) by Hara, Guruguha and others (“aadi”). He is lord Heramba adorned (“bhushita”) with Raga Hamsadhwani.

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South Indian Classical (Carnatic) Music Archive: Classes / LessonsBy Shivkumar Kalyanaraman

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