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First broadcast on FAB RADIO INTERNATIONAL at 19:00 on July 11th 2021
Our Canadian Correspondent RICK LAWLOR returns to have a bit of a natter about the Good, the Bad, and the Ugly of British Sitcoms, and, whilst he starts off with a long list of around ninety shows cross-indexed across several decades, over the course of our hour-long chat, we don't even manage to escape from the 1970s. If you're a fan of these shows, you may not learn much that you didn't already know, but I hope you'll enjoy our amiable nostalgic meander.
This obviously means that we'll be returning to the topic in at least one other future edition to cover the rest, but I hope that you'll enjoy our conversation, as we tiptoe around some uncomfortable content in certain shows, but also cover some of the greats like WHATEVER HAPPENED TO THE LIKELY LADS, DAD'S ARMY, FAWLTY TOWERS, and LAST OF THE SUMMER WINE.
PLEASE NOTE - For Copyright reasons, musical content sometimes has to be removed for the podcast edition. All the spoken word content remains (mostly) as it was in the broadcast version. Hopefully this won't spoil your enjoyment of the show.
5
11 ratings
First broadcast on FAB RADIO INTERNATIONAL at 19:00 on July 11th 2021
Our Canadian Correspondent RICK LAWLOR returns to have a bit of a natter about the Good, the Bad, and the Ugly of British Sitcoms, and, whilst he starts off with a long list of around ninety shows cross-indexed across several decades, over the course of our hour-long chat, we don't even manage to escape from the 1970s. If you're a fan of these shows, you may not learn much that you didn't already know, but I hope you'll enjoy our amiable nostalgic meander.
This obviously means that we'll be returning to the topic in at least one other future edition to cover the rest, but I hope that you'll enjoy our conversation, as we tiptoe around some uncomfortable content in certain shows, but also cover some of the greats like WHATEVER HAPPENED TO THE LIKELY LADS, DAD'S ARMY, FAWLTY TOWERS, and LAST OF THE SUMMER WINE.
PLEASE NOTE - For Copyright reasons, musical content sometimes has to be removed for the podcast edition. All the spoken word content remains (mostly) as it was in the broadcast version. Hopefully this won't spoil your enjoyment of the show.
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