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It was on today’s date in 1835 that Romantic opera composer Vincenzo Bellini died at a country home near Paris. He was only 34 but had achieved great fame in his brief lifetime.
The long, elegant melodic lines Bellini spun out in his operas were much admired and proved to be a major influence on the solo piano works of his contemporary, Frederic Chopin.
Bellini’s first success was Il Pirata or The Pirate from 1827, and just three years later, he could truthfully report: “My style is now heard in the most important theatres in the world …and with the greatest enthusiasm.” He settled in Paris, where his final opera, I Puritani di Scozia or The Puritans of Scotland premiered early in 1835.
If Bellini’s life had followed the Romantic story-lines of his operas, he would have been a dispossessed outcast who dies for love. In fact, Bellini was financially successful, moved in the highest social circles, and — rather than dying for love — was planning to marry for money at the time he succumbed to chronic gastroenteritis.
At his requiem mass, four leading composers of his day, Paer, Cherubini, Carafa and Rossini, each held a corner of the coffin shroud.
Vincenzo Bellini (1801-1835): Sinfonia from Il Pirata; German Opera Orchestra, Berlin; Marcello Viotti, conductor; Berlin Classics 11152
By American Public Media4.7
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It was on today’s date in 1835 that Romantic opera composer Vincenzo Bellini died at a country home near Paris. He was only 34 but had achieved great fame in his brief lifetime.
The long, elegant melodic lines Bellini spun out in his operas were much admired and proved to be a major influence on the solo piano works of his contemporary, Frederic Chopin.
Bellini’s first success was Il Pirata or The Pirate from 1827, and just three years later, he could truthfully report: “My style is now heard in the most important theatres in the world …and with the greatest enthusiasm.” He settled in Paris, where his final opera, I Puritani di Scozia or The Puritans of Scotland premiered early in 1835.
If Bellini’s life had followed the Romantic story-lines of his operas, he would have been a dispossessed outcast who dies for love. In fact, Bellini was financially successful, moved in the highest social circles, and — rather than dying for love — was planning to marry for money at the time he succumbed to chronic gastroenteritis.
At his requiem mass, four leading composers of his day, Paer, Cherubini, Carafa and Rossini, each held a corner of the coffin shroud.
Vincenzo Bellini (1801-1835): Sinfonia from Il Pirata; German Opera Orchestra, Berlin; Marcello Viotti, conductor; Berlin Classics 11152

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