
Sign up to save your podcasts
Or


If you Google “Verdi” and “Royal Albert Hall,” you’ll probably be directed to a fine Italian restaurant named after the famous Italian opera composer that is located in that famous British concert venue, but back in 1875 the combination of Verdi and the Royal Albert Hall meant not a hot meal — but a hot ticket — for Londoners.
On today’s date that year a chorus of over 1000 and an orchestra of 150 assembled at Royal Albert Hall to give the U.K. premiere of Verdi’s Requiem Mass, a brand-new sacred work to be conducted by the composer himself.
Verdi’s “Requiem” had received its world premiere performance almost exactly one year earlier — on May 22, 1874 to be exact — at the Church of San Marco in Milan, a performance also conducted by the composer. Although it was premiered in a church, just three days later Verdi brought his Requiem to Milan’s La Scala opera house and cast the lead singers from his latest opera Aida as its four vocal soloists.
Commentators ever since have noted shared musical similarities of mood, color, and drama in these two works, and quipped Verdi’s “Requiem” might just be his greatest opera.
Giuseppe Verdi (1813-1901): “Sanctus” from Requiem; Monteverdi Choir; Orchestre Revolutionnaire et Romantique; John Eliot Gardner, conductor; Decca 441142
By American Public Media4.7
176176 ratings
If you Google “Verdi” and “Royal Albert Hall,” you’ll probably be directed to a fine Italian restaurant named after the famous Italian opera composer that is located in that famous British concert venue, but back in 1875 the combination of Verdi and the Royal Albert Hall meant not a hot meal — but a hot ticket — for Londoners.
On today’s date that year a chorus of over 1000 and an orchestra of 150 assembled at Royal Albert Hall to give the U.K. premiere of Verdi’s Requiem Mass, a brand-new sacred work to be conducted by the composer himself.
Verdi’s “Requiem” had received its world premiere performance almost exactly one year earlier — on May 22, 1874 to be exact — at the Church of San Marco in Milan, a performance also conducted by the composer. Although it was premiered in a church, just three days later Verdi brought his Requiem to Milan’s La Scala opera house and cast the lead singers from his latest opera Aida as its four vocal soloists.
Commentators ever since have noted shared musical similarities of mood, color, and drama in these two works, and quipped Verdi’s “Requiem” might just be his greatest opera.
Giuseppe Verdi (1813-1901): “Sanctus” from Requiem; Monteverdi Choir; Orchestre Revolutionnaire et Romantique; John Eliot Gardner, conductor; Decca 441142

6,773 Listeners

38,915 Listeners

8,771 Listeners

9,202 Listeners

5,780 Listeners

927 Listeners

1,388 Listeners

1,287 Listeners

3,161 Listeners

1,975 Listeners

523 Listeners

183 Listeners

13,767 Listeners

3,083 Listeners

248 Listeners

28,135 Listeners

430 Listeners

5,470 Listeners

2,194 Listeners

14,142 Listeners

6,423 Listeners

2,515 Listeners

4,836 Listeners

574 Listeners

244 Listeners