By Rosamund Lily West. The sculpture, 'The Lesson', by Franta Belsky, was installed on the Avebury estate in Bethnal Green in 1959 by the London County Council.

By Rosamund Lily West. This viewpoint looks at the earliest of Peter Laszlo Peri’s Lambeth murals, ‘Following the Leader (Memorial to the Children Killed in the Blitz)’. Dating to 1949, it was installed on the stairwell of Darley House on the Vauxhall Gardens estate.

By Rosamund Lily West. After the Second World War, Hungarian artist Peter Laszlo Peri approached the LCC with the idea of depicting scenes of family life to ‘brighten up’ the facades of new LCC housing in Lambeth. ‘Boys Playing Football’, dates to between 1951 and 1952 and was installed on the South Lambeth estate.

By Rosamund Lily West. The sculptural mural, 'Pied Piper', by Willi Soukop, was installed on the Elmington estate in Camberwell in 1959 by the London County Council. This viewpoint looks at the theme of the Pied Piper and how the LCC wanted the mural to resonate with residents, in particular, children.

By Rosamund Lily West. Elisabeth Frink’s Blind Beggar and his Dog’ was installed in 1963 outside the bungalows built for the elderly on Bethnal Green’s Cranbrook estate. This viewpoint looks at the significance of the blind beggar for the early residents of the Cranbrook estate and the old Metropolitan Borough of Bethnal Green.

By Rosamund Lily West. After the Second World War, Hungarian artist Peter Laszlo Peri approached the LCC with the idea of depicting scenes of family life to ‘brighten up’ the facades of new LCC housing in Lambeth. ‘Mother and Children Playing’ dates to between 1951 and ‘52 and was installed on the stairwell of Horton House on the South Lambeth estate.

The history of Temple Bar and the traitors heads that once adorned it.

The story of Margaret Martel who was executed in Suffolk Street in 1697.

In 1500 St Pauls Cathedral was a great bastion of medieval Catholocism but over the next 150 years the Protestant Reformation and successive natural disasters changed it beyond recognition until in 1666 it was destroyed in the Great Fire. This is the story of a Cathedral and of England during some of the most tumultuous years in their history.

The parish and burial grounds of St Olave, Silvers Street and the individuals that were interred there.