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Our greatest problem is that we have turned away from Krishna. This one action has turned into our existential dilemma. We are lost servants. But strangely we think, at least unconsciously, that it is Krishna who has abandoned us. Only when we become eager to meet Krishna again, and serve Him with body, mind and heart – as eager as a drowning man is eager to breathe again – can we attain our spiritual success. Real love, however, will only flow when we move out of the center and put Krishna there.
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When he understood that the water of the Yamunā was being polluted by the black serpent Kāliya, Lord Kṛṣṇa took action against him and made him leave the Yamunā and go elsewhere, and thus the water became purified.
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Liberation fro the cycle of birth and death does not mean that you will not be born here again. It means that now there is neither coming nor going- nowhere, not any plane. then you remain rooted where you are. The day this happens, the springs of Joy burst forth on all sides. We cannot experience Joy being in an imaginary place, we can only find Joy being where we really are. We can only be happy being what we are, we can never be happy being what we are not. So moving through the cycle of birth and death means we are wondering through illusory places – we are lost somewhere we have never been. We are wondering through some place where we are never ever supposed to be, While the place where we actually are we have lost site off. So freedom from birth and death means coming back to where we are, coming back home.
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The four orders of human society, combined with family welfare activities as they are set forth by the institution of the sanatana-dharma or varnasrama-dharma, are designed to enable the human being to attain his ultimate salvation. Therefore, the breaking of the sanatana-dharma tradition by irresponsible leaders of society brings about chaos in that society, and consequently people forget the aim of life—Visnu. Such leaders are called blind, and persons who follow such leaders are sure to be led into chaos.
presently it is time actually called Pitru paksha in the month of Bhadrapada masa ..Is perfect timing to do this Shaardha Karma. If one cannot do yearly shaardha karma for all the ancestors it could be done once for all in this auspicious month. Esp. Mahalaya amavasaya. pitru loka's one day equals one month on earth. that's why they do tarpan every amavasya. If possible. Daily doing pooja for Lord offering Krishna bhog and then offering to guru Maharaj and then taking the same to ancestors and then partaking it is a nitya karma. It is nice but Shaardha karma should not be stopped.
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After consulting with his demoniac ministers, Kaṁsa instructed a witch named Pūtanā, who knew the black art of killing small children by ghastly sinful methods, to kill all kinds of children in the cities, villages and pasturing grounds. Such witches can play their black art only where there is no chanting or hearing of the holy name of Kṛṣṇa. It is said that wherever the chanting of the holy name of Kṛṣṇa is done, even negligently, all bad elements – witches, ghosts and dangerous calamities – immediately disappear. And this is certainly true of the place where the chanting of the holy name of Kṛṣṇa is done seriously – especially in Vṛndāvana when the Supreme Lord was personally present. Therefore, the doubts of Nanda Mahārāja were certainly based on affection for Kṛṣṇa. Actually there was no danger from the activities of Pūtanā, despite her powers. Such witches are called khecarī, which means they can fly in the sky. This black art of witchcraft is still practiced by some women in the remote northwestern side of India. They can transfer themselves from one place to another on the branch of an uprooted tree. Pūtanā knew this witchcraft, and therefore she is described in the Bhāgavatam as khecarī.
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After consulting with his demoniac ministers, Kaṁsa instructed a witch named Pūtanā, who knew the black art of killing small children by ghastly sinful methods, to kill all kinds of children in the cities, villages and pasturing grounds. Such witches can play their black art only where there is no chanting or hearing of the holy name of Kṛṣṇa. It is said that wherever the chanting of the holy name of Kṛṣṇa is done, even negligently, all bad elements – witches, ghosts and dangerous calamities – immediately disappear. And this is certainly true of the place where the chanting of the holy name of Kṛṣṇa is done seriously – especially in Vṛndāvana when the Supreme Lord was personally present. Therefore, the doubts of Nanda Mahārāja were certainly based on affection for Kṛṣṇa. Actually there was no danger from the activities of Pūtanā, despite her powers. Such witches are called khecarī, which means they can fly in the sky. This black art of witchcraft is still practiced by some women in the remote northwestern side of India. They can transfer themselves from one place to another on the branch of an uprooted tree. Pūtanā knew this witchcraft, and therefore she is described in the Bhāgavatam as khecarī.
