A dance from Playford's Dancing Master (1698) thought to have been named after the Red Bull Playhouse, an inn-yard theatre, built in 1605 in what is now Haywood's Place. During the early part of the 17th Century, the theatre was used by the Queen's Men, and their performances rivalled those at the Globe and the Fortune.

During the Civil War and Interregnum, when other theatres were closed or destroyed, the Red Bull remained open, offering illicit performances of jigs, drolls, rope-dancing and much more.

It was demolished during the early years of the Restoration, but its location, Red Bull Yard could still be seen on Ogilby’s map a few years later.

The Red Bull dance doesn’t appear in the Dancing Master until 1698, but the melody is thought to date from c1619.

Maiden Lane - a "country dance" from John Playford's English Dancing Master, 1651.

The dance and its melody is thought to be named after Maiden Lane in Covent Garden, and it is just one of a great number of dances called for London places.

Situated between the Covent Garden Market and the Strand, Maiden Lane was originally a path running from Drury Lane to St Martin's Lane along the southern edge of the ‘Covent Garden’: that is, the Convent Garden, belonging to the Benedictine monks of Westminster Abbey, and providing produce for their table. The street was first called Maiden Lane in 1636.

A statue of the Virgin stood at the Eastern end of the lane, and this may be the origin of the name Maiden Lane. Another explanation is that it is a corruption of the Middle-English word ‘Midden'.

Famous residents over the centuries include Louis Napoleon, Benjamin Disraeli, Voltaire and the artist J.M.W. Turner. Edward VII and Lily Langtry dined in Maiden Lane and William Terriss, a celebrated actor of his day was murdered here by a crazed understudy in 1897.

Eleanor Cramer: bass viol

Christopher Goodwin: cittern

Peter Kenny: drum

Tamsin Lewis: violin

Brick Lane, in the heart of the East End of London, is often considered one of the most famous locations in the UK for graffiti and street art. Whilst international street artists aspire to paint on Brick Lane, it is kept fresh by local artists who change the graffiti on a weekly basis. Works can be found by famous street artists from around the world, including Phlegm, Ben Eine, Banksy, Noriaki, C215, ROA, Vhils and Shepard Fairey, to name just a few. One of the most popular works of street art in the area is that of ‘A Couple Hold Hands in the Street’ on Princelet Street by local artist Stik. The piece, created in 2010, shows a woman in a niqab holding hands with a second stick figure and was voted the nation’s 17th favourite artwork in a poll in 2017. One of the other long-standing pieces in the area is The Crane on Hanbury street which was created by Belgian street artist, ROA. The work was originally intended to be a heron but was changed to a crane after ROA learnt that they were sacred to the Bengali community, who make up a significant portion of the local population.

A variety of graffiti marks can be found across Hampton Court Palace, the Grade I listed royal palace located in the London borough of Richmond upon Thames. Historical graffiti at the site includes marks left on the King’s Staircase including dates, names, initials and even an engraving of a shoe! Further graffiti marks can also be found in the Cumberland Suits (including marks from the 1730s, 1880s and 1980s), in the Tudor Kitchens and in the Processional Gallery (also known as the ‘Haunted Gallery). The marks left behind on the royal palace give a further glimpse into the lives of those that worked and lived in the palace across centuries of its history.

For about twenty years, not a single pint was been pulled in The Lord Napier pub, located near to the Hackney Wick overground station. The pub was licensed in 1868 under the name The White’s Arms and was then advertised for sale, whereupon its news owners changed its name to The Lord Napier. During the twentieth century, the pub appeared in the local and national news as the site of numerous robberies and assaults. After its closure in 1995, the former pub attracted squat parties, became known as a destination for illegal raves in the early 2000s and began to be covered in graffiti. In 2016, artist Aida Wilde commissioned 29 local street artists as part of a 48-hour takeover of the building as a ‘symbol of protest against [the] gentrification’ which was happening in the local area. The pub has been attracting tourists to its ever changing exterior ever since it was reimagined with its iconic graffiti makeover. After attracting new ownership, the pub is expected to go through an extensive programme of refurbishment.

Leake Street Graffiti Tunnel, found underneath the platforms and tracks of Waterloo Station, is London’s largest legal graffiti wall at 300-metres in length. The site gained fame after famed British street artist, Banksy, held a street art festival called Cans Festival (a play on The Cannes Film Festival) in the tunnel. Banksy had recognised the potential of the tunnel which had formerly been used as an access road for taxis to pick up passengers from the Eurostar. From the 3rd-5th May 2008, forty street artists from around the world - including Blek le Rat, Ben Eine, Sten & Lex and Vexta - transformed the grimy tunnel into a street art haven. Graffiti and street art are legally permitted in the tunnel meaning that artists can create works without fear of getting arrested by police. This ever-changing gallery now attracts street art tourists and graffiti enthusiasts from around the world and   arches adjacent to the tunnel were recently transformed into bars and restaurants. The site was even home to a temporary cinema, The Lambeth Palace, to celebrate the release of Banksy’s documentary Exit Through the Gift Shop in 2010.

The Southbank Undercroft is a space under the Queen Elizabeth Hall of the Southbank Centre that has been a very popular with skateboarders and graffiti artists for over four decades. The Undercroft was completed in the 1960s and became popular with skateboarders in the 1970s. Over the years it has been covered and re-covered in graffiti and contains work created by thousands of artists over the years. The history of the Undercroft was made famous by Winston Whitter’s documentary Rollin Through the Decades (2005) which focused on the history of UK skateboarding from the 1970s to the mid-2000s. In 2013, the planned redevelopment of the area endangered the Undercroft but skaters and local enthusiasts campaigned and fought to safeguard the site, through the non-profit organisation Long Live Southbank (LLSB), and won.

Trellick Tower is a Grade II* listed tower block on Cheltenham Estate in Kensal Green which was designed in a Brutalist style by architect Ernö Goldfinger and opened in 1972. The base of the tower is renowned as a centre for urban arts and is another example of one of London’s legal ‘Graffiti Halls of Fame’, where graffiti artists can paint without the risk of arrest and, consequently, have a safe space to hone their skills. In the Autumn of 2020, it was revealed that the Royal Borough of Kensington and Chelsea council were taking steps to implement a new development onto the grounds of the Trellick Tower which would leave the graffiti hall of fame at risk of destruction. In response to the plans, Anna Gudbrands created a documentary film, ‘Trellick: The Writing is on The Wall’ highlighting the importance of both the tower and the Graffiti Hall of Fame.

The Tower of London is home to some of the most well-known historic graffiti in the city, and many of the marks are located in the Beauchamp Tower. The Beauchamp Tower was built between 1275-1281 during the reign of King Edward I and was later used as a state prison, housing high-ranking prisoners including Lady Jane Grey and her husband, Guildford Dudley. This former prison contains over three-hundred graffiti inscriptions which were created over four centuries by the imprisoned inhabitants to help alleviate their boredom during their confinement and so that they could make sure that they would be remembered.

IWA Southall had been running a pioneering welfare service from Southall Community Centre before they opened their welfare centre here in 1962.