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That tap-tap, tap-tap at the beginning of “Blister in the Sun” may be one of rock’s most air-drummed fills, and former Violent Femmes drummer Victor DeLorenzo explains how the song's indelible intro came to be. He shares many more stories about this Milwaukee band, including the name’s origin, the invention of his tranceaphone and the jaw-dropping tale of how the Pretenders discovered Violent Femmes busking outside the theater and invited the trio to open for them that night. Violent Femmes’ instant-classic self-titled debut sounded like nothing else, the third album was produced by Talking Heads’ Jerry Harrison, and after five studio albums, DeLorenzo had had enough. He tells of his ongoing acting career that included a tryout for Brian De Palma’s The Untouchables, his reaction to the "Blister" Wendy's ad and his up-and-down relationship with his former bandmates.
 By Mark Caro
By Mark Caro4.8
5656 ratings
That tap-tap, tap-tap at the beginning of “Blister in the Sun” may be one of rock’s most air-drummed fills, and former Violent Femmes drummer Victor DeLorenzo explains how the song's indelible intro came to be. He shares many more stories about this Milwaukee band, including the name’s origin, the invention of his tranceaphone and the jaw-dropping tale of how the Pretenders discovered Violent Femmes busking outside the theater and invited the trio to open for them that night. Violent Femmes’ instant-classic self-titled debut sounded like nothing else, the third album was produced by Talking Heads’ Jerry Harrison, and after five studio albums, DeLorenzo had had enough. He tells of his ongoing acting career that included a tryout for Brian De Palma’s The Untouchables, his reaction to the "Blister" Wendy's ad and his up-and-down relationship with his former bandmates.

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