Synthetic biology as an artistic technique draws on the exploration of the mechanisms used by organisms to process information and develop their morphologies to address a diverse range of aesthetic agendas. The instrumentalisation of biological processes and methodologies by artists is called Evolutionary Art (EvoArt) and this practice has been attracting in the last three decades an increasing number of creators. Natural selection and genetics are inspirations for the practice of artists such as William Latham (development of biomorphic shapes: sculptures, paintings, designs), or Robb Lovell and John Mitchell (development of entire virtual ecologies).