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After consulting with his demoniac ministers, Kaṁsa instructed a witch named Pūtanā, who knew the black art of killing small children by ghastly sinful methods, to kill all kinds of children in the cities, villages and pasturing grounds. Such witches can play their black art only where there is no chanting or hearing of the holy name of Kṛṣṇa. It is said that wherever the chanting of the holy name of Kṛṣṇa is done, even negligently, all bad elements – witches, ghosts and dangerous calamities – immediately disappear. And this is certainly true of the place where the chanting of the holy name of Kṛṣṇa is done seriously – especially in Vṛndāvana when the Supreme Lord was personally present. Therefore, the doubts of Nanda Mahārāja were certainly based on affection for Kṛṣṇa. Actually there was no danger from the activities of Pūtanā, despite her powers. Such witches are called khecarī, which means they can fly in the sky. This black art of witchcraft is still practiced by some women in the remote northwestern side of India. They can transfer themselves from one place to another on the branch of an uprooted tree. Pūtanā knew this witchcraft, and therefore she is described in the Bhāgavatam as khecarī.
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After consulting with his demoniac ministers, Kaṁsa instructed a witch named Pūtanā, who knew the black art of killing small children by ghastly sinful methods, to kill all kinds of children in the cities, villages and pasturing grounds. Such witches can play their black art only where there is no chanting or hearing of the holy name of Kṛṣṇa. It is said that wherever the chanting of the holy name of Kṛṣṇa is done, even negligently, all bad elements – witches, ghosts and dangerous calamities – immediately disappear. And this is certainly true of the place where the chanting of the holy name of Kṛṣṇa is done seriously – especially in Vṛndāvana when the Supreme Lord was personally present. Therefore, the doubts of Nanda Mahārāja were certainly based on affection for Kṛṣṇa. Actually there was no danger from the activities of Pūtanā, despite her powers. Such witches are called khecarī, which means they can fly in the sky. This black art of witchcraft is still practiced by some women in the remote northwestern side of India. They can transfer themselves from one place to another on the branch of an uprooted tree. Pūtanā knew this witchcraft, and therefore she is described in the Bhāgavatam as khecarī.
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After consulting with his demoniac ministers, Kaṁsa instructed a witch named Pūtanā, who knew the black art of killing small children by ghastly sinful methods, to kill all kinds of children in the cities, villages and pasturing grounds. Such witches can play their black art only where there is no chanting or hearing of the holy name of Kṛṣṇa. It is said that wherever the chanting of the holy name of Kṛṣṇa is done, even negligently, all bad elements – witches, ghosts and dangerous calamities – immediately disappear. And this is certainly true of the place where the chanting of the holy name of Kṛṣṇa is done seriously – especially in Vṛndāvana when the Supreme Lord was personally present. Therefore, the doubts of Nanda Mahārāja were certainly based on affection for Kṛṣṇa. Actually there was no danger from the activities of Pūtanā, despite her powers. Such witches are called khecarī, which means they can fly in the sky. This black art of witchcraft is still practiced by some women in the remote northwestern side of India. They can transfer themselves from one place to another on the branch of an uprooted tree. Pūtanā knew this witchcraft, and therefore she is described in the Bhāgavatam as khecarī.
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After consulting with his demoniac ministers, Kaṁsa instructed a witch named Pūtanā, who knew the black art of killing small children by ghastly sinful methods, to kill all kinds of children in the cities, villages and pasturing grounds. Such witches can play their black art only where there is no chanting or hearing of the holy name of Kṛṣṇa. It is said that wherever the chanting of the holy name of Kṛṣṇa is done, even negligently, all bad elements – witches, ghosts and dangerous calamities – immediately disappear. And this is certainly true of the place where the chanting of the holy name of Kṛṣṇa is done seriously – especially in Vṛndāvana when the Supreme Lord was personally present. Therefore, the doubts of Nanda Mahārāja were certainly based on affection for Kṛṣṇa. Actually there was no danger from the activities of Pūtanā, despite her powers. Such witches are called khecarī, which means they can fly in the sky. This black art of witchcraft is still practiced by some women in the remote northwestern side of India. They can transfer themselves from one place to another on the branch of an uprooted tree. Pūtanā knew this witchcraft, and therefore she is described in the Bhāgavatam as khecarī.
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Vedavarsity Sound™ is the official podcast initiative of Vedavarsity™, created to extend its mission of preserving and presenting timeless Vedic wisdom. Drawing